Uma to onna to inu

Yuu is living with her horse Ryusei on the edge of the sea. One day a young researcher and three artists arrive and they disturb Yuu's quasi-telepathic relation with a horse.

An unusual blending of elements comes together in this crime story drawn from Japanese history. During the early Meiji period a number of “Dokufu” (Poison Women) committed a significant number of murders. These crimes were most often committed by wives on their husbands in order to be together with their lovers. At that time women were executed in the same manner as men, to wit: by being decapitated. This is the story of the most notorious of all, Takahashi Oden who, in 1879, was the last woman executed by decapitation in Japan.

An archival investigation into the imperial image-making of the RAF ‘Z Unit’, which determined the destruction of human, animal and cultural life across Somaliland, as well as Africa and Asia.

The execution was scheduled and the last meal consumed. The coolness of the poisons entering the blood system slowed the heart rate and sent him on the way to Judgement. He had paid for his crime with years on Death Row waiting for this moment and now he would pay for them again as the judgment continued..

The HIStory World Tour was the third and final worldwide solo concert tour by American artist Michael Jackson, covering Europe, Africa, Asia, Oceania and North America. The tour included a total of 82 concerts and was attended by approximately 4.5 million fans, beating his previous Bad World Tour with 4.4 million. The HIStory World Tour spanned the globe with stops in 58 cities, 35 countries on 5 continents. Unlike the Bad and Dangerous World Tours, the History World Tour has never been released on DVD, despite many fans requesting it. However, there have been several full concerts leaked on the internet.

8mm film by Swiss artist Roman Signer.

A found-footage documentary assembled exclusively out of post-socialist Romanian advertisements, this brings together these documents of Romania’s long transition period, they are made to speak about life, love and death, about the body and human frailty, about nature and the supernatural, about recent history, and, of course, about socialism and capitalism.

Mostly shot in San Francisco and Northern California, material filmed (using the camera almost as a p[r/a]inter, a means of shaping the visual world as film, but without reflection) in response to what that world was opening in me. "Material!" - analogies between weaving and spinning thread and images already a pattern within film history (e.g., in Deren) is here carried into further ramifications of unraveling and patterning in fabric- and cinema-making, as well as in personal and mythic dimensions. The open unfolding structure, which pulls away from the balanced design of much of my work, gives equal weight to the sound composition. Involves "opening" with its perils and ambiguities.

Behind the scenes of shooting in various notoriously difficult locations, including interviews with producers and lead actors.

After the affair, Keiji presses Yoshiko to marry him, but Yoshiko refuses because she is concerned about the fact that she is older than Keiji. Meanwhile, Yoshiko is selected as the secretary of the new company president, Okawa, and she is invited by Okawa to his villa in Izu. She was told to find a replacement for her private driver, who is currently on vacation, and she recommended Keiji.

A very amusing picture, showing a crowd of children and old folks disporting on a sand hill in one of the big public parks of Berlin. This picture is one of the "hits" of the Biograph.

Krishna, a business tycoon, meets Pranaya, an orphan who runs an orphanage. Krishna, worried that his socio-economic status may separate him from Pranaya, pretends to be a driver and becomes employed by Pranaya. Pranaya soon learns about Krishna's identity, but she later accepts his love.

Members of a satanic cult kidnap women who are then held captive until the next satanic ritual.