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Kathleen Madigan drops in on Detroit to deliver material derived from time spent with her Irish Catholic Midwest family, eating random pills out of her mother's purse, touring Afghanistan, and her love of John Denver and the Lunesta butterfly.

Through new camera techniques never before attempted we are able to put your audience on the edge of their seats, gasping for breath through FEEL-A-VISION. Your audience will boast that in one night they were able to whip a young girl to her masochistic climax - feel the warmth of a young female hitchhiker's gratitude for giving her a ride - answer a voyeur's plea to endure his young wife's sensuous desires - be sucked into a back alley profession they only dreamed existed - be pulled into a religion that requires a witness to an act of awareness by two young female believers and finally to participate with them in the most bizarre rite of depravity - take pictures of a would be starlet in a celebrated model studio and for a few dollars more get exactly what they want - get anything they wanted from a young Mexican girl in trouble with the police in return for helping her escape.

In the middle of Sherman's March, in eastern Georgia, Confederate infantry, cavalry, and artillery make a bold stand against the overwhelming numbers of the Union army as it tears across Georgia.

Each year over 1.2 million wildebeest travel across the vast Serengeti plains and Kenya's Masai Mara on a 1,800 kilometer circular journey, relentlessly followed by every big African predator. Revolutionary spy cams - airborne, swimming or disguised as rocks, skulls or dung - reveal the Great Wildebeest Migration from entirely new perspectives. This 2-part series focuses on the growing-up of a calf as he takes his first steps, faces his first deadly perils and tries to cross crocodile-infested rivers. It combines natural humor with exciting drama and gripping music.

A lonely tow-truck driver gets caught in a deadly struggle between a pair of bank robbers with a beautiful hostage, local cops, and a monster that has come down from the Arizona mountains to eat human flesh.

After losing her husband to death following a troubled marriage, a woman unexpectedly travels back to the moment before their first meeting, allowing them to reconnect and rekindle their romance.

Keka is a beautiful young woman working in a call center. Wanting to hunt down the killers and avenge her boyfriend's death, she undergoes rigid training. Everything has been going well until she meets the guy who makes her fall in love again.

This is a story about a city guy Nikolai, who will have to go instead of his friend on a rural business trip. A series of funny events, meetings and the beauty of the Yakut village encourage Nikolai to make an important decision in his life…

Recently unemployed and feeling a little bit lost, Maria takes part in stand-up class and ends up on a competition tour for novice comedians.

Silence dominates the work, as does the screen rectangle, which cuts off the “image” from a life time-space continuum and imposes upon the image its particular character. Within it, there is a play between tonalities, textures, large and small shapes.

"MATRIX is a flicker film which utilizes 81 still photographs of my wife's head. It is a film dependent upon variation of intense light changes by calculated combinations of black and white frame alternations with exposure changes. Throughout, the light intensity rises and falls as the head rotates in varying directions within a 360 degree frontal area." — James Cagle

A mute phantom hero takes on skull-masked killers, a disembodied living hand and a corpse that won't stay in its grave. This is the first in a trilogy of horror/western hybrids that also includes the films La marca de Satanás ("The Mark of Satan") and La cabeza de Pancho Villa ("The Head of Pancho Villa").

A documentary about the legendary and influential comedian, actor and writer, who went out from the BBC to conquer Hollywood, but sadly the system quickly withdrew its support when they couldn't contain his talents. This portrait is spiked with many comments from people who knew Feldman privately or had dealt with him professionally. His early death sadly rendered him all but forgotten by the public. The compilation consists of interviews, some film clips and photos as well as various audio clips from him.

Former pin-up model and actress Ginny had been cast aside by the heartless and exploitative modeling industry when she was a young woman due to her body type. Ginny didnt take rejection well and over the years developed into a revenge seeking, blood thirsty, broken woman. When her new neighbors Debbie and Sal move in, Debbie begins to notice strange things going on next door. Sal credits it to Debbies psychological instability and believes she is seeing things, falling deeper into her psychosis. Debbie is obsessively determined to figure out what secret life Ginny is leading. Her new nosey neighbor throws a damper on Ginnys lifestyle activities; such as her cannibalistic food addictions and ever growing body count. Both women become determined to put an end to the others obsession.

Recorded Live at the Olympia Theatre, Dublin When you remember that Brendan O'Carroll began his comedy career in his native city of Dublin - playing in pubs to maybe 100 people - then it puts into perspective this performance in the Olympia Theatre as he returns to the City by the Liffey to a record pre-sold 50,000 tickets. This show includes readings from his novel "The Mammy" and even Brendan singing his lovesong "How can I say I love you?"

During breaktime, Dara and Nader have a fierce argument about a torn exercise book that the former has given back to the latter. There are two possible outcomes, which the film shows one after the other. One is that Dara wants to get his own back, and the two boys start a violent fight; the other is that they work together to mend the exercise book with a little glue.