A Necklace for My Beloved

In the latter half of the 19th century, gold is discovered in the Black Hills, sacred land of the Lakota people. Gold diggers, profiteers and adventurers flock to the region. Among them is the hard-hearted land speculator Bludgeon, who tries to expel the Lakota using brutal methods. Lakota warriors retaliate, and soon the gold diggers' town becomes a battlefield.

Crew of "Paranormal Legends" went to film their 4th season at the place where La Llorona (Weeping woman) was reportedly seen. Only thing that's left was 17 hours of tapes and 2 camcorders.

Due to a job transfer, three friends move into a town where the bank they work at assigns them by way of living quarters a creepy mansion with a haunted history. One of the friends, Bharat (Bharat Jadhav), is prone to being possessed. The four ghosts enter Bharat's body at will and use him for their own intentions, resulting is hilarious misunderstandings, confusions, and the unfolding of a story of sinister revenge.

In this documentary we meet five children in Sweden and see what happened in their lives. Robin was nine years old, but he already knew what a prison looked like and the bad a punishment can do. Frida was not yet born when we filmed her mother Angela in 1983. Her sister Malin lived for several years in a foster family. Bosse was 14 years old and in 9th grade when we met him in 1978. He was the only guy in the class who had glasses. Marie received many postcards and letters from her father, but very rarely met him while she was growing up.

The air in London was damp and cold, a stark contrast to the vibrant warmth of Kathmandu that Anmol often dreamed of. It had been five years since he left Nepal for the United Kingdom, chasing the dreams his mother, Susmita, had envisioned for him. She had sacrificed everything-her small savings, her comfort, and her daily joy of having her son by her side-so Anmol could study and build a better life abroad. Anmol was a hard worker, juggling university classes and long hours at Amrish's restaurant. The boss, a shrewd businessman, valued profits over people. Anmol, like the rest of the staff, was little more than a cog in the relentless machinery of the restaurant's success. One evening, after another grueling 12-hour shift, Anmol sat on his small bed in his shared apartment. His phone buzzed. It was his mother. "Anmol, Dashain and Tihar are coming. I've cleaned the house and even set aside some money to buy your favorite sweets.

Working completely outside the mainstream, the wildly prolific, visionary Stan Brakhage made more than 350 films over a half century. Challenging all taboos in his exploration of “birth, sex, death, and the search for God,” he has turned his camera on explicit lovemaking, childbirth, even autopsy. Many of his most famous works pursue the nature of vision itself and transcend the act of filming. Some, including the legendary Mothlight, were made without using a camera at all, as he pioneered the art of making images directly on film, by drawing, painting, and scratching.

A sequel of the story about a little girl raised in a magical forest by fairy-tale characters: Baba-Yaga, Koschei the Immortal, Lesch, Vodyaniy and Kikimora.

It's a story about post-90 generation in China and how they chasing their dreams through a talent show. The summer of 2013 saw a group of young boys enter a Chinese TV talent show called Super Boy, hoping to be catapulted to fame. The film documents how the young boys coped with their new challenging lives. While under unthinkable pressure, they proved themselves by trying to make the right choices during live shows. Talent shows create a new type of entertainer, but can they still keep their true selves? Can they adjust themselves and balance the ups and downs? What have the ten years of Chinese talent shows given us? What is urging us to grow up?

While in Hawaii, Velez begins the film as a risque nightclub act and due to her involvement with a group of sailors becomes a beauty queen.

A painter's life is changed forever when a mythical and deadly spirit from Celtic lore becomes his muse and lover.

This unique 3-DVD collection is the definitive critical overview of the work of Genesis. Taking the viewer on a journey from the band's early days through to the more recent past, the programs feature fascinating archive interviews with Phil Collins, Steve Hackett, Tony Banks and Michael Rutherford; also on hand to provide expert analysis of the music is a team of leading rock journalists and music industry insiders. And then there’s the music – featured here are superb tracks from the ground breaking Gabriel era and the bands later years as a commercial super group, including I Know What I like (In Your Wardrobe), Supper’s Ready, The Musical Box, In The Cage, The Knife, Turn It On Again and many more.

A wealthy society playboy falls in love with the daughter of a poor fisherman. After Valentino shot to fame, A Society Sensation was cut down to a meek 24 minutes so the lead would be in every scene. Title cards tried to make up for the lost scenes.

The special commando Delta Force is sent behind the line of fire into the terrain of the enemy. Their mission goal is to destroy a base where the enemies prepare a new weapon: a combat helicopter.

An inside view of Barack Obama's last days as the first African-American President, and the legacy he leaves behind.

Three Post Office employees are at work when the facility is held up. The robber kills the supervisor and knocks out another employee. The third one offers no resistance and survives unscathed. Afterwards he begins to wonder if his refusal to resist was a prudent move to preserve his family, or an act of cowardice, as many in the town believe. The resulting conflict begins to tear apart his family.

After a night of drunken shenanigans, the friendship of three university students is tested when they find themselves in an unprecedented situation

In Los Angeles, a young man starts online dating with his two friends and finds out that what's on the screen isn't exactly what meets the eye.

Being John Smith is a deceptively wry and deeply felt work by the English avant-garde legend, in which Smith reflects on his life and career by way of his generic name, grappling with his own mortality and legacy, through a minimal, unassuming deployment of text, image, and voice.