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Chunauti is an action-packed romantic comedy that tells a story of love, struggle, and justice. Ajaya and his wife Prabha move to Kathmandu, where Ajaya starts working as a teacher. Later, his sister Gita joins them and enrolls in the same college. There, she meets a kind and charming student, but trouble arises when Madhav, a troublesome student, also starts liking her. One day, a fight breaks out in the college, and when Gita tries to stop it, an inspector arrives and brings the situation under control. Angered by this, Madhav and his group cause harm to Prabha and Gita. They also try to escape punishment through legal means. With no strong evidence, Ajaya takes a stand and challenges the court. In the end, he decides to take justice into his own hands, leading to a tragic ending where the inspector, fulfilling his duty, stops Ajaya. Chunauti is a story of love, courage, and sacrifice in the face of injustice.

Hearts collide when the conniving Jaggan (Prem Chopra) convinces Kishan (Amol Palekar) that his wife, Shanti (Rakhee Gulzar), is having an affair with his brother Shambhu (Rajesh Khanna). Of course, all this is done so that Kishan will marry Jaggan's cousin Tulsi (Rekha) according to Jaggan's master plan … even though Tulsi would much rather marry Shambhu. Confused? Don't worry. So are these weary lovers!

Documentary about Ajax Amsterdam in 1968.

A regiment of soldiers demonstrate their skills.

Chronicle of the daily activity of a newspaper called La Jornada. Through the events covered by the gossip columnist that occupy precisely the seventh page, a portrait emerges of different classes of Spain in the 50's and a vision of reality where facts are mixed comedy, police, emotional, dramatic and even tragic.

A businessman who wants to be rich loses out on family and social life. He marries a girl who loves him only because she would prove profitable to his business. He realizes what he lost after the death of his mother.

A whale is hunted in the southern hemisphere by the crew of a sailing ship: it is harpooned twice, using a cannon, and taken back to the shore. In the second part, the whale is butchered at a whaling station. A lady with a parasol looks on, while in the background are the sailing ships used to hunt whales. These are excerpts from a 1909 film called "La Pêche à Baleine dans les mers du Sud" made by Jean Nédelec and cut down in the 1920's for the Pathé Baby home movie projector.

In the early twentieth century, a mysterious ecological crisis nearly wiped out the fish that most people cared about in the largest freshwater ecosystem on earth—the Great Lakes. The impact reverberated across the region, ruining local industries, damaging small town economies and indigenous communities, and destroying the livelihoods of people in the United States and Canada. With little reason for hope, a dedicated group of scientists, policymakers, and conservationists tackled the mystery.

"Peep Show" is a strange amalgam of dank noir drama and cheesy journalism, recounting Sam “Momo” Giancana's reign with the Outfit. Styled as a confessional by one of Momo's gunsels, the tabloid tell-all traces the Cosa Nostra's connections first to the fall of Cuba and Kennedy's mob-supported presidency, then to a spreading blight of drug trafficking that swept through Vegas on the way to the White House.

In the dressing room of the French cinema, minutes before attending a lecture, François Truffaut recalls his trajectory

Join Jim in his unmissable brand new live show filmed in Colchester in front of one of the toughest audiences imaginable, hundreds of soldiers! Jim brings the house down with his trademark mix of cutting comments and close to the knuckle blue gags. This is one of the World's great comedians doing what he does best - making people laugh - and if he can have platoons of squaddies in tears of laughter then it's a show you just can't afford to miss!

The film revolves around a traditional Brahmin family and the fight between their beliefs and atheism.

Anger discusses his Aleister Crowley-inspired theories of art: How he views his camera like a wand and how he casts his films, preferring to consider his actors, not human beings but as elemental spirits. In fact, he reveals that he goes so far as to use astrology when making these choices. This is as direct an explanation of Anger’s cinemagical modus operandi as I have ever heard him articulate anywhere. It’s a must see for anyone interested in his work and showcases the Magus of cinema at the very height of his artistic powers. Fascinating. (Dangerous Minds)