Jack's Big Tit Show 3

Disguised as an Italian medic, Dolas finds himself on a ship evacuating wounded Axis soldiers to Italy. He leaves the ship disguised as a Nazi soldier, but is found out, declared a deserter and sent to the Eastern Front. However, on the flight to Russia, he is able to escape with a parachute, and finds himself back in Poland, now occupied by Nazis.

Marty's act is filled with actual events from his life. Everything he says is a true story based on something that either happened to him, his kids, or that he made up entirely. (Do we need to point out that this is sarcasm? Wow, even the parentheticals have sarcasm.)

Upon waking up in a strange forest, a young man questions whether or not the environment around him is real or a figment of his imagination.

A crafty child who wants to see his mother again after her death, finds a way to do it.

This film takes the form of an investigation into the life and work of the sculptor Vaiere Mara, born in 1936 in Rurutu, in the Austral Islands (French Polynesia) and died in Arue in 2005. Mara sculpted wood, coral and stone and his production was remarkable and noticed from the 1960s. Many local personalities placed orders with the man whom some considered the first contemporary Polynesian artist. The film traces the director's journey in search of Mara's works, scattered across islands and continents, and the personal story of this exceptional artist. Combining testimonies from those close to him, reconstructions of the founding moments of his career and documentation of the works found, this film appears as an investigation that is at once human, artistic and detective... which allows us to reconstruct the context of Vaiere Mara's creation.

During a routine pickup, an elderly Vietnamese cab driver is taken hostage by three recently escaped Orange County convicts. Based on a true story.

“A montage of still and moving images, mixing and alternating black people and white people, fantasy and reality, a presidential suite and a mother’s kitchen: a sensitive, poetic evocation in the manner of the film-maker’s Remembrance. Brilliantly colored and nostalgic, it comprises a magical transformation of painterly collage and still photographic sensibility into filmic time and space.” - Charles Boultenhouse

Jose, the town drunk is attacked by the Chupacabras and unknowingly becomes a Chupacabra himself. Like a vampire, he transforms and attacks his victims at night. His victims are typically very attractive women. Once bitten, these women lose their inhibitions. The problem is solved by two guys from a different galaxy.

Brice Dellsperger's reprise of Brian de Palma's Blood Sisters

A little papoose, bent on hunting bear, is stopped by his father, the chief, and told to forget the idea. The papoose responds by shooting a rubber-tipped arrow onto the father's nose, and the chief decides to teach his progeny a good lesson.

A Japanese tokusatsu kaiju proof-of-concept short film directed by Takeshi Yagi and written by Yagi, Todd Silverstein, and Jordan A. Y. Smith. It is the end result of a tokusatsu film production course taught by Yagi for the online subscription service Narō. Though only about 6 minutes of footage was cut together and shown at Tokyo Comic Con on November 24, 2022, Yagi and his crew intend to put proceeds from course subscriptions toward getting AKARI made as a feature film or television series. It stars the titular Akari, a woman turned giant with alien technology, fighting off a berserk cybernetic monster.

Four siblings, whose their father disappeared during Brazilian Military Dictatorship, report their childhood during the regime.

Fictional vampires have long stalked the world of movies, books and comics, but a new international subculture has emerged that takes things to an arguably unhealthy level. What would compel willing victims to donate their own blood to be consumed by self-proclaimed vampires? Real-life blood-drinkers are interviewed, as well as make-up artists, vampire hunters, psychologists and experts of all stripes.

Creativity has the power to change the way we see each other, and the world. Sometimes, seeing things through a new lens can make all the difference.