4:3

A portrait of Alexander Calder’s work Chef d’orchestra (1966), which was made in collaboration with New York composer Earle Brown. When it was made in 1964, the work was intended to be both an instrument (“played” at intervals in an open score by four percussionists) and a conductor (after it was hit and spun in motion, the musicians returned to their percussion stands and imagined the petals of the mobile superimposed over their written score, playing only those notes.) For Shape Notes, two performances of Chef d'orchestre were staged and recorded. The audio recordings of those performances were then edited and used as a new score from which the visual rhythm of this work was composed.

"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri

Mostly shot in San Francisco and Northern California, material filmed (using the camera almost as a p[r/a]inter, a means of shaping the visual world as film, but without reflection) in response to what that world was opening in me. "Material!" - analogies between weaving and spinning thread and images already a pattern within film history (e.g., in Deren) is here carried into further ramifications of unraveling and patterning in fabric- and cinema-making, as well as in personal and mythic dimensions. The open unfolding structure, which pulls away from the balanced design of much of my work, gives equal weight to the sound composition. Involves "opening" with its perils and ambiguities.

Othilie spends her vacations with her uncle Antoine, an old lonesome bear. In charge of a regional park, Antoine lives a long way from Paris, in company of the shepherd Tambourin, whose frightening face hides the innocence of a new-born child. Since the arrival of Othilie, odd things happen. A slaughtered sheep is found and weird howls are sounding through the night. The wolves are not far away.

A special detective is sent to Lisbon in order to investigate a series of murders. After looking into the murders, our hero realises that they are somehow linked to an illegal drug smuggling operation and so sets about looking into that in order to solve the murders and stop the smuggling from taking place.

Two brothers embark on a worldwide journey to discover what it's like for other siblings living with Down Syndrome. Their journey takes them to Cornwall, New York, Mumbai and Vietnam. Growing up, Nick was ashamed Alex, but through a shared journey they learn what it truly means to be brothers. Along the way they encounter families from a variety of different cultural backgrounds who each have their own outlooks on living with disabilities. They come face-to-face with the darker side of humanity and are forced to make difficult decisions about their future.

An unlucky Birthday boy must fight for his life against a masked psychopath.

Because of his lower class status, Alberto is rejected by Elvira. He then travels to the capital city to study Philosophy and return worthy of Elvira's love and approval.

Documentary about Ajax Amsterdam in 1968.

Aliens have come from the planet Uranus to steal Earth's resources. Its up to a group of Go-Go dancing Private eyes to stop them!

A documentary giving film fans a behind-the-scenes look at the making this Robert Altman film about a murder at an English country estate. Includes interviews with the cast and crew, who relate some of their experiences with making the film, as well as giving their views on all the work that went into it.

Filmed at the Marillion Weekend, Holland 2011. Friday night saw the band performing their classic 1991 album "Holidays In Eden", Saturday night dubbed "A-Z" with the band playing an alphabetical set, and Sunday night dubbed "The Glow Must Go On", where the audience (armed with glow sticks) would decide what the band would play next given a choice between any two songs.

Anger discusses his Aleister Crowley-inspired theories of art: How he views his camera like a wand and how he casts his films, preferring to consider his actors, not human beings but as elemental spirits. In fact, he reveals that he goes so far as to use astrology when making these choices. This is as direct an explanation of Anger’s cinemagical modus operandi as I have ever heard him articulate anywhere. It’s a must see for anyone interested in his work and showcases the Magus of cinema at the very height of his artistic powers. Fascinating. (Dangerous Minds)

Our first record "Pezcore" from 1994 preformed in its entirety in 2007, All the energy and rawness captured in front of our home state of Florida. Part of our 6 record show dates, "Pezcore" starts out like a shot out of a gun and ends like a cannon. One of our favorite records of our career. Tracklist: 1. Liquor Store 2. My Very Own Flag 3. Johnny Quest Thinks We're Sellouts 4. Big 5. Shotgun 6. Black Coffee 7. Throw The Brick 8. Growing Up On A Couch 9. Blindsided 10. Downbeat 11. Jen Doesn't Like Me Anymore 12. Out Of The Crowd 13. Robo 14. Where In The Hell Is Mike Sinkovich? 15. Process 16. Three Quarts Drunk 17. Boomtown 18. Short On Ideas 19. One Last Cigarette

Katharina beats more badly with budget releases and the care of nine-year-old Georg. Konrad knows her from earlier when she was still driving a taxi and she regularly took him and his sick wife to the hospital. Now Konrad's wife is dead and Katharina was abandoned by her husband. When Katharina and Konrad meet again by chance, both feel very attracted to each other and their love happiness is nothing in the way except Konrad's looming blindness. Since they can not raise the money for the operation, offers Katharina's protege Georg as a kidnap victim.

Strange human-shaped phenomenon appears in Piotrowski's new flat and he approaches all available institutions to help him get rid of it.

A teenage girl battling obsessive compulsive disorder has to run the gamut of school bullies every day, until a traumatic event convinces her that her disorder may be an indication of supernatural powers.

Like lots of young ladies their age, Marci (Vanessa Lengies) and Summer (Caroline Elliott) have boys on their feverish brains. But the closer the girls get to their school's Spring Fling dance, the further they seem from finding dates. A desperate search for dance partners doesn't turn up any leads until the duo finds a magic ring. Aided by their newfound powers, they transform two pet rats into teen dreamboats -- with nightmarish results.