Women's Game

When Abu Sayyah decides to travel to Beirut in search for a trading opportunity, he meets a filming crew and falls in love with one of the actresses, who aspires to be the film star. He decides to produce the film for her sake, but the girl warns him against it.

Ruth Butler, a clerk in an emporium, marries Jimmy Rutledge and thereby greatly displeases his mother, the owner of the emporium, because of Ruth's lowly origins. Renaud Graham, one of Mrs. Rutledge's friends, becomes interested in Ruth, forces his way into her apartment, and attempts to make violent love to her. Jimmy walks in on their embrace and, suspecting the worst, leaves Ruth. In the family way, Ruth finds refuge in a boardinghouse where she meets Al Bryant, an aspiring writer. Ruth tells Al her life story, and he makes it into a bestselling novel and then into a play. Jimmy sees the play and comes to his senses, winning Ruth's forgiveness.

Morgana is a Mexican transgender opera singer with a dream: a sex reassignment surgery. We follow her odyssey all the way to Bangkok as she fights for the identity she has been struggling all her life to construct.

Barnaby and Me is a 1978 Australian TV movie about a girl and her talking koala who are pursued by criminals.

“Remembering RBG: A Nation Ugly Cries with Desi Lydic” follows Lydic on a journey through the five stages of grief—denial, anger, bargaining, depression, and… what's the opposite of the acceptance? —as she comes to terms with the passing of the late Ruth Bader Ginsburg and where to go from here.

A young man's confusion in present times. The protagonist is looking for answers to questions that are relevant to many of his peers, coming of age in between a nostalgic socialist childhood and ideas pushed by a young democracy, relentlessly rushing forward.

May 1, 1929. A decomposing headless body is found inside an abandoned wooden box in Madrid's Atocha train station. The victim is later identified as a Barcelona businessman that vanished six months before.

Chandranath, a writer by profession impresses a rich girl, Geetha with his writings. He teams up with Sadanandh, his publisher to get rich using sleazy words.

The Future Doesn't Need Us… Or So We've Been Told. With the rise of technology and the real-time pressures of an online, global economy, humans will have to be very clever – and very careful – not to be left behind by the future. From the perspective of those in charge, human labor is losing its value, and people are becoming a liability. This documentary reveals the real motivation behind the secretive effort to reduce the population and bring resource use into strict, centralized control. Could it be that the biggest threat we face isn't just automation and robots destroying jobs, but the larger sense that humans could become obsolete altogether?

Tim has a problem. The house he lives in no longer obeys the laws of logic. At times like this, there's only one man that can help.

In the wake of a carnival parade the river washes a corpse onto the shore. A crime has been committed, a mystery blossoms to life, and the legend of mythical cursed diamond is tantalizingly revived.

Eros and Thanatos. One deep breath: this is what Maël might need to cope with his partner Adam's suicide, a tragic event that, apart from great sorrow, has caused him to have a physical breakdown. He is troubled by his doubts about his lover's last drastic act, by how he put an end to his life and to their difficult relationship. But his grief turns into anger when he discovers that Adam had a secret long-term relationship with a woman called Patricia: he digs deep into his own memories, recollecting past events and eventually meeting his rival. On her part, Patricia will have to face unexpected dangers. A claustrophobic melodrama, with an unstructured and evocative narrative style. Here, South African director Antony Hickling, 34, confirms his visionary talent and ability to adopt a fresh point of view on queer cinema. All the performers are strictly gay and transgender, including Manuel Blanc, who was once André Téchiné's muse.