The Consequences of Love

Geremia, an aging tailor/money lender, is a repulsive, mean, stingy man who lives alone in his shabby house with his scornful, bedridden mother. He has a morbid, obsessive relationship with money and he uses it to insinuate himself into other people's affairs, pretending to be the "family friend". One day he is asked by a man to lend him money for the wedding of Rosalba, his daughter. Geremia falls in love at first sight with the bewitching creature and and soon indulges in a "beauty and the beast" relationship...

Two men, both named Antonio Pisapia, see their lives go downhill in 1980s Naples. One is a crooner embroiled in a sex scandal; the other is a football player whose career is cut short by an injury.

A bored, retired rock star sets out to find his father's tormentor, an ex-Nazi war criminal who is a refugee in the U.S.

Ali is a young Tunisian who dreams of a better life and ekes out a lonely existence selling contraband oil on the black market. When his father dies, he is forced to care for his two younger sisters who have been left to their own devices in a house from which they will soon be evicted. As he wrestles with the sudden weight of responsibility and the injustices he faces, anger and indignation stir within Ali – that of a generation still fighting to be heard more than a decade after the revolution…

"Loro", in two parts, is a period movie that chronicles, as a fiction story, events likely happened in Italy (or even made up) between 2006 and 2010. "Loro" wants to suggest in portraits and glimps, through a composite constellation of characters, a moment in history, now definitively ended, which can be described in a very summary picture of the events as amoral, decadent but extraordinarily alive. Additionally, "Loro" wishes to tell the story of some Italians, fresh and ancient people at the same time: souls from a modern imaginary Purgatory who, moved by heterogeneous intents like ambition, admiration, affection, curiosity, personal interests, establish to try and orbit around the walking Paradise that is the man named Silvio Berlusconi.

Jep Gambardella has seduced his way through the lavish nightlife of Rome for decades, but after his 65th birthday and a shock from the past, Jep looks past the nightclubs and parties to find a timeless landscape of absurd, exquisite beauty.

Director Paolo Sorrentino returns to Naples, his hometown, and reflects on his youth in an exclusive tour of the locations of “The Hand of God”.

17 year old Nói drifts through life on a remote fjord in Iceland. In winter, the fjord is cut off from the outside world, surrounded by ominous mountains and buried under a shroud of snow. Nói dreams of escaping from this white-walled prison with Íris, a city girl who works in a local gas station. But his clumsy attempts at escape spiral out of control.

It is 1945. Enrico Piaggio’s Pontedera factory is in ruins and the 12,000 people who worked there are condemned to unemployment and misery. Piaggio feels the enormous responsibility resting on his shoulders: the lives of so many families depend on his ability to create new jobs. A project is born in the mind of the entrepreneur: a small, robust, agile and affordable means of transport, capable of relaunching mobility, giving impetus to the recovery of the country’s economic and civil life. To make this dream come true, Piaggio turns to engineer Corradino D’Ascanio, a brilliant designer who uses the experience gained in the field of aeronautics to create the scooter that remains today the symbol of Italian creativity and design: the Vespa!

In the slums of the future, VR junkies satisfy their violent impulses in online entertainment. An expert player discovers that the line between games and reality is starting to fade away. A glimpse into a future where First Person Shooters have become a new drug for those disillusioned with society. The films examines the consequences of this on the global society.

A daughter torn between two mothers, one who raised her with love and her biological mother, who instinctively claims her back.

Two seemingly happily married French couples are forced to contend with a number of issues.

Alberto Saporito spent a very eventful night. His friend Aniello Amitrano was brutally killed and his body was hidden by his neighbors, the Cimmarutas. But he can't remember if it was just a dream or if he actually lived it. That's why he shows up early to the police to file a complaint. However, he doesn't know that his gesture will be the fuse that will cause chaos to explode. Just like his uncle Nicola does with his firecrackers. The uncle has in fact decided to stop talking, because the degradation in which humanity finds itself repels him, and is expressed only through his pyrotechnic language.

In his first collaboration with renowned screenwriter and longtime partner Cesare Zavattini, Vittorio De Sica examines the cataclysmic consequences of adult folly on an innocent child. Heralding the pair’s subsequent work on some of the masterpieces of Italian neorealism, The Children Are Watching Us is a vivid, deeply humane portrait of a family’s disintegration.

June 27, 1980: a DC–9 flying over the Tyrrhenian Sea breaks up mid-air and crashes near the Italian island of Ustica, killing all 81 people on board. The official version blames the "structural failure" of the plane, but a young journalist smells a cover-up and starts to uncover the truth out of the 'invisible wall' of lies built by politicians and air force higher-ups.

Nina is 13 years old and has an incredibly messy family. She finds herself catapulted from the center of Rome in a suburban neighborhood: grey high-rises, boys on scooters and a funny grandmother who spends all of her time gambling on cards. A sudden encounter upsets everything, like a storm: she is 13 years old, lives in the opposite building, and dances the Lambada. Her name is Sirley, she comes from French Guiana and has an ambitious dream: to interpret the Madonna in the neighborhood procession. Between the two an intense, very strong bond is created. Their friendship will lead Nina to finally lose control, and to discover her place not only in the world, but in the heart of her family.

Born of a chance meeting in Venice, Silvestro and Camilla's rocky romance unfolds over 10 winters as new lovers come and go but they are eternally thrust back into one another's arms.

Love at Twenty unites five directors from five different countries to present their different perspectives on what love really is at the age of 20. The episodes are united with the score of Georges Delerue and still photos of Henri Cartier-Bresson.

Meduzot (the Hebrew word for Jellyfish) tells the story of three very different Israeli women living in Tel Aviv whose intersecting stories weave an unlikely portrait of modern Israeli life. Batya, a catering waitress, takes in a young child apparently abandoned at a local beach. Batya is one of the servers at the wedding reception of Keren, a young bride who breaks her leg in trying to escape from a locked toilet stall, which ruins her chance at a romantic honeymoon in the Caribbean. One of the guests is Joy, a Philippine chore woman attending the event with her employer, and who doesn't speak any Hebrew (she communicates mainly in English), and who is guilt-ridden after having left her young son behind in the Philippines.

Luca Parmitano is the first italian astronaut to perform an extravehicular activity, currently part of the crew engaged in the Expedition 61 mission on board the International Space Station (SSI), is ready to tell his latest space adventures.