The Blind Lady

A young woman suffers from sleep paralysis causing confusion with her reality.

A passenger picks up a woman at dawn who is to be a guest until midnight. Their journey begins...

Looking like a rediscovered film reel from the early days of cinema and with its "animal drag" costumes, this Dadaist nature documentary imagines a utopia where any and all life forms are equal.

In this documentary we meet five children in Sweden and see what happened in their lives. Robin was nine years old, but he already knew what a prison looked like and the bad a punishment can do. Frida was not yet born when we filmed her mother Angela in 1983. Her sister Malin lived for several years in a foster family. Bosse was 14 years old and in 9th grade when we met him in 1978. He was the only guy in the class who had glasses. Marie received many postcards and letters from her father, but very rarely met him while she was growing up.

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As a response to criticism for the allegedly excessive “mass appeal” of his earlier epic STORM OVER ASIA (1928), Vsevolod Pudovkin unleashed his flair for experimentation in what was supposed to be the director’s first sound feature. Everything went wrong: technical problems forced him to complete the film as a silent; viewers were baffled by the lack of a recognizable plot; then, the ideological climate of the Soviet Union changed. He was now being blamed for catering to bourgeois taste! Time has come to set the record straight. Here’s lyrical cinema at its best, deliberately operatic and yet intimate as it matches the characters’ inner life with the solemn rhythms of nature, and depicted through breathtaking black-and-white photography. A sensation at last year’s Pordenone fest, Pudovkin’s long-forgotten swan song to the art of montage is resurrected by Gabriel Thibaudeau’s emotionally charged live music performance. –PCU (USSR, 1930, 75m)

After a night of drunken shenanigans, the friendship of three university students is tested when they find themselves in an unprecedented situation

Based in Mumbai, Raja (Arjun) lives a violent yet poor lifestyle along with his father, Banwarilal. He meets with and comes to the rescue of Madurai/Mahendrapur-based belle, Mahalakshmi/Madhumita (Jyotika), and both fall in love with each other. When she returns home, her dad (Ashish Vidyarthi) finds that she is in love with Raja, instantly approves of him, and asks her to invite him, which she does. Raja accordingly arrives to meet her family - and it is this arrival that will pit him against goons dispatched by none other than Mahalakshmi's dad, who wants him dead - at any and all costs.

This film provides a retrospective of 24 hours at the Nova festival in Re'im through the lens of young individuals who endured the horror.

Two ghosts who died in a turn-of-the-century duel and now haunt a theater attempt to help a girl who's in danger from bank robbers.

A scientist confronts an evil corporation to get the ingredients of a perfect snack

In Los Angeles, a young man starts online dating with his two friends and finds out that what's on the screen isn't exactly what meets the eye.