Asadhyudu

A young chef at a small restaurant in Asakusa, with a past conviction for breaking into a safe, defeats the evil boss and ends up marrying his lover.

In the fifth installment of the Cine Gibi series, Smudge and Jimmy Five find themselves engaged in a lively debate over the ultimate action film. Seeking a resolution, they turn to their friend Franklin, known for his inventive prowess, to organize yet another round of projected comic book film sessions using his colossal blender.

On the streets of Dublin, Danny, a homeless man grappling with the ghosts of his past, finds himself caught in a cycle of despair and survival. Haunted by memories of his time serving in the Royal Irish Army, Danny's life takes a turn when he encounters Will, a young teenager on the run from a dangerous drug gang.

RETURN tells the story of a retired Green Beret who embarks on a healing journey from Montana to Vietnam. There he retraces his steps, shares his wartime experiences with his son, treats his Post-Traumatic Stress Disorder, and seeks out the mountain tribespeople he once lived with and fought alongside as a Special Forces officer.

‘RETURN’ follows Torstein Horgmo, Mikey Ciccarelli, Mons Røisland, Brandon Cocard, Brandon Davis, and Raibu Katayama as they push the boundaries of what can be accomplished snowboarding when innovative minds join forces.

A young woman was buried alive with the intention of killing, but she survived by chance. hears the cries of her little girl and fights to stay alive for her daughter. But this incident will enlighten a new worldview for her.

It's Christmas Eve and Nan receives some unexpected visitors, in the form of Ghosts of Christmas Past, Present and Future. In this comic retelling of Dickens' A Christmas Carol, Nan is shown the error of her ways, but is it too late for her to swap her Scrooge-like misery for some seasonal goodwill?

Return to Horror Hotel is an anthology feature with 4 segments. One is about giant a bedbugs, one is about a magical charm that turns girls beautiful, one is about a WWII sailor who hasn't aged and one is about a terrorizing severed hand.

Diaphane was filmed (super8) on January 27, 2018 from 8:08 am to 12:34 pm. The film is a filmed portrait of the village of Saint-Loup-de-Varenne, a small village where the first photograph was taken by Nicéphore Niepce (Point de vue du Gras, 1827, Saint Loup-de-Varennes, 16.2 × 20 , 2 cm.) The film begins with a sunrise which will reveal the entire village.

When drop-dead gorgeous lesbian vampire Monique moves into the neighborhood and starts seducing every female she sees it is up to Chip the cable guy and two detectives to stop the fanged femme-fatale.

Jeffery hasn't been the same since the loss of his wife who died during childbirth. Now crisis returns to his life, as his only child is diagnosed with leukemia, sending him into a tailspin. He turns away from his faith, feeling that life is no longer worth living. As God brings reminders of His goodness into Jeffery's life, will that be enough to guide him back to what matters most?

A doomed love affair blooms against the beautiful and exotic backdrop of the deserts of India in this romantic drama. Samantha Hartley (Kelli Garner) is a woman in her early twenties who travels to Rajapur in India to visit a resort where her mother stayed years ago. While tracing the steps of her mother, Sara (Lynn Collins), Samantha learns the true story about her mother's stormy marriage to Jeremy (Justin Theroux), a charming but moody alcoholic. Only a few days after their wedding, Sara began to wonder if marrying Jeremy was a mistake, and while visiting India on their honeymoon, Sara met Jai Singh (Manoj Bajpai), a handsome and sensitive widower living in Rajapur. Jai Singh, who speaks fluent English, soon strikes up a friendship with Sara that quickly grows into a romance, but both are aware of the transgressive nature of their love, and their affair takes a tragic turn, leaving its scars on all parties involved.

Delves deep into the anxiety, thrill and uncertainty of six aspiring animation artists as they are plunged into the twelve-week trial-by-fire that is the NFB's Hothouse for animation filmmakers.

You Take Care Now, an early student film, is a perfect exemplar of Ann Marie Fleming's idiosyncratic vision and stands as one of her signature works. Made on 16mm, and incorporating found footage, original material, animation, and processed images (Vancouver's groundbreaking avant-garde cinema of the 1970s is a decided influence here), Fleming's film offers a visually dazzling, emotionally wrenching, oddly humorous account of two profound personal traumas.