Viola

Camila, a young Argentine theater director, travels from Buenos Aires to New York to attend an artistic residency to develop a Spanish translation of Shakespeare's "A Midsummer Night's Dream." Upon her arrival, she begins to receive a series of mysterious postcards which set her down a winding path through her past and towards her future.

Political and sexual repression in Hungary, just after the revolution of 1956. Passionate and determined, Eva gets a job as a journalist. There, she meets Livia and is attracted to her. Livia feels much the same, but as a married woman, has doubts and hesitations. In their work, they (and Eva in particular) bang up against the limits of telling political truths; in private, they confront the limits of living out sexual and emotional truth.

Upon waking up in a strange forest, a young man questions whether or not the environment around him is real or a figment of his imagination.

Emin's video CV is an accompaniment to her work on paper, Tracey Emin CV 1995 (Tate T07632), which is a potted history of the artist's professional and emotional life from conception until 1995. This CV, read aloud by Emin, constitutes the sound-track to the video and provides contrasting background to the visual information on display. As Emin narrates her story of trauma and abuse, mixed with pleasure and success, the video takes the viewer on a journey through the artist's home. The artist is not visibly present in person until the last frames when she appears curled up naked on the floor of her sitting-room at the feet of her mother (who wears black sunglasses and looks away from both her daughter and the camera). Like Emin's handwritten CV, the video constitutes her self-portrait, in this instance adding the component of a journey around the space of her apartment to her narrating voice. -Tate

Marty's act is filled with actual events from his life. Everything he says is a true story based on something that either happened to him, his kids, or that he made up entirely. (Do we need to point out that this is sarcasm? Wow, even the parentheticals have sarcasm.)

On his journey towards becoming a film director, Cole discovers an insight that flips his perspective on his way of living.

Due to a job transfer, three friends move into a town where the bank they work at assigns them by way of living quarters a creepy mansion with a haunted history. One of the friends, Bharat (Bharat Jadhav), is prone to being possessed. The four ghosts enter Bharat's body at will and use him for their own intentions, resulting is hilarious misunderstandings, confusions, and the unfolding of a story of sinister revenge.

The world faces many challenges today, ranging from pollution to overpopulation. But as long as one keeps searching for solutions, all's not lost.

A crafty child who wants to see his mother again after her death, finds a way to do it.

Mixes fiction and documentary to tell the story of Marc Helt and his first sexual experience with other men, as a healing ritual after a violent hate crime.

It’s certainly a classic day for Guy, a candid young man, who walks around with ideas that sprout in the wind. Following the absorption of a strange substance, he enters a dreamlike world linking pleasure to the Arts.

Keka is a beautiful young woman working in a call center. Wanting to hunt down the killers and avenge her boyfriend's death, she undergoes rigid training. Everything has been going well until she meets the guy who makes her fall in love again.

Years after the Holocaust, survivor Leopold Kozlowski lives in Poland, and is one of the few remaining experts in the Klezmer tradition of music, one played predominantly by the Eastern European Jewish community. Director Yael Strom follows Kozlowski as he travels back to his village in the Ukraine, where he visits his father's grave and speaks about his relatives who perished in the Holocaust. Strom honors Kozlowski's life as a teacher, musician and survivor.

"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri

The film tells the love story of two young couples. According to their social ranks, construction worker Edy is dating employee Siegi, while medical student Dieter is dating art school student Sonja. Rather unintentionally, they exchange partners. During a carnival ball, Dieter makes out with Siegi because he falls for her her fresh and happy girlish manner. Sonja coolly observes this game and sees this intermezzo as a test for their relationship. While Siegi and Dieter vacation at the sea, Sonja falls in love with Edy. Now the die seems to be cast for new constellations. But when both couples stand in front of the registrar’s office, they finally come to their senses.