My Name Is Janez Janša

Joseph Kuo's final film.

After the closure of a lace factory in Calais, Andrée, Lulu and Solange are out on the street.

This film was produced in 1969 by Oak Ridge National Laboratory for the United States Atomic Energy Commission to inform the public regarding the history, technology, and milestones of the Molten Salt Reactor Experiment (MSRE). Oak Ridge National Laboratory's Molten Salt Reactor Experiment was designed to assess the viability of liquid fuel reactor technologies for use in commercial power generation. It operated from January 1965 through December 1969, logging more than 13,000 hours at full power during its four-year run. The MSRE was designated a nuclear historic landmark in 1994.

"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri

A man is painting a landscape. A woman is holding two cups. What can go wrong? A nightmare in pink.

A young lonely lion crosses an arid and desert Savannah. He discovers that the only source of water is kept by a tyrannical buffalo.

Ava, an award-winning chef at a big-city restaurant, has lost her spark. Her boss sends her out to find herself to save her menu and her job. She returns home and finds little to inspire her, but when she reunites with her childhood friend Logan, Ava has to get her head out of the clouds and her foot out of her mouth to rediscover her passion for food.

Poor Boyz Productions declares "War" with this ski world in a battle to produce the best ski film for the 2005 season.

The Red Mountain Tribe hangs out in my backyard. "Lipton's lovely home movie PEOPLE, in its affection for valuable inconsequential gestures, indicates in the course of its three minutes why there has to be a continuing alternative to the commercial cinema." – Roger Greenspun, The New York Times

A young photographer's home is haunted by it's former residents.

A place-specific film-excavation of Bixiga neiborhood – São Paulo. Choreography of forces that cross present time. Filmancy, clairvoyance is the vision of what is taking shape.

Nieri is an indigenous teenage boy from the Wirrarika culture, who is being indoctrinated by his father on the path of dreaming to reach the Blue Deer and become a Marakame. However, Nieri doubts about having the gift that is necessary to become a Marakame. His real dream is to play Mexican country music and to go to Mexico City to play there with his friends.

A love letter to film history, Sickies Making Films looks at our urge to censor movies and asks, Why? By focusing on the Maryland Board of Censors, the nation's longest lasting censor board, we discover reasons both absurd and surprisingly understandable.

In the gray dawn of an October day, as the inhabitants of a village street in Tripoli are engaged in the enjoyment of their several pursuits of life, an Arab rushes upon the peaceful scene, announcing that Italy has declared war against Turkey and that the Italian warships are now in the harbor, shelling the city.

A behind the scenes look at the new James Cameron blockbuster “Avatar”, which stars Aussie Sam Worthington. Hastily produced by Australia’s Nine Network following the film’s release.

In answer to an orphan boy's prayers, the divine Lord Krishna comes to Earth, befriends the boy, and helps him find a loving family.