Bells of Waiting

“Our modern technology has achieved a degree of sophistication beyond our wildest dreams. But this technology has exacted a pretty heavy price. We live in an age of anxiety, a time of stress. And with all our sophistication we are in fact, the victims of our own technological strength. We are the victims of shock … of future shock.” No, this isn’t a quote from a Huffington Post column on the Facebookization of modern communication. Nor is it pulled from an academic treatise on the phenomenologies of post-industrial existence. This statement was made by Orson Welles in the 1972 futurist documentary Future Shock, and, unlike some of the more dated elements of 1970s educational films, Future Shock remains shockingly current in verbalizing the concerns and anxieties that come along with rapid societal and technological change. (Indiana University Libraries Moving Image Archive)

The story of Bari Lai Lai Lai follows Sita, a passionate writer who plans to create a vibrant music video. She enlists two models, Nikhil and Sanchita, to bring her vision to life. Nikhil, a strong and confident man, meets Sanchita, a beautiful and charming young woman, for the first time at Tower Bridge in London. From the very first moment, Nikhil is captivated by Sanchita's elegance, proving that first impressions truly last forever. As the music video unfolds, their chemistry grows naturally, and what begins as a professional collaboration blossoms into genuine love. The two fall for each other during the shoot and eventually start living together, their romance becoming a heartfelt part of the story behind the song. This music video combines the themes of love, destiny, and the magic of a first encounter against the iconic backdrop of London.

San Francisco filmmaker Konrad Steiner took 12 years to complete a montage cycle set to the late Leslie Scalapino’s most celebrated poem, way—a sprawling book-length odyssey of shardlike urban impressions, fraught with obliquely felt social and sexual tensions. Six stylistically distinctive films for each section of way, using sources ranging from Kodachrome footage of sun-kissed S.F. street scenes to internet clips of the Iraq war to a fragmented Fred Astaire dance number.

A rich stockbroker buys a Nevada ghost town as a community for people who need a second chance in life.

A family of aerialists decides to go after the $250,000 prize being offered to any group that can execute a complicated trapeze maneuver. However, personal dramas and financial difficulties soon threaten to overtake the flyers' pursuit of the elusive quadruple somersault. The film received a Robert Award as the best Danish film of 1985.

A painter's life is changed forever when a mythical and deadly spirit from Celtic lore becomes his muse and lover.

Once a legend, hero, and leader of the pack, Rudoph now lives alone in a trailer on the outskirts of the North Pole. After watching a documentary charting his fall from grace, a fired up Red decides to make the ultimate comeback and reclaim his spot as the King of Deers.

The air in London was damp and cold, a stark contrast to the vibrant warmth of Kathmandu that Anmol often dreamed of. It had been five years since he left Nepal for the United Kingdom, chasing the dreams his mother, Susmita, had envisioned for him. She had sacrificed everything-her small savings, her comfort, and her daily joy of having her son by her side-so Anmol could study and build a better life abroad. Anmol was a hard worker, juggling university classes and long hours at Amrish's restaurant. The boss, a shrewd businessman, valued profits over people. Anmol, like the rest of the staff, was little more than a cog in the relentless machinery of the restaurant's success. One evening, after another grueling 12-hour shift, Anmol sat on his small bed in his shared apartment. His phone buzzed. It was his mother. "Anmol, Dashain and Tihar are coming. I've cleaned the house and even set aside some money to buy your favorite sweets.

Since some bird chicks hatched in the neighborhood, the bat hasn't got any sleep.

A2 is a continuation of director Tatsuya Mori's film A (1998), an incredible view inside the compound of Japan's Aum Shinrikyo cult after its leaders carried out the deadly sarin gas attacks on the Tokyo subway in 1995. Most followers had no idea that the attacks were being planned, or even that their new religion had violent aspirations. After the attacks, these followers were left to rebuild the religion where they had once found peace in the face of overwhelming, and understandable, condemnation from the rest of Japan. Central focus is placed on Hiroshi Araki, a young man who finds himself elevated to chief spokesman for Aum after its leaders are arrested. Araki faces extreme hostility from the Japanese public, who find it hard to believe that most followers of the cult had no idea of the attacks and even harder to understand why these followers remain devoted to the religion, if not the violence.

Musha, Knight, Commando: SD Gundam Emergency Sortie, features the three Gundams and a young girl named Riplin joining together to fight evil. (Source: myanimelist.net)

The action takes place in Florence in the 1930s. Alfred, an Englishman who moved to that city in order to write a book on Giotto, meets a boy who is fond of music and mathematics, with whom he becomes close friends. Alfred goes to Switzerland, but one day he receives an anguished letter from the boy and rushes back to Florence where he learns some terrible news.

Multishow ao Vivo: Vanessa da Mata is a live album and DVD from Brazilian singer Vanessa da Mata, produced by the channel Multishow. Multishow ao Vivo was recorded live at the historic town of Paraty, and brings in the repertoire songs that marked the career of da Mata.

Young women in Nazi-occupied countries are packed onto a train and shipped off to a prison camp, where the sadistic commandant uses them as rewards for his lesbian guards and perverted and deviate troops.

This unique 3-DVD collection is the definitive critical overview of the work of Genesis. Taking the viewer on a journey from the band's early days through to the more recent past, the programs feature fascinating archive interviews with Phil Collins, Steve Hackett, Tony Banks and Michael Rutherford; also on hand to provide expert analysis of the music is a team of leading rock journalists and music industry insiders. And then there’s the music – featured here are superb tracks from the ground breaking Gabriel era and the bands later years as a commercial super group, including I Know What I like (In Your Wardrobe), Supper’s Ready, The Musical Box, In The Cage, The Knife, Turn It On Again and many more.