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Con artists Harold and Snub attempt to outwit phony psychic Miss Goulash and her "professor" father.

Elephants disrupt the lives of a family deep in the jungles of Northern Siam, and an entire village.

Short film built from photographs, sped up like a traditional stop motion and is meant to be an evocation of the English Eerie and Folk Horror.

Bhrantibilas is a 1963 Bengali film based on the 1869 play Bhranti Bilas by Ishwar Chandra Vidyasagar, which is itself based on William Shakespeare's The Comedy of Errors. Although the original play was set in an unspecified, but distant past, the film relocates the story to modern day India. The film tells the story of a Bengali merchant from Kolkata and his servant who visit a small town for a business appointment, but, whilst there, are mistaken for a pair of locals, leading to much confusion.

A journalist begins to receive envelopes containing erotic pictures, which he connects to a relationship he once had with an actress.

In two parallel stories, two ladies Clara and Paula are working upon their relationships, parenthood and at the same time not sacrificing professionals and sexual freedom of the couple.

A man wages a battle against politicians and their dishonourable ways of campaigning when some political goons harm his father and sister due to a trivial issue.

A 19th-century San Francisco detective named Tex Kinnane is sent "Down Under" to nab shyster lawyer Vincent Moller. Several comparisons are made between the American Wild West and the equally treacherous Australian outback.

To Noora with Love is a 2014 Malayalam film directed by Babu Narayanan and produced by Mohammed Ansar under the banner of Don Bros.

A documentary about Menschen am Sonntag [People on Sunday] interviewing the surviving members of the production. Featured as an extra on the special DVD.

A comedy about a family that's crazy for Christmas. Except for the 16-year-old daughter -- her family's over-the-top Christmas celebrations have made her life miserable. When her long distance boyfriend decides to visit for the holidays, she's determined to spare him her family's Christmas obsession, so she hires actors to play her parents and stages a fake Christmas dinner in the empty house next door. What could go wrong?

Misa Kuroi is a good witch, but wherever she goes, evil follows. When a dying girl appears out of nowhere shouting Misa's name, our heroine goes to work. Following the clues, Misa transfers to the prestigious Saint Salem School for Girls and joins the Drama Club. Soon all the girls depart for a mysterious Drama Camp, deep in the woods.

Twelve-year old Kosta, a little boy of an overactive imagination, makes friends with equally sensitive eleven-year old Blanka. Fantasy leads the two children to the forgotten attic in the house of Blanka's parents. For them, this is the forbidden "thirteenth chamber," and to Kosta, an old glass vase becomes a magic ball with the help of which he can play his favorite play "on fate". The children observe the adults and unconsciously sense that something has gone wrong in Blanka's family. Her dad is a physician and her mother is not happy with him, still recollecting her former wooer Petr who left for India upon his graduation.

Dr. Priyadarshan, a middle class man, silently goes through the pangs of hyperactivity and ADHD that entangles him into a series of coincidental events. He then meets Priscilla, a feisty, constantly doubtful and depressed girl.

The film is about the deceleration of motion in linear form and speed, establishing a connection between space and love. It ends with high-contrast photos with increasingly drastic color changes. This short film, inspired by Brakhage's Stellar film, was created by manipulating 1750 space photos in Photoshop along with grotesque paintings. Some frames contain black paintings by Francisco Goya, grotesque drawings by Leonardo da Vinci, grotesque engravings by William Blake. In order to refer to Brakhage's poetic style and understanding of storytelling in experimental cinema, two poems by Frank O'Hara and Kenneth Koch are placed in the beginning and end of the film.

Myles is divorced in L.A. He wants a love life and a film career. So he decides to go on 20 dates and find true love in front of a camera, making his first feature. His patient agent, Richard, finds a $60,000 investor, the shadowy Elie. Myles starts his search, sometimes telling his date she's being filmed, sometimes not. Elie wants sex and titillation, Myles wants it "real." Myles regularly talks with his old film teacher, Robert McKee, who wonders if love is possible in modern life. Half-way through the 20 dates, Myles meets Elisabeth; she's everything he desires and she likes him. Can he finish the 20 dates, satisfy Elie, and complete his film without losing Elisabeth?

Asha lives in poverty with her alcoholic father in Bombay, before being sold to an impotent husband. A series of events leads her to love.