No Time to Run Away

February 1999. Both ceremonies disappeared before Mikiya Kuroiri. And a continuous hunting murder case that recurs to match it. Three years ago, he called himself a murderer. Mikiya vowed to continue believing. Mikiya begins investigating the murder case to prove the innocence of the ceremony. Meanwhile, Mikiya reunited with a senior high school senior, Sakuji Shirazumi, triggered by a drug case.

In an English village, a reporter and a mechanic listen to a ratcatcher explain his clever plan to outwit his prey.

In the third and final episode of the trilogy, Fantômas imposes a head tax on the rich, threatening to kill those who do not comply.

Sutekh, the dark pharaoh from another dimension, sends his own puppet, Totem, to continue his quest to kill Rick and steal the magic which animates the puppets.

In the year 2524, four centuries after humans started colonizing the outer planets, retired General James Ford gets called back into service when a hostile alien fleet attacks soldiers on a remote planet. The threat against mankind soon escalates into an interstellar war as Ford and a team of elite soldiers try to stop the imminent attack before it's too late.

Paris, June 1940. The de Gaulle couple is confronted with the military and political collapse of France. Charles de Gaulle joins London while Yvonne, his wife, finds herself with her three children on the road of the exodus.

Despite his adult age, Anselmo behaves like a child and takes up the role of a superhero called "Copperman."

In 1945, at the end of World War II, Neus Català returns to France, where she recalls her life under the Nazi yoke.

After a dreadful incident coupled with an ungovernable paroxysm of violence, a butcher will fall into a downward spiral that will burn to the ground whatever dignity still remained in him.

This musical version of the tale of the boy who wouldn't grow up aired live on television on March 7, 1955. It was so popular that it was restaged the following year, and again four years later.

A 25-year-old man tries to suppress his embarrassment when his mother announces that she is pregnant.

TV Special converting a Disney fan's house into their dream home.

Since some bird chicks hatched in the neighborhood, the bat hasn't got any sleep.

On election night in 1981, celebrations spill out onto the street and there is an air of hope and change throughout Paris. But for Elisabeth, her marriage is coming to an end and she will now have to support herself and her two teenage children. She finds work at a late-night radio show and encounters a troubled teenager named Talulah whom she invites into her home.

As fanged, furious furballs viciously invade an L.A. apartment building and sink their teeth into the low-rent tenants, Josh leads the battle to beat back the conniving critters and save the planet.

With their father in prison for murder, siblings Alison and Brandon are instantly considered suspects when a string of killings plagues their town, and they must fight to clear their names.

An art dealer wants to buy a Modigliani, which is tattooed on the back of an old soldier.

While grieving for the loss of their mother, the Connolly sisters suddenly find they have a crime to cover up, leading them deep into the underbelly of their salty Maine fishing village.

When Harsha, a bike stunter from Vishakapatnam, accidentally meets Indu, he discovers his warrior life Kala Bhairava in his last birth. The remaining story explains how Indu and Kala Bhairava are connected.

People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.