Collector

After finding his mother dead, Mariano must travel back in time to prevent it.

In this documentary we meet five children in Sweden and see what happened in their lives. Robin was nine years old, but he already knew what a prison looked like and the bad a punishment can do. Frida was not yet born when we filmed her mother Angela in 1983. Her sister Malin lived for several years in a foster family. Bosse was 14 years old and in 9th grade when we met him in 1978. He was the only guy in the class who had glasses. Marie received many postcards and letters from her father, but very rarely met him while she was growing up.

This film provides a retrospective of 24 hours at the Nova festival in Re'im through the lens of young individuals who endured the horror.

A passenger picks up a woman at dawn who is to be a guest until midnight. Their journey begins...

The story of Japan’s greatest warrior, Miyamoto Musashi, after his historic duel with Sasaki Kojiro on Ganryu Island.

In New York City, a young writer's resolute belief in true love is put to the test by a beautiful girl and her struggle with addiction. This original rock musical drama is made unique by its non-musical scenes spoken purely in verse.

A movie about an unusual relationship between father and son, the fear of losing what you love and the price of negligence.

Due to a job transfer, three friends move into a town where the bank they work at assigns them by way of living quarters a creepy mansion with a haunted history. One of the friends, Bharat (Bharat Jadhav), is prone to being possessed. The four ghosts enter Bharat's body at will and use him for their own intentions, resulting is hilarious misunderstandings, confusions, and the unfolding of a story of sinister revenge.

Mari (Erina Aoyama) and Rin (Rina Yuki) have known each other since elementary school. They are both dancers who admire the legendary stripper Masae Shindo. One day, Mari receives a proposal from Takao (Salmon Salmon), an avid fan. Takao's profile as the sergeant of a high-class inn in Yamanashi is enough to make her fall in love with him. Meanwhile, Rin is dating a host, Yoshio (Ishikawa Yuya), but when he asks for money, she gets into an argument with him and breaks his nose. When Takao returns to his parents' house, his mother Mayumi (Mayuko Sasaki) is disgusted by her son's behavior and locks him in a storehouse. Mari receives the news from Takao that he has been caught by the bad guys, and decides to go to Yamanashi. Fearing that Yoshio will retaliate against her, Lin also decides to accompany Mari.

This is an entire burlesque show, complete with a live band. Five strippers strut their stuff in between bawdy songs and sexy jokes delivered by burlesque singers and comedians.

Lucky is an idler who spends his time drinking with his mates until his father forces them to work at his resort hotel. When three foxy ladies arrive at the hotel, Lucky falls in love with one of them, Hargun, and they eventually marry. But Hargun has a secret Lucky discovers on their wedding night - she's a ghost! Nobody believes Lucky, so he has to find a way to make them believe him!

As a response to criticism for the allegedly excessive “mass appeal” of his earlier epic STORM OVER ASIA (1928), Vsevolod Pudovkin unleashed his flair for experimentation in what was supposed to be the director’s first sound feature. Everything went wrong: technical problems forced him to complete the film as a silent; viewers were baffled by the lack of a recognizable plot; then, the ideological climate of the Soviet Union changed. He was now being blamed for catering to bourgeois taste! Time has come to set the record straight. Here’s lyrical cinema at its best, deliberately operatic and yet intimate as it matches the characters’ inner life with the solemn rhythms of nature, and depicted through breathtaking black-and-white photography. A sensation at last year’s Pordenone fest, Pudovkin’s long-forgotten swan song to the art of montage is resurrected by Gabriel Thibaudeau’s emotionally charged live music performance. –PCU (USSR, 1930, 75m)

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Mixes fiction and documentary to tell the story of Marc Helt and his first sexual experience with other men, as a healing ritual after a violent hate crime.

Another day at the work... of robots.