Die Fahnderin

In the middle of the night, a special police force storms the bedroom of management consultant Juliane Schubert. Just returned from a business trip to the Middle East, Juliane is questioned after her arrest by the commissioners Theissen and Hindrichs: They should have rented apartments and cars that should serve to prepare a terrorist attack. The evidence is overwhelming. Has anyone gained access to the businesswoman's computer, stolen her virtual identity and used it for criminal purposes?

Kaitou Kid dares to challenge the police once more, setting his sights on the Russian Imperial Easter Egg. With the date, time, and place, the Osaka police force scrambles to stop him. But this time, Kid may have bitten off more than he can chew—Conan Edogawa, Heiji Hattori, and numerous others are also trying to get their hands on the jeweled egg.

"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri

Story about a farmer.

A documentary dissecting the life of times of Perell "Dreamybullxx" Brown, a struggling saxophonist, entrepreneur who wound up creating homoerotic content to mass controversy, damage and infamy.

After finish his work Marchino finds the body of a teenager girl and goes to BarLume to call the police who don't believe him after his infamous past. Massimo goes to check and here starts a new story of BarLume.

The decision of the famous player Alex to return to his original local team after playing in various national teams.

An unusual documentary from the Brothers Quay and Keith Griffiths about the history of the Punch and Judy puppet show.

With input from actor and writer Jan Hlobil, director and cinematographer Rene Smaal presents a film in the true surrealist tradition, in the sense that only 'found' elements were used, and that it defies interpretation based on ordinary cause-and-effect time sequence.

A Vietnamese-American household receives a surprise visit from a long-lost patriarch after he fails at a get-rich-quick scheme.

The film is a sub-story to Kirikou and the Sorceress rather than a straight sequel. The movie is set while Kirikou is still a child and Karaba is still a sorceress. Like Princes et princesses and Les Contes de la nuit, it is an anthology film comprising several episodic stories, each of them describing Kirikou's interactions with a different animals. It is however unique among Michel Ocelot's films, not only in that it is co-directed by Bénédicte Galup (who has previously worked with him as an animator) but also for each of the stories being written by a different person (in all other cases, Ocelot has been the sole writer and director of his films).

Single-channel video installation commissioned by Public Art Development Trust, London.

While Hirono is in prison, his rival Takeda turns his own crime organization into a political party, whose two executives stir up new tensions in their thirst for power.

Timeless (stylized as Timel3ss) was the sixth concert tour by French recording artist, Mylène Farmer. The tour supported the singer's ninth studio album, Monkey Me. The tour began on September 7, 2013 and ended on December 3, 2013. It played 39 shows in 5 countries. Over 535,000 people saw Mylène Farmer live on this tour.

Kikunosuke was born as a child outside marriage and raised by Tatsukichi, who is the female manager of Japanese traditional restaurant. Tatsukichi drills Kikunosuke hard in a Japanese traditional string instrument, Shamisen, and continence. However, Kikunosuke becomes a “man” by a Geisha, Botan when he turns 18, then he becomes a man who do sex for female and compensates for their unsatisfied physical and mental emptiness as his job, called “Saoshi (The rod master).” Also, he sets up for himself as a master of Shamisen. One day, a lonely club hostess, Nami, appears in front of Kikunosuke. Nami cannot get satisfied with sex and comes to Kikunosuke. He tried to make her happy with using various techniques, yet he gives up. With despaired and humiliated, Kikunosuke goes on a trip to become the best “Saoshi.” Then, Kikunosuke meets Yukino, has many struggles, at a bar, and he decides to sleep with Yukino. However, a mysterious man watching at them from outside.

Ann Dexter, daughter of an itinerant Haiti waterfront character, Carl Dexter, brings a golden idol, which her father her stolen at a voodoo ceremony, to Bill Buchanan, who is known along the waterfront as a man eternally on a treasure hunt. He agrees to let Ann accompany him in search of the treasure after a native he befriended gives him directions and certain voodoo secret charms. They follow an underwater passage to an island where they find a Pagan tribe. They learn that the golden idol is a burial symbol representing the dead and that hundreds of idols are at the bottom of the sacred burial lake.

Close-up to a man who censored films during the military dictatorship in Argentina, slightly inspired by the infamous Miguel Paulino Tato.

From the left-overs of the films Henri Plaat made during his many travels, he made this film as an improvisation on deterioration and decay. A world of time passed and nostalgia.