反恐行动之浪漫满屋

Ruth Butler, a clerk in an emporium, marries Jimmy Rutledge and thereby greatly displeases his mother, the owner of the emporium, because of Ruth's lowly origins. Renaud Graham, one of Mrs. Rutledge's friends, becomes interested in Ruth, forces his way into her apartment, and attempts to make violent love to her. Jimmy walks in on their embrace and, suspecting the worst, leaves Ruth. In the family way, Ruth finds refuge in a boardinghouse where she meets Al Bryant, an aspiring writer. Ruth tells Al her life story, and he makes it into a bestselling novel and then into a play. Jimmy sees the play and comes to his senses, winning Ruth's forgiveness.

Short film built from photographs, sped up like a traditional stop motion and is meant to be an evocation of the English Eerie and Folk Horror.

With this movie, Aurélien Gerbault invites us to know the portuguese filmmaker Pedro Costa and to witness the process of shooting of his movie Colossal Youth (2006). The nature of Costa's cinema is revealed to us: the criation of an intimate space in the hardness of reality.

Edinburgh and its people in 26 letters and 13 numbers: About spreading love and kindness and baking pancakes.

An orientation film for American soldiers traveling to Korea in the years after the war.

Folk-jazz composer/arranger Arthur Verocai was born in Rio de Janeiro. He has created challenging arragements and compositions for Brazilian artists Jorge Ben, Ivan Lins, Leny Andrade and Gal Costa. In 1972 Verocai recorded a self-titled solo LP. It is a stunningly innovative effort. It puts Verocai into a rarified field with the heavy string oriented music of Charles Stepney, David Axelrod and Frank Zappa. Released in a period marked by the Brazilian military government, the album fared poorly. Following its re-issue in 2003, the album has become a highly influential oft sampled classic (see Ludacris, MF Doom and Little Brother). The performance of this seminal 1972 record in its entirety brought the capacity Luckmann crowd to a stand still. According to Verocai, 'he had never played the record, alive or dead!' His delight can be seen on the DVD. The music has been mixed by Verocai himself in Rio. History turned on its head and musical justice served.

It started with the rape of his daughter then the killing of her boyfriend. He takes the law "Death Wish" style into his own hands and has his revenge. Branded as a vicious killer by the underworld, the syndicate blackmails him into becoming their hitman. As he gets more and more tied up in the world of drugs, prostitution and death he decides he wants out. No one gets out of the syndicate alive. It then becomes a battle for survival, him against them in a desperate act of street warfare. His life is he prize.

Morgana is a Mexican transgender opera singer with a dream: a sex reassignment surgery. We follow her odyssey all the way to Bangkok as she fights for the identity she has been struggling all her life to construct.

A cartoon version of the Greek myth of Labyrinth.

A drama about the Musha incident

A portrait of teen escort, 'Coco'.

Takashi Morishita, a temporary worker at an automobile factory, lives a happy life with his wife, Akiko, and their daughter, Sakura. However, COVID-19 causes an unprecedented economic crisis in Japan. Takashi loses his job. Unable to find new employment, he is forced to move out of his company housing, and his wife finally asks him for a divorce. Having lost his house, his job, and his family, Takashi has no choice but to take up residence in a rental storage room.

The 4th film in the MAGA film chronicles, The Death (Change) of an Industry, explores the fluid business landscape through the prism of the Retailing industry. The film explores the changing landscape by interviewing small business owners, financial analysts, and a very senior retail executive (all from the same family) who helped run several large department store chains, including Bealls in Texas, PA Bergner in IL, and Venture dept stores, a division of the May company headquartered in St. Louis, MO. The film explores the seeds of manufacturing migrating to overseas and the loss of jobs as well as consolidation. The film explores the question as to whether it's just the normal evolution of business or the death of something vital - American, middle class jobs.