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Michel, the jovial owner of the only café in a small Normandy town, sees his life turned upside down when his teenage daughter is murdered. The community has his back but soon rumor spreads and Michel is singled out. From the ideal father, he becomes the ideal culprit.

Ruth Butler, a clerk in an emporium, marries Jimmy Rutledge and thereby greatly displeases his mother, the owner of the emporium, because of Ruth's lowly origins. Renaud Graham, one of Mrs. Rutledge's friends, becomes interested in Ruth, forces his way into her apartment, and attempts to make violent love to her. Jimmy walks in on their embrace and, suspecting the worst, leaves Ruth. In the family way, Ruth finds refuge in a boardinghouse where she meets Al Bryant, an aspiring writer. Ruth tells Al her life story, and he makes it into a bestselling novel and then into a play. Jimmy sees the play and comes to his senses, winning Ruth's forgiveness.

A movie projectionist discovers that he has magical powers.

San Francisco filmmaker Konrad Steiner took 12 years to complete a montage cycle set to the late Leslie Scalapino’s most celebrated poem, way—a sprawling book-length odyssey of shardlike urban impressions, fraught with obliquely felt social and sexual tensions. Six stylistically distinctive films for each section of way, using sources ranging from Kodachrome footage of sun-kissed S.F. street scenes to internet clips of the Iraq war to a fragmented Fred Astaire dance number.

Yngve invites his new girlfriend Embla to spend a week of summer holiday with his family at a nudist camp. Embla is not a nudist but keen to become a part of the family. Nevertheless tension rises between Embla and Yngves mother, as Embla feels pressured to adapt to the family costumes.

Georgetown, 1901. A silver-mining town at 8,500 feet near the crest of the Rockies. Hooked somehow to the rear of a four-car passenger train is a camera that pans the scenery and, when the train goes around curves, looks ahead to see the engine and passenger cars: the passengers wave hundreds of white handkerchiefs out of the train's left-side windows for the benefit of the camera. The town comes into view; the tracks are above the town, so the camera looks down on dozens of modest rooftops as it pans the area. (AMB 1901, copyrighted 1903.)

"Fathers and Sons" is a short documentary project of Kaan Müjdeci that was shot in 2012 during the research for director's first feature film entitled SIVAS. Fathers and Sons tells the story of kangal dogs and their owners. Kangal is a breed of shepherd’s dog, unique to the land of Anatolia. The owners fight their kangals and make money off them from bettings. However, they treat and take care of their dogs like their sons, sometimes even better. Even though their sons may get hurt, a father still takes pride in having sent his son to the military, doesn’t he? Fathers and Sons is about the duality of this father-son relationship. But after all, every father would like to be proud of his son.

A soba restaurant owner dies mysteriously on D. Street. The police rule it as a suicide, but detective Akechi Kogoro and his wife Fumiyo think otherwise and launch their own investigation. As they delve deeper, they discover relationships twisted by perverted desire and hideous affection and hatred.

A Moslem gay man who chose married with traditional way matchmaking called "ta'aruf". The problem started while his refuse for intimate time with his wife and still visiting his a closet friend after office hours.

A man, who once lost his love, tries to find another. The only obstacle is within himself.

Interesting, but shocking German documentary that delves into three cases of child abuse in France. Three victims, 'Deborah', 'Robbert' and 'Noemi' tell about their experiences of abuse, and how they were molested in a pedophile network.

Popeye is doing a great job of sinking Japanese ships (complete with toilet-flush sound effect). A carrier pigeon brings him notice that he's been granted a month furlough, which he plans to spend with Olive and his nephews. But on arrival, he's run over by Olive, who immediately leaves him alone with his nephews, who are practicing home defense.

When Clown Ferdinand enters an abandoned city in his wagon he ends up on a space rocket where he meets a robot that can turn invisible. This film reuses sets from Polák's Ikarie XB 1 (1963).

A cartoon version of the Greek myth of Labyrinth.

A woman recovering from eye surgery starts to imagine she sees an ominous figure waiting behind everyone she encounters. Slowly, she begins to wonder what also might be hiding behind her...