Moonshine Mountain

Six people are lured into a small Deep South town for a Centennial celebration where the residents proceed to kill them one by one as revenge for the town's destruction during the Civil War.

Kiba is back again, but this time he has fallen from grace and sent to prison for all the violent acts he has committed. Once he's out, he begins working as a bodyguard in a club that is crawling with gangsters.

Following the brutal slaying of a call-girl named Julie in Bombay city, two police inspectors, namely Anil Sharma and Rajat Bedi, are assigned to investigate and bring the culprit(s) to book.

Michael reflects on his relationship with his friend Archie

Morning, Noon & Night explores a day-in-the-life of six people battling different addictions.Thecharactersfeelalltoo familiar asthey could be your neighbor, your family or even yourself. Thefilmfunctionsas a mirror asit examines some students,a history teacher, a lawyer, and a topexecutiveasthey struggle to make it through a single day.

A boy walks through an abandoned building and films the interior. Suddenly his camera disappears.

A famous singer, bored with music and fans, goes to live in Mexico. His manager sends a woman to bring him back. They fall in love.

A mustachioed dandy gallops up and scales a high tower to "rescue" a sweet, innocent-looking damsel. She captures him and ties him down, for what he thinks will be a kinky little tryst...

Parched, ragged, and dragging a heavy iron chain, a lone Gambler hobbles eastward through the endless desert. Barely a day behind him, a blood-thirsty Marshal in a priest's collar is exterminating everything in her path, hellbent on catching her prey. When the Gambler inadvertently rescues a young boy from a town gone mad, the boy sticks to him like glue as they escape together before the Marshal arrives to burn the town to the ground. But when the Marshal finally confronts the Gambler, he must make a terrible choice if he hopes to escape with his life.

A conversation with a woman waiting at the stop of a non-existent bus #13 becomes a turning point in the life of all her interlocutors. People "wake up" from the power of stereotypes and false beliefs, and act in accordance with their new understanding. Their stories show that moral choice is not always legal, but legitimate - not always moral. This builds one of the main ideas of the film: "Everyone is entangled with false stereotypes and ideas, but the only true way is to live their lives."

Mostly shot in San Francisco and Northern California, material filmed (using the camera almost as a p[r/a]inter, a means of shaping the visual world as film, but without reflection) in response to what that world was opening in me. "Material!" - analogies between weaving and spinning thread and images already a pattern within film history (e.g., in Deren) is here carried into further ramifications of unraveling and patterning in fabric- and cinema-making, as well as in personal and mythic dimensions. The open unfolding structure, which pulls away from the balanced design of much of my work, gives equal weight to the sound composition. Involves "opening" with its perils and ambiguities.

"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri

Because of his lower class status, Alberto is rejected by Elvira. He then travels to the capital city to study Philosophy and return worthy of Elvira's love and approval.

Renata and Gabriel, a young couple of actors, arrives to their apartment ready to have a night of pleasure, until she finds an used condom that makes all their relationship's secrets emerge.

An experimental film by David Rimmer (2003) which was influenced by or done to be performed at 'Rave' concerts which Rimmer was fond of attending in the 2000's. The relationship / resemblance of this film to 'light shows' (live projections) of the 1960's is unmistakable as an influence." -Al Razutis