Jacob Tingleff - Tingleff, Tingleff eller Tingleff

I "Big Time Paranoia" introducerer Gintberg publikum for et helt nyt begreb - comedy terapi – hvilket var noget, der i den grad fik løsnet lattermusklerne hos publikum og anmelderne, da showet turnerede landet i foråret 2007. Med sin energiske, sarkastiske og selvironiske fremtoning beviser Jan Gintberg, at man i stedet for at søge læge måske kan løse egne problemer blot ved at åbne for lattermusklerne og give los. I løbet af to timer har publikum overgivet sig og forstået budskabet.

Daffadar is the story Ayyappan, a 65 years old honest, sincere, and compassionate security personnel (Daffadar) of the Collector for over 40 years. Evenafter his retirement he dresses as Daffadar and goes to the Collectorate every day

Romana fancies a proper holiday and convinces the Doctor to visit the leisure planet Argolis, where a takeover by the Argolins' historic enemy is underway.

A street gang crosses Glasgow to witness the arrival of a group of Somali refugees. A closely observed portrait of racism, friendship and adolescence.

Seryozha is an unemployed alcoholic who sits on the neck of his stupid mother. The only emotion available to him is grief for his dead father. From his neighbor and drinking buddy, Seryozha learns about the possibility of hearing the voices of the dead in mineral water. But for this you need to make a sacrifice. Trying to talk to his dead father and unravel the family secret, he plunges into the abyss of madness and goes beyond what is permitted.

One year ago, Logan mysteriously disappears while on a camping trip. Her welcome home party is thrown into chaos with a series of mysterious earthquakes and power outages.

The film discusses a father's unability to grow his children due to the rreason that their mother is no more. Mukesh's character wants his children to grow up with both love of father amd mother. So, he gives both the childrento his best friend Chadradas(Murali) and his wife Sukanya who have no children. Mukesh's death and its after effects are discussed. Mohini also plays an important role in this film.

While stealing some bones, Felix loses his tail. However, he goes to the tail shop to get a new one. He is then adopted by a rich woman who gives him as a mouser. The mice, though, have their own plans for Felix, which include framing him as a food thief in order to get the owner to kick him out.

Sylvester Cat must catch mice or lose his happy home. When he can't find a mouse inside, he searches out of doors and comes upon one meek, little mouse who agrees under duress to be Sylvester's one rodent to catch and rough up again and again in front of his masters. But it isn't long before the mouse realizes Sylvester needs him alive and decides to stop being Sylvester's stooge.

This film was inspired by a real event—a young US Marine, recently back from the Gulf War, was found digging a grave for his murdered wife in the middle of the California Mojave.

The year is 1975, the place is Mahim, Bombay, and this is the story of Tikku, a eunuch, the only child of yesteryear Bollywood actress Nazneen Begum, who has fallen upon hard times, is virtually destitute and is dependent on Tikku, who does make-up/hair-dressing of Bollywood actresses. When she passes away, Tikku is beside himself with grief. After the funeral, he witnesses a woman leaving a child in a garbage bin.

Every day in Finland alone, two people commit suicide. Thousands of people are affected by suicide yearly. Once I Dreamt of Life is a feature length documentary film about suicide. It’s an account about one’s personal relation to suicide, but also studies suicide as social phenomena: The motives, warning signs & consequences. The film follows the journey of a young man, an animated character based on a real person, on his path towards suicide. The journey is described by people who’ve had encounters with suicide – parents who lost their child, young adults who considered or even tried committing suicide. When linked together, these experiences offer a collage of our perception of suicide. They tell about how people cope with the past and find a reason to go on with their lives. The intention is not to romanticize suicide or judge. It encourages people to talk about painful and difficult experiences and reminds us how important it is to be heard.

The Sci-Fi Romantic Independent film WITHOUT WARD takes place in the future where a one-world government; Contractualism, controls everything. A notable inventor, Ward (Martin Landau), creates a drug which allows people to literally live in their wildest dreams. Over the next 20 years, 50% of the world's population ends up on the drug, while the Union of United Esquires, lawyers with guns that act as the worlds police force by fulfilling and enforcing contracts, take care of them.