The Irrelevant Giant

In this exclusive first person account, Johnnie Ashe will relay this previously unknown chapter of his brother Arthur's legacy. Johnnie, five years Arthur's junior, returned from his first tour in Vietnam with the Marines. At the time, Arthur Ashe was a lieutenant in the Army working at West Point in data processing while fast becoming a rising star in the tennis world. When Johnnie was sent home however, Arthur suddenly became in danger of being sent to Vietnam. Johnnie volunteered to be sent back to the war in his brother's place so that Arthur could continue his budding tennis career. Johnnie would return home, and Arthur would go on to win the inaugural 1968 U.S. Open en route to a Hall of Fame career in tennis, made possible by his brother's selflessness.

Carmen is an opera in four acts by the French composer Georges Bizet. The libretto was written by Henri Meilhac and Ludovic Halévy, based on a novella of the same title by Prosper Mérimée.

Chronicle of the daily activity of a newspaper called La Jornada. Through the events covered by the gossip columnist that occupy precisely the seventh page, a portrait emerges of different classes of Spain in the 50's and a vision of reality where facts are mixed comedy, police, emotional, dramatic and even tragic.

Tai Chi guru Zhang Sanfeng deciphered the eighth-level mystery box, broke the border-less mind and magic skills and wiped out the stories of martial arts scum.

In the early twentieth century, a mysterious ecological crisis nearly wiped out the fish that most people cared about in the largest freshwater ecosystem on earth—the Great Lakes. The impact reverberated across the region, ruining local industries, damaging small town economies and indigenous communities, and destroying the livelihoods of people in the United States and Canada. With little reason for hope, a dedicated group of scientists, policymakers, and conservationists tackled the mystery.

Arthur is asked to pick up a bird for Thanksgiving dinner, so he brings home a 266-pound chicken named Henrietta. The family welcome her with open arms, but the neighbors are not so sure and then Henrietta escapes.

Mostly shot in San Francisco and Northern California, material filmed (using the camera almost as a p[r/a]inter, a means of shaping the visual world as film, but without reflection) in response to what that world was opening in me. "Material!" - analogies between weaving and spinning thread and images already a pattern within film history (e.g., in Deren) is here carried into further ramifications of unraveling and patterning in fabric- and cinema-making, as well as in personal and mythic dimensions. The open unfolding structure, which pulls away from the balanced design of much of my work, gives equal weight to the sound composition. Involves "opening" with its perils and ambiguities.

Mexico does not have the necessary social and governmental support for those who study arts, specifically music. With the help of two saxophonists we enter the life of musicians in Mexico, as well as discover the reason why they decided to study these careers, something that would seem a daring on their part, but perhaps it is what is needed in Mexico

A group of boisterous artists come to film a horror movie in a seemingly haunted bungalow but their plans are soon derailed by intercepting ghosts and spirits inhabiting the premises.

After being fired, Marcella, a gentle hearted mother going through separation, buys a tow truck; she gets trapped deeper and deeper in a cynical and aggressive world until a terrible opportunity shines in front of her.

When gold is discovered the first man there gets to stake his claim. Joe and another man race each other, which involves a thrilling episode on a train.

Valerie is a self-confident and modern woman - she commutes between L.A., where she works, and Berlin, where she lives with her partner above the rooftops of the city. When he falls ill and falls into a coma, she wakes up at his bedside. Valerie decides to return to L.A. one last time, burn all her bridges there and move to Berlin for good. She decides to record a video diary for her absence and begins to narrate for her loved one the day before her departure. Intended as simple messages of love, Valerie's memories are suddenly unleashed in the midst of the recordings. Playfully, she loses her shyness in front of the camera, her emotions burst forth and allow her to relive the story of her great love. What began as a game becomes a reckoning with life and love.

A frightening creature from unknown depths rises to attack a lone teenager.

"Peep Show" is a strange amalgam of dank noir drama and cheesy journalism, recounting Sam “Momo” Giancana's reign with the Outfit. Styled as a confessional by one of Momo's gunsels, the tabloid tell-all traces the Cosa Nostra's connections first to the fall of Cuba and Kennedy's mob-supported presidency, then to a spreading blight of drug trafficking that swept through Vegas on the way to the White House.

The making of a serious, Canadian arthouse film descends into Hollywood farce when its producer is forced to compromise his vision to accommodate his drug-addled star, his leading lady and his venal backers.

Documentary about Ajax Amsterdam in 1968.

Set in an oppressive future where the government controls the media, Ben Richards volunteers to participate in a deadly game show, which will see him hunted by professional killers over 30 days. Should he survive, he’ll win a cash prize that will help save his sick child and lift his family out of a horrid living situation.

“Remembering RBG: A Nation Ugly Cries with Desi Lydic” follows Lydic on a journey through the five stages of grief—denial, anger, bargaining, depression, and… what's the opposite of the acceptance? —as she comes to terms with the passing of the late Ruth Bader Ginsburg and where to go from here.