Black Listed

Chunauti is an action-packed romantic comedy that tells a story of love, struggle, and justice. Ajaya and his wife Prabha move to Kathmandu, where Ajaya starts working as a teacher. Later, his sister Gita joins them and enrolls in the same college. There, she meets a kind and charming student, but trouble arises when Madhav, a troublesome student, also starts liking her. One day, a fight breaks out in the college, and when Gita tries to stop it, an inspector arrives and brings the situation under control. Angered by this, Madhav and his group cause harm to Prabha and Gita. They also try to escape punishment through legal means. With no strong evidence, Ajaya takes a stand and challenges the court. In the end, he decides to take justice into his own hands, leading to a tragic ending where the inspector, fulfilling his duty, stops Ajaya. Chunauti is a story of love, courage, and sacrifice in the face of injustice.

Daniela and Fouad live in Gubbio, and they both come from the sea: she is from Bari, he is from Casablanca. Their bodies have suffered hardships and alcoholism. They met by chance and a deep and healing friendship was born, which led them to live together. Now that Fouad needs a permit to stay, marriage seems to be the easiest solution. Daniela agrees to it, but as the wedding approaches, the ambiguity of Fouad’s feelings begins to worry her. Can you fake- marry someone who really loves you?

The boys dance to Grandpa's banjo playing, then indicate that he can't equal their skill. Grandpa gets up and performs an intricate step while still playing the banjo.

Through new camera techniques never before attempted we are able to put your audience on the edge of their seats, gasping for breath through FEEL-A-VISION. Your audience will boast that in one night they were able to whip a young girl to her masochistic climax - feel the warmth of a young female hitchhiker's gratitude for giving her a ride - answer a voyeur's plea to endure his young wife's sensuous desires - be sucked into a back alley profession they only dreamed existed - be pulled into a religion that requires a witness to an act of awareness by two young female believers and finally to participate with them in the most bizarre rite of depravity - take pictures of a would be starlet in a celebrated model studio and for a few dollars more get exactly what they want - get anything they wanted from a young Mexican girl in trouble with the police in return for helping her escape.

Army Staff Sgt. Travis Mills, one of five quadruple amputees to survive their injuries, provides insight into the life of a wounded soldier as he faces the physical and emotional challenges of his wounds.

Since 2013, Nixon Newell has travelled the world as a professional wrestler. This is the story of her goodbye to independent wrestling.

Emma Mayer is a psychologist and advises people in crisis situations. She works at a radio station in Mannheim and does her best to provide callers with help and support. When a hostage-taker calls her during a broadcast, her expertise and improvisation are called for, as the caller forces her to move out of the studio and confront him directly. When she arrives at the petrol station, Emma gets involved in a question-and-answer game: For every correct answer, a hostage is allowed to leave; for every wrong answer, a hostage loses their life.

How can we visualize Body Ownership? We connected Body Ownership with an I-perspective, looking for images that uncover the multiplicity of the ‘I’ First person plural. Strapping two body cameras (GoPros) to our chests, we move in direct body contact. Our premise is that both I-perspectives of the cameras are at interplay with each other, showing that gaze is never produced by a singular entity. Instead, it is the result of bodies touching and reacting constantly to each other. The body cameras are joined by an external camera – a third-person perspective. While it may hold a position of power as the one who frames the image from the outside, it desires to dive into the collective I-perspective. BE-LONGING. At one point the gazes of the I-perspectives and the outside camera meet – they look at each other looking. Gazes conjoined with bodies. Body is spatiosocially bound, is situated.

Sam is a 27-year-old music-teaching, sovereign ring-wearing, chanting Buddhist. He is the lead singer of an up-and-coming punk band - but he’s also mute ... at least for most of the time. After two unsuccessful vocal chord operations, Sam spends most of his time in pain and on voice rest. Yet, by communicating silently through writing notes, mouthing words and blowing kisses (one for yes and two for no), he still somehow manages to be the chattiest person in the room. As he sacrifices speaking on a daily basis in order to battle through the excruciating pain of singing, Sam finds himself and his voice at a crossroads - give up on his dreams of music or continue singing and risk remaining silent forever? Silence takes its mental toll and his sense of isolation deepens. Whilst exploring new treatment for his voice, navigating work at a door factory and maintaining his loving relationship with girlfriend Tilly, Sam’s journey leads him to have a radical revelation.

Hopkins’ career has spanned several decades, which is why we will also use many interviews that he gave throughout his life, allowing us to put him back into the context of each period and will be helpful in understanding his role in the history of cinema, because he was far from following the trends. He never belonged to any film movement; he is a chameleon that has always preferred natural acting, ‘non-acting’ when method acting was the fashion.

A young woman and her decommissioned military droid struggle to escape a nuclear exclusion zone, hoping to find a better life on the outside -- free from the oppression of the forces that keep her there.

"MATRIX is a flicker film which utilizes 81 still photographs of my wife's head. It is a film dependent upon variation of intense light changes by calculated combinations of black and white frame alternations with exposure changes. Throughout, the light intensity rises and falls as the head rotates in varying directions within a 360 degree frontal area." — James Cagle

At 14, Tajamul fled from Afghanistan to Amiens, France. Now that he is 20, he wants to make the journey backwards with his adoptive father, and tell his story for all the refugees who cannot speak anymore.

Following up on the success of Moby's 2013 album, Innocents, which has been deemed his best album to date since Play, Moby presents a very special double 2DVD/2CD, Almost Home, a 2DVD/2CD set recorded live at LA's Fonda Theater in October 2013. Moby played 2 sets, the first one contains songs from his latest album and the second one is a greatest hits set.