Juse Vas Piyathuma

The film is based on the true story of the Great Catholic Christian Massacre of nearly 700 Christians that took place in 1544 in Mannar and the chain of events related to the same massacre that took place in 1560.

A sleepy Oregon village turns deadly when Adam, introducing himself as an English professor working on his first novel, befriends Kate and Mike, a brother and sister trying to put their lives back together after the death of their father. The two welcome the stranger, unaware that their actions will lead them down a dangerous path into the mind and grip of a deadly serial killer.

Captain Grogg tries to master the extra weight he's put on.

Heer is the story of two lovers, after the mythical Punjabi legend of Heer and Ranjhna. It tells their thwarted love, and how beautiful Heer and intrepid Ranjhna must fight to reunite in spite of obstacles and enemies. The two lovers belong to opposing tribes/families and villains are out and out to separate them. During a fair where her champion has been tricked, Heer is promised to somebody of her clan. The defeated hero wonders in the wilderness and meets with witches who direct him to his beloved. In spite of having fallen from princehood to beggarhood, he thus gets back to her, and they hope to marry, but Ranjhna's enemies are still looking for him, and they stalk him. A trap is laid to capture Ranjhna and to stop any further common plan, Heer is married to her rightful suitor. She plans suicide, but Ranjhna arrives, he tries to drag her away, but he's seen in her apartments and therefore she's declared impure and is condemned to the dungeons.

An exploration of America’s cultural divide ignited by the 2020 controversy surrounding the forcible toppling of Father Junipero Serra’s statues. Best-selling author Arthur Brooks examines the toxic polarization gripping the nation. Can we bridge this divide, or are we destined to repeat history?

A look at the story behind the bestiality tape ANIMAL FARM. From its production in early 70's Denmark, to when it was smuggled to the UK and distributed in 1981.

Remembers an artist in the form of a somnambulistic fantasy: A filmmaker faces increasing challenges as she tries, decades later, to complete Dominican filmmaker Jean-Louis Jorge’s unfinished work.

The young daughter of a park ranger in Tanzania is distressed to learn that she and her father must permanently return to England, thus separating her from the one thing she loves most, a pet Bushbaby. Fearing what the future holds she decides to set the pet free but while doing so misses the boat back to England. After meeting up with a friendly native they try to resolve the situation together. Things take a turn for the worse when it is falsely reported that the native has kidnapped her, thus putting a price on his head

The Who’s 1982 tour, which was all in North America apart from two warm-up dates at the Birmingham NEC in England, was their last to feature Kenney Jones on drums and the band did not tour again until 1989. The tour promoted the recent IT’S HARD album, which had been released in June 1982, and the set list included a number of tracks from that album, some of which the band would only play live on this tour. This concert film features the show from the second of their two nights at New York’s Shea Stadium and was filmed on 13 October 1982.

A Nazi propaganda film which aims to justify the invasion of Poland by portraying the plight of ethnic Germans in Poland who were discriminated against and oppressed by the Poles, and how they were saved by the intervention of the German army.

Music student David develops anorexia after a home party at his college. This short film depicts the development of an eating disorder raw and without filters.

From the sweaty basement bars of 70s New York to the glittering peak of the global charts, how disco conquered the world - its origins, its triumphs, its fall and its legacy.

Two old friends play a game of 'Would You Rather' and their choices begin to come true.

The Trans Memory Archive gathers the images and stories of trans women for more than 50 years, preserving the memory of those who suffered the outrages of the police, the abandonment of the State and the hostility of the society that witnessed, indolent, a silent genocide. Cintia, Edith, María Belén and Trachyn survived. They share with us the intimacy and complexity of those who faced injustice and pain with humor and creativity, but also with organization and community. In the style of a documentary essay, the series is structured along four axes, each one starring one of them: they talk about carnival, affection, exile and organization, and through their personal experiences they open the door to understand the reality of an entire community.