Atrás

A woman goes to her lover's house, only to find a shocking surprise.

Disguised as an Italian medic, Dolas finds himself on a ship evacuating wounded Axis soldiers to Italy. He leaves the ship disguised as a Nazi soldier, but is found out, declared a deserter and sent to the Eastern Front. However, on the flight to Russia, he is able to escape with a parachute, and finds himself back in Poland, now occupied by Nazis.

A portrait of teen escort, 'Coco'.

Marty's act is filled with actual events from his life. Everything he says is a true story based on something that either happened to him, his kids, or that he made up entirely. (Do we need to point out that this is sarcasm? Wow, even the parentheticals have sarcasm.)

Fictional vampires have long stalked the world of movies, books and comics, but a new international subculture has emerged that takes things to an arguably unhealthy level. What would compel willing victims to donate their own blood to be consumed by self-proclaimed vampires? Real-life blood-drinkers are interviewed, as well as make-up artists, vampire hunters, psychologists and experts of all stripes.

A crafty child who wants to see his mother again after her death, finds a way to do it.

This film takes the form of an investigation into the life and work of the sculptor Vaiere Mara, born in 1936 in Rurutu, in the Austral Islands (French Polynesia) and died in Arue in 2005. Mara sculpted wood, coral and stone and his production was remarkable and noticed from the 1960s. Many local personalities placed orders with the man whom some considered the first contemporary Polynesian artist. The film traces the director's journey in search of Mara's works, scattered across islands and continents, and the personal story of this exceptional artist. Combining testimonies from those close to him, reconstructions of the founding moments of his career and documentation of the works found, this film appears as an investigation that is at once human, artistic and detective... which allows us to reconstruct the context of Vaiere Mara's creation.

An unlucky Birthday boy must fight for his life against a masked psychopath.

Independent filmmaker Alan Berliner considers the power of photography and what may be lost as daily newspapers face extinction, in this documentary exploring his near-lifelong obsession with clipping and indexing photos.

“A montage of still and moving images, mixing and alternating black people and white people, fantasy and reality, a presidential suite and a mother’s kitchen: a sensitive, poetic evocation in the manner of the film-maker’s Remembrance. Brilliantly colored and nostalgic, it comprises a magical transformation of painterly collage and still photographic sensibility into filmic time and space.” - Charles Boultenhouse

It's Independence Day, and Jerry's little nephew, Nibbles, wants to celebrate with fireworks, while Jerry reminds him to "keep it safe and sane." Initially, this backfires against Jerry, as his attempts to dispose of the firecrackers Nibbles lights explode in his face, but ultimately, Nibbles saves Jerry from Tom with the usual cartoon uses of black powder.

By the Colombian Caribbean, an indigenous woman visits her family after a while and confronts the reasons she had to leave her land and her culture behind. This time she'll have to face the decision whether to leave or stay, for good.

Four thousand gold coins were stolen from the vault of Nijo Castle in Kyoto, which were collected as a tax to the shogun. The guard of Nijo castle Asaka Keinosuke, disguised as a komuso monk, proceeds to investigate the theft, traces of thieves lead to Edo, where Asaka goes.

During a routine pickup, an elderly Vietnamese cab driver is taken hostage by three recently escaped Orange County convicts. Based on a true story.

Through eloquent portrayals of four different life experiences — birth, aging, marriage and the death of a parent — Home addresses how the dissolution of the nuclear family and the increasing control of daily life by institutions have affected the individual. The subjects of this verité documentary include a ninety-four year-old woman in a nursing home and a young man caring for his terminally ill mother at home.

Jose, the town drunk is attacked by the Chupacabras and unknowingly becomes a Chupacabra himself. Like a vampire, he transforms and attacks his victims at night. His victims are typically very attractive women. Once bitten, these women lose their inhibitions. The problem is solved by two guys from a different galaxy.