Irukku Aana Illai

Set against the backdrop of World War 2, the film spans over three different phases of the life of the protagonist Kammaran who gets inspired by freedom fighter Subhash Chandra Bose and joins INA to secure Indian independence from British rule.

An awkward teenage boy's dream comes true when he finds a mysterious pair of glasses that turns him into the greatest baseball player his town has ever seen. He quickly learns that winning doesn't mean anything if you can't be proud of how you play the game.

In a sector of Madrid inhabited by families of a well-off class, a gang of boys and girls has continuous fun, sleep and drink, while their parents ignore practically everything. However, each of these young people has, to a greater or lesser degree, a problem. The parties and parties enjoyed by a group of young people from the upper class are the basis of the story that explains this film. Among them we find the famous couple, once happy, formed by Carlos Larrañaga and María Luisa Merlo. Directed by Fernando Palacios, and with a script by Rafael J. Salvia and Pedro Masó, " It's always Sunday " has no greater intention than entertainment, despite giving history a certain sociological touch, for that of valuing the behavior of the Youth of the time.

Alone and isolated at the family ranch, Tommy and his sister June suddenly find themselves being terrorized and hunted by a pair of nomadic killers.

Caprices tells the story of two young rich people. A famous actress poses as a poor florist, and a distinguished society man camouflages himself as forger and swindler. This game leads them to make close relations in a series of adventures.

Ana starts working as a Doctor in the S.T.I.U. (sexual transmission illnesses unit) at a Hospital. She begins meeting a lot of strange and bizarre characters there, while her jealous husband has to deal with it...

In the beginning of the Twentieth Century, in Belo Horizonte, the industrial Sampaio lives in a manor house with his stepdaughter Carmen, who has a sort of engagement with Roberto...

A kickboxer has an accounting problem with the mobster (Anthony Geary) who lent him money for a nightclub.

After missing her bus, Sam has an interaction with a strange old man that ends up meaning a lot more to her.

A petty burglar sets a chain of events in motion when he steals some money that the owner doesn't want the authorities to know about.

Jean-Luc and his old gang of 1968 pacifists, now in their seventies, reunite to make a film protesting against Swiss military export. After blowing up an arms factory they are brought to justice, but many hail them as heroes.

Lesbian filmmakers from Berlin were asked to make a short film about their idea of male gay love and sexuality and, vice versa, gay men were given the task of making a short film about lesbian sexuality and eroticism.

Gallagher wants to talk to you about style. Yeah, the sweaty guy on roller skates with the one-of-a-kind "bowling ball wearing a hula skirt" hairdo. Might seem like an odd topic coming from the man who uses humor as a blunt instrument (and not just when he's wailing a watermelon with his Sledge-O-Matic), but that's just what you get in this hour-long stand-up piece from 1983. You see, for comedy's prop master extraordinaire, style isn't so much about finesse as it is about flair. Flair he's got in spades, as long as you're willing to call stupid hats and a trampoline disguised as a huge couch flair. The bits travel well-worn paths through mating and parenthood, and the material does often betray its age (the fact that National Enquirer headlines are stupid isn't exactly revolutionary comedy). However, what ultimately makes Gallagher giggle-worthy isn't the material itself, but the zeal with which he swings for the big laugh. Hammer in hand or not, the man's got style.

One woman's seemingly serene bike ride highlights a hauntingly deserted but eerily captivating Los Angeles during the 2020 lockdown.

Early 1980s: Martin Siedler, a successful press officer for a leading pharmaceutical company, believes he has the trust of his boss Walter Lange. But then he finds out that his company's supposed miracle drug, which he is promoting, carries a deadly risk. This is proven by a secret, internal study, which his boss also knows about. How should Martin deal with this explosive information? What does he risk by going public with it? How strong is conscience? Drama based on real events about one of the biggest German medical scandals.