Otello

Renée Fleming has matured into one of the finest sopranos around at the moment, a true star with a sparkling personality and a velvet-toned voice that is capable of wringing the finest emotions out of works by Strauss and Tchaikovsky that from a lesser singer could sound rather cold and clinical. I wouldn't have thought her voice would be so well suited to Violetta Valéry in La Traviata, and it does take some getting used to, but I think she at least brings a distinct quality to the role with an emotional heart that isn't always necessarily there when a leading diva uses it primarily as a display for her vocal talents. It's served well also by Antonio Pappano's conducting of the Royal Opera House Orchestra in a traditional, but effective production by Richard Eyre.

Dad catches a ball badly, injuring his finger. His guttural scream instantly hushes the entire sports complex. Sarah is paralysed. She barely recognises him; red faced, clutching his hand and crying. In the sanctuary of the locker changing rooms, Sarah explores and tests theories about what has happened with her Dad. She questions who her father is while struggling to grasp the concept of pain, both inside and out. Having found an apparent conclusion, Sarah returns to an apologetic Dad, and decides to put his promises to the test.music:Annette Focksproducer:Tobias Rosen, Heike Wiehle-Timmproduction:Relevant Film, Warner Bros Entertainment Germanybacking:Deutscher Filmförderfonds (DFFF) (DE), Schleswig-Holstein Film Commission (DE), Filmförderungsanstalt (FFA)(DE)distributor:Warner Bros Entertainment Germany

A strange meteor lands in Japan and unleashes hundreds of insect-like "Legion" creatures bent on colonizing the Earth. When the military fails to control the situation, Gamera shows up to deal with the ever-evolving space adversary. However the battle may result in Gamera losing his bond with both Asagi and humanity.

Short film built from photographs, sped up like a traditional stop motion and is meant to be an evocation of the English Eerie and Folk Horror.

The Futurians, time-travelers from the 23rd century, arrive in Japan to warn them of the nation's destruction under Godzilla. They offer to help erase Godzilla from history by preventing his creation. With Godzilla seemingly gone, a new monster emerges as the Futurians' true intentions are revealed.

Early morning silence is broken by screeching tires as a helicopter bears down on a speeding vehicle. Taking a quick corner, the team tumbles out into the woods as their car pulls away. Now they must make their way through the thick of nature and thick gunfire to accomplish their mission. Not a single word of dialogue is spoken throughout the entire film. Instead, the music, sounds, images and deeply truthful acting turn a simple plot into an intense experience. Passion and intrigue keep building to the very end.

A sixteen year old vampire reconsiders her past relationships.

After losing her husband to death following a troubled marriage, a woman unexpectedly travels back to the moment before their first meeting, allowing them to reconnect and rekindle their romance.

Acting Lieutenant Hornblower and his crew are captured by the enemy while escorting a Duchess who has secrets of her own.

A director who hasn't been able to film a new movie in almost a decade, has been working strenuously on a story about the earth's destruction. One day, he hears a great explosion, and is soon visited by four strangers.

In the middle of Sherman's March, in eastern Georgia, Confederate infantry, cavalry, and artillery make a bold stand against the overwhelming numbers of the Union army as it tears across Georgia.

In the center of the story are three main characters - Lieutenant Colonel Soshnikov, Captain Muravyov and Major Zakharov. Three ages, three different characters, three different destinies, which are destined to meet at the Khmeimim military base.

Seven years after the defeat of the spiral king, Simon and the Dai-Gurren brigade must set out to the vastness of space to defeat a new threat and save the universe.

1989: 64th and last year of the Showa era. A girl is kidnapped and killed. The unsolved case is called Case 64 ('rokuyon'). 2002: Yoshinobu Mikami, who was the detective in charge of the Case 64, moves as a Public Relations Officer in the Police Affairs Department. His relation with the reporters is conflicted and his own daughter is missing. The statute of limitations for the Case 64 will expire in one year. Then a kidnapping case, similar to the Case 64, takes place. The rift between the criminal investigation department and police administration department deepens. Mikami challenges the case as a public relations secretary.

At the turn of the century, all of the Earth's monsters have been rounded up and kept safely on Monsterland. Chaos erupts when a race of she-aliens known as the Kilaaks unleash the monsters across the world.

Frank Wagner goes deeper undercover to infiltrate Europe's most dangerous Mafia, the Russian-est, consisting of ex - KGB officers.

8mm film by Swiss artist Roman Signer.

A documentary following Wong Kar-wai and his cast and crew through the production of his 2000 film In the Mood for Love.