Interlude

An adaption of a novel by Peter Pan author J.M. Barrie.

A beautiful young girl, possessed from childhood by a vengeful spirit, wanders around lonely places to seduce and kill people and thus, gradually becomes lost in a dark world of revenge and lust.

Each year over 1.2 million wildebeest travel across the vast Serengeti plains and Kenya's Masai Mara on a 1,800 kilometer circular journey, relentlessly followed by every big African predator. Revolutionary spy cams - airborne, swimming or disguised as rocks, skulls or dung - reveal the Great Wildebeest Migration from entirely new perspectives. This 2-part series focuses on the growing-up of a calf as he takes his first steps, faces his first deadly perils and tries to cross crocodile-infested rivers. It combines natural humor with exciting drama and gripping music.

Through new camera techniques never before attempted we are able to put your audience on the edge of their seats, gasping for breath through FEEL-A-VISION. Your audience will boast that in one night they were able to whip a young girl to her masochistic climax - feel the warmth of a young female hitchhiker's gratitude for giving her a ride - answer a voyeur's plea to endure his young wife's sensuous desires - be sucked into a back alley profession they only dreamed existed - be pulled into a religion that requires a witness to an act of awareness by two young female believers and finally to participate with them in the most bizarre rite of depravity - take pictures of a would be starlet in a celebrated model studio and for a few dollars more get exactly what they want - get anything they wanted from a young Mexican girl in trouble with the police in return for helping her escape.

In hustle and bustle of urban life, we sometimes don't know our neighbors next door. And in the village, everyone knows each other and lives with the joys, troubles, and worries of a neighbor, like one big family. That's why a person is pulled to their small homeland, to their roots. The one who forgets their roots experiences a burdensome emptiness and dissatisfaction with their achievements in life.

SUMMARY:- A girl wakes up early in the morning to witness an immense Pain in her groin area & discovers blood on the bedsheet which makes her very uncomfortable to face her father. The next series of events lead her to understand whether she can speak about it or not, moreover, an important incident is highlighted between the use of face mask and sanitary pads as both are used for protection purposes. In this, her father get involved consciously and maintains stability and at the same time respecting her daughter's emotion in order to make her understand about the scenario, makes it even more effective love & affection for the father-daughter duo in facing each other and also towards the society.

Silence dominates the work, as does the screen rectangle, which cuts off the “image” from a life time-space continuum and imposes upon the image its particular character. Within it, there is a play between tonalities, textures, large and small shapes.

Myeong-ho works out at the gym with Yeong-seok and Dong-soo. Myeong-ho's wife, Hyang-yi, and divorcee Soo-hee also go to the same gym. Myeong-ho has been watching Soo-hee work out and approaches her under the excuse of helping her. Meanwhile, Yeong-seok and Dong-soo steal glimpses of Myeong-ho's wife with dirty thoughts in their minds...

Gad and Osama are childhood best friends. Osama was raised by his grandfather, as his parents died in a train crash. When presented with one job opportunity in a gulf country, they agree to let Gad take it and Osama stays behind to take care of his grandpa and Gad’s elderly mother. Five years later, Gad returns to Cairo on vacation and Osama comically convinces him to stay with them.

A couple embark on an early vacation. Left alone, their children cut loose until the boy gets caught for skipping school and things take an unexpected turn. Boasting exquisite camera work, the film is also unforgettable for its wholly original ending.

Submarines Olly and Beth join their friend Bobsie, who is convinced he is the great-grandson of the Rainbow “Pie-Rats”, to search for the legendary secret treasure that reflects the beautiful rainbows in the sky. Their exciting treasure hunt is filled with wonder, comedy, thrills and adventure. But, they are followed by the unscrupulous Snarky Sharkskin and his slippery seahorse gang. As resourceful as ever, Olly and Beth manage to overcome all the problems they encounter, survive the storms at sea, make a heroic rescue, and find the glittering rainbow treasure. However, in the end, the treasure hunt leads them to understand that the best treasure of all is family and friendship.

Paleo is a video clip shoot at the famous homonymous music festival in the French canton of Vaud in Switzerland, where many hippie-techno-pagans gather every summer since 1977. The editing style is a tribute to the reworking of psychedelic theories and the New Age proliferation within rave culture in the early 90s from the perspective of the late second decade of the new millennium. In the footage, the ritual ingestion of psychedelics is symbolically replaced by a liberating dance through a powerful fast montage that epitomizes the frenzy of intoxication achieved through psychedelic plants. A revival of a revival of a revival.

In the Age of the Inquisitions, 1603, Santo, El Enmascarado de Plata, is being laid to rest by a group of monks. The Black Hood, an axe-wielder and a tormented soul who sold his soul to the devil after losing his love to El Santo, appears at the foot of his tomb and swears to seek his revenge no matter how many centuries it takes. El Santo is the chosen one and is sworn to fight for good and justice at any cost. After he finds his love, Alicia, dead at the hands of the Black Hood, El Santo must trust his faith and use his strength in this battle of good vs. evil.

When the body of Violet Feverel is discovered on the Central Park bridle path, Inspector Oscar Piper is about to declare her death accidental from a thrown horse, until his friend and amateur detective Hildegarde Withers locates the horse and discovers blood on the horse.

Two friends respond to the challenges of the present by connecting through a playful provocation. Separated by America’s hemispheres, one in Brazil and the other in the U.S, they communicate strictly through video letters during a year. As a rule, each letter is formally and thematically inspired by a woman experimental filmmaker. As life unfolds, they express on film what they want to share with each other: the experience of being a recent immigrant, the expectations of political elections in both countries, their fears and hopes, all while observing the different women around them.

A doctor from Paris travels to North Africa to investigate the murder of a friend and find a lost boy.