Mutthi Bhar Chawal

This is a story about a city guy Nikolai, who will have to go instead of his friend on a rural business trip. A series of funny events, meetings and the beauty of the Yakut village encourage Nikolai to make an important decision in his life…

Outskirts of Moscow. A girl comes to an unfamiliar apartment to look after a dog. After a while, she realizes that the owner of the apartment has disappeared. She finds herself into a series of people that have been taking care of the dog for years in that same apartment, creating a weird community around this strange absence of the owner.

One summer day, a group of sixth-grade boys have an argument about whether fireworks are round or flat when viewed from different angles and embark on a journey for the answer during the annual firework festival. Meanwhile, one of their classmates, Nazuna, is troubled by her parents' separation and decides to choose one of the boys to run away with.

Intertwined stories from the gladiator/athletes participating to the Calcio Storico Fiorentino yearly championship.

A young boy Selva chasing his football sports dreams suffers a major setback, grows into an angry young man who is drawn into conflicts by evil forces involving him and his family, which he must navigate and reform

A couple embark on an early vacation. Left alone, their children cut loose until the boy gets caught for skipping school and things take an unexpected turn. Boasting exquisite camera work, the film is also unforgettable for its wholly original ending.

"MATRIX is a flicker film which utilizes 81 still photographs of my wife's head. It is a film dependent upon variation of intense light changes by calculated combinations of black and white frame alternations with exposure changes. Throughout, the light intensity rises and falls as the head rotates in varying directions within a 360 degree frontal area." — James Cagle

Silence dominates the work, as does the screen rectangle, which cuts off the “image” from a life time-space continuum and imposes upon the image its particular character. Within it, there is a play between tonalities, textures, large and small shapes.

Two friends respond to the challenges of the present by connecting through a playful provocation. Separated by America’s hemispheres, one in Brazil and the other in the U.S, they communicate strictly through video letters during a year. As a rule, each letter is formally and thematically inspired by a woman experimental filmmaker. As life unfolds, they express on film what they want to share with each other: the experience of being a recent immigrant, the expectations of political elections in both countries, their fears and hopes, all while observing the different women around them.

Through new camera techniques never before attempted we are able to put your audience on the edge of their seats, gasping for breath through FEEL-A-VISION. Your audience will boast that in one night they were able to whip a young girl to her masochistic climax - feel the warmth of a young female hitchhiker's gratitude for giving her a ride - answer a voyeur's plea to endure his young wife's sensuous desires - be sucked into a back alley profession they only dreamed existed - be pulled into a religion that requires a witness to an act of awareness by two young female believers and finally to participate with them in the most bizarre rite of depravity - take pictures of a would be starlet in a celebrated model studio and for a few dollars more get exactly what they want - get anything they wanted from a young Mexican girl in trouble with the police in return for helping her escape.

In hustle and bustle of urban life, we sometimes don't know our neighbors next door. And in the village, everyone knows each other and lives with the joys, troubles, and worries of a neighbor, like one big family. That's why a person is pulled to their small homeland, to their roots. The one who forgets their roots experiences a burdensome emptiness and dissatisfaction with their achievements in life.

Abstract art film made for gallery exhibition.

The lives of a group of Hollywood neurotics intersect over the Christmas holidays. Foremost among them, a songwriter visits Los Angeles to work on a singer's album. The gig, unbeknownst to him, is being bankrolled by his estranged father, a dairy magnate, who hopes to reunite with his son. When the songwriter meets an eccentric housewife who fancies herself a modern-day Garbo, his world of illusions comes crashing down.

This documentary offers a rare glimpse of the legendary Soviet filmmaker, Andrei Tarkosvky, at work. Tarkovsky made only seven films in his brief, but brilliant, career; Michal Leszczylowski's respectful movie chronicles him at work on his last film, The Sacrifice. Offering insight into Tarkovsky's working methods and transcendental aesthetics, the movie is a compelling account of the difficulties of film production. In the case of an uncompromising and visionary filmmaker like Tarkovsky, the practical problems of filmmaking are only magnified, as cast and crew struggle to realize the ambitious concepts in Tarkovsky's mind.

Progressive and talented Natasha and Roma dream of a European wedding by the sea - but Natasha's stepfather procured a different scenario. Rough official of the city administration considers the celebration as a springboard for their careers, and seeks to arrange all the «how to». Young awaits an unforgettable evening in the restaurant «Golden» with a complete set of the tedious rites. Not fight, the guys decide to spend their dream wedding in secret from conservative relatives. But by accident both celebration come together.

The last remaining production of Le Prince's LPCC Type-16 (16-lens camera) is part of a gelatine film shot in 32 images/second, and pictures a man walking around a corner. Le Prince, who was in Leeds (UK) at that time, sent these images to his wife in New York City in a letter dated 18 August 1887.

Max films his friends having lecherous fun at his own birthday party; unaware of how it will change his life. Just out of high school, by haphazard, he becomes a big porno producer. His father, a principled police major, chases porno makers, not suspecting that one of them lives in his own apartment. Hoodlums and girls from good families, corrupted policemen, petty dealers find themselves in a luring and scary world of porno.

Bhoominathan aka Bhoomi is introduced to us as a person who gets into many local fights. Worried about his future, his family sends him to Muthuramalingam (Raj Kiran), a much respected personality in his place Semmanur, to put Bhoomi's life on the right track. But things don't go as planned. Muthuramalingam's adversary threatens to kill his daughter Meera (Asin) as a revenge against his own daughter's fate. So Bhoomi is given the job of Meera's bodyguard at college. Meera goes to college with her friend Madhu but is irritated by Bhoomi's presence everywhere. So she devises a plan.