My (Best Friend's) Head Exploded

Princess Pearl of Flowerland is sent to Midland at a young age to learn her ceremonials duties. Her mother, the Queen Mother misses her daughter very much that the King orders his sister, the princess, to return home. However, the princess has fallen in love with General Wing of the Midland army and is reluctant to part from him. As their boat approaches the Flowerland border, Pearl and Wing save the life of a girl named Ying, who seeks to throw herself into the sea after running away from an arrange marriage. Pearl, Wing and Ying are attacked by pirates and Pearl falls overboard in the ensuing chaos. On arrival in Flowerland, the King mistakes Ying for his sister, while Pearl is saved by Ying's father, Million.

A documentary about the legendary and influential comedian, actor and writer, who went out from the BBC to conquer Hollywood, but sadly the system quickly withdrew its support when they couldn't contain his talents. This portrait is spiked with many comments from people who knew Feldman privately or had dealt with him professionally. His early death sadly rendered him all but forgotten by the public. The compilation consists of interviews, some film clips and photos as well as various audio clips from him.

Everything you always wanted to know about pornography (but were afraid to ask).

A mute phantom hero takes on skull-masked killers, a disembodied living hand and a corpse that won't stay in its grave. This is the first in a trilogy of horror/western hybrids that also includes the films La marca de Satanás ("The Mark of Satan") and La cabeza de Pancho Villa ("The Head of Pancho Villa").

The Finnish architect Alvar Aalto (1898–1976) is one of the great figures of modern architecture, ranked alongside Gropius, Le Corbusier and Mies van der Rohe. This film analyses Aalto’s uniquely successful resolution of the demands and possibilities created by new technology and construction materials with the need to make his buildings sympathetic both to their users and to their natural surroundings. His inventive use of timber in particular represents both a reference to the forest landscape of Finland and a building material that is ‘warm’ and extremely adaptable. Filmed in Finland, Italy, Germany and the USA, this documentary shows how the Finnish natural environment and art traditions were essential elements in Aalto’s pioneering harmonization of technology and nature.

Twenty-year-old Henri Rebecque wants to make his dream come true: to bring Benjamin Constant's Adolphe to the screen in amateur format. Armed with a sixteen-millimeter camera and a team of friends, Henri embarks on this adventure, playing the role of Adolphe himself. Despite all the warnings, he lived through the passion and ordeal of the novel's hero, right to the end. Different times and circumstances will not change this.

The Future Doesn't Need Us… Or So We've Been Told. With the rise of technology and the real-time pressures of an online, global economy, humans will have to be very clever – and very careful – not to be left behind by the future. From the perspective of those in charge, human labor is losing its value, and people are becoming a liability. This documentary reveals the real motivation behind the secretive effort to reduce the population and bring resource use into strict, centralized control. Could it be that the biggest threat we face isn't just automation and robots destroying jobs, but the larger sense that humans could become obsolete altogether?

DEAD TEENAGER MOVIE is a short-format documentary examining a specific sub-genre of teen slasher films; namely the Dead Teenager Movie - a term coined by movie critic, Roger Ebert. Through the use of interviews with cultural professors, film historians, directors, writers, producers and film critics, and with visual aids from movie clips of several dead teen horror films, the documentary explores the origins of these stories from their beginnings in urban legends to their jump to the big screen in the late 70s to their modern incarnations (like FINAL DESTINATION 3 and its two predecessors). It look sat what clichés and stereotypes define the sub-genre, and how they have developed in cinema over time, particularly finding a home at New Line Cinema.

A young man's confusion in present times. The protagonist is looking for answers to questions that are relevant to many of his peers, coming of age in between a nostalgic socialist childhood and ideas pushed by a young democracy, relentlessly rushing forward.

Griesenow, 2013: The hairdresser Marianne Voss is found dead in the forest by her daughter Heike. Shortly afterwards, her husband Karsten comes under suspicion of murder. But he protests his innocence.

With this movie, Aurélien Gerbault invites us to know the portuguese filmmaker Pedro Costa and to witness the process of shooting of his movie Colossal Youth (2006). The nature of Costa's cinema is revealed to us: the criation of an intimate space in the hardness of reality.

Morgana is a Mexican transgender opera singer with a dream: a sex reassignment surgery. We follow her odyssey all the way to Bangkok as she fights for the identity she has been struggling all her life to construct.

A young wild boy finds he must confront a hostile environment to recover his precious pot, but beware the wild beasts.