Léonce Loves Morels

This serials played by Léon Lorin and various feminine actors, here Davrières, is full of comic elegance, parisianism of the Grands Boulevards and a real taste for fine shots. Appreciate the crossing of the Champ de Mars.

A woman is taking an old elevator up to her new apartment that she has just moved into. The oddly old and ringing phone inside the cabin is freaking her out. Over the line she is told about nightmares that are about to become true.

Short film built from photographs, sped up like a traditional stop motion and is meant to be an evocation of the English Eerie and Folk Horror.

A webpage editor spending the holidays alone is drawn into an unusual encounter when she encounters a stray dog.

What do we do when the Federal Government steps outside of its constitutional limits? Do we ask federal judges in black robes to enforce the limits of federal power? Do we "vote the bums out" in the hopes that new bums will surrender their power? Thomas Jefferson and James Madison didn't think so, and neither should we. The rightful remedy to federal tyranny rests in the hands of the people and the States that created the federal government in the first place. It's called nullification, and it's an idea whose time has come.

The film is about the deceleration of motion in linear form and speed, establishing a connection between space and love. It ends with high-contrast photos with increasingly drastic color changes. This short film, inspired by Brakhage's Stellar film, was created by manipulating 1750 space photos in Photoshop along with grotesque paintings. Some frames contain black paintings by Francisco Goya, grotesque drawings by Leonardo da Vinci, grotesque engravings by William Blake. In order to refer to Brakhage's poetic style and understanding of storytelling in experimental cinema, two poems by Frank O'Hara and Kenneth Koch are placed in the beginning and end of the film.

Despite a war raging close by, mud treatments and electroshock therapies continue at Kuyalnik Sanatorium, an enormous 1970s brutalist building on the shores of Odesa, where a small group search for love, healing, and happiness.

Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.

A bold experiment in space goes very, very wrong, leaving our nameless hero in a curious predicament, far from home, in the wrong time, and in a world which is far different from his own.

Follow Sam and his struggle with Aquaphobia. With battling his phobia he takes an experimental drug that is supposed to help suppress fear, but it may have some strange side effects.

To be Latino in America is one thing, but to be a gay Latino is another. Norman Green's documentary delves into this minority within a minority. Gay Latinos have to break through the added layer of religion and masculinity embedded in the Hispanic culture. Jesse, an openly gay college student; Marisol, a woman who's nervous about coming out to her mother; and Gustavo, a drag performer, all share their thoughts and experiences.

A musician is suspicious of his mailman.

Get to know the Mundanes, a faceless suburban family with an unusual appetite. This "Guide to the Happy Family" is a surreal daymare homage to classic PSAs of mid-century America.

When two friends stumble upon a drunken frat guy at a Halloween party, their wild night spirals into chaos.