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Hisayasu Sato is a Japanese exploitation film director. He has worked prolifically in the pinku eiga genre. He is known for his "sledgehammer" filmmaking style, and using his exploitation career to tackle serious subjects like obsession, alienation, perversion and voyeurism. He is famous for his "guerilla shooting technique" in which his actors appear on location in public and incorporate unknowing bystanders into the film. Hisayasu Sato’s often violent but highly visual works utilised a multitude of multimedia devices to reflect upon issues such as the power of the gaze, the dehumanising effects of technology and the loss of the individual’s sense of “self” that accompanied Japan’s period of economic boom in the late 80s.

Known For

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Autumn

2016

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Japanscope, panorama de la nouvelle Nouvelle Vague

2015

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Self

Cross the Lens

2006

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Detective

Tokyo Elegy

1999

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I Stand Alone - SEX & LOVE

1996

5.6

Man drinking sake

Chikan densha: Iyarashii kôi

1993

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Man groping school girl

Groper Train: Final Stop

1986

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Wakazuma Misshitsu Bôkô Jiken

1985

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Pink Physical Examination

1985

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Female Prisoners: Brutal Treatment

1984

Credits

Autumn

2016

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Japanscope, panorama de la nouvelle Nouvelle Vague

2015

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Cross the Lens

as Self

2006

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Tokyo Elegy

as Detective

1999

3.0

I Stand Alone - SEX & LOVE

1996

2.0

Chikan densha: Iyarashii kôi

as Man drinking sake

1993

5.6

Groper Train: Final Stop

as Man groping school girl

1986

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Wakazuma Misshitsu Bôkô Jiken

1985

2.0

Pink Physical Examination

1985

1.0

Female Prisoners: Brutal Treatment

1984

2.0

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Hometown Porn Girl 18! Seeding Festival

1984

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Delivery Wife: Get Wet!

1984

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Crying Rope, Missing Black Hair

1983

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Young Wife Assault Pervert

1982

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In The Sea of Trees

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