Sanctuary

Story of the 1974 coup that overthrew the right-wing Portuguese dictatorship--which continued the fascist policies of long-time dictator Antonio Salazar--and of two young army captains who were involved in it.

After being fired, Marcella, a gentle hearted mother going through separation, buys a tow truck; she gets trapped deeper and deeper in a cynical and aggressive world until a terrible opportunity shines in front of her.

Mostly shot in San Francisco and Northern California, material filmed (using the camera almost as a p[r/a]inter, a means of shaping the visual world as film, but without reflection) in response to what that world was opening in me. "Material!" - analogies between weaving and spinning thread and images already a pattern within film history (e.g., in Deren) is here carried into further ramifications of unraveling and patterning in fabric- and cinema-making, as well as in personal and mythic dimensions. The open unfolding structure, which pulls away from the balanced design of much of my work, gives equal weight to the sound composition. Involves "opening" with its perils and ambiguities.

An astronaut lands on the moon with a simple goal: to capture an alien. But things don't go as planned...

Stand up comedy by Martin Lawrence, filmed in the Majestic Theater in New York City. Martin Lawrence talks about everything from racism, to relationships, to his childhood.

Set 1: Bertha(Grateful Dead cover) (>) Good Lovin'(The Rascals cover) It Must Have Been the Roses(Robert Hunter cover) (Tour Debut) Big River(Johnny Cash cover) (>) Dark Star(Grateful Dead cover) (verse 2) Next Time You See Me(Junior Parker cover) (>) Mississippi Half-Step Uptown Toodeloo(Grateful Dead cover) (>) Bird Song(Jerry Garcia cover) (>) Don't Ease Me In(Henry Thomas cover) Set 2: Iko Iko(Sugar Boy and His Cane Cutters cover) Sugaree(Jerry Garcia cover) China Cat Sunflower(Grateful Dead cover) (>) I Know You Rider([traditional] cover) (>) Uncle John's Band(Grateful Dead cover) (>) Drums(Grateful Dead cover) (>) Space(Grateful Dead cover) (>) Hell in a Bucket(Grateful Dead cover) (>) Wharf Rat(Grateful Dead cover) (>) Turn On Your Love Light(Bobby “Blue” Bland cover) Touch of Grey(Grateful Dead cover)

Spooky Scary horror 5

During a school trip to Italy, a group of schoolgirls stay in a convent. Emma shares her room with her friends Lydia and Alice. She feels attracted to Alice, but as the two girls get closer, Emma suddenly feels like the religious statuettes are judging her.

Stole Popov's Oscar-nominated Dae depicts a group of Roma celebrating St. George's Day. The documentary doesn't contain dialogue, just footage of the festivity.

DySP Nanda Kishore is investigating a murder case soon after a death in his family. As he proceeds, he is surprised to see how certain connections emerge that hint the case is linked to his own life as well.

The Follies of M tells the story of the Provincial Parish of M, famed for it's quantity and variety of architectural follies and introduces the misshapen residents who indulged in suck reckless construction projects.

In the rural town of Wickenhaven, a psychotic tanning salon owner is responsible for the disappearances of many young, innocent girls, while his wife, an exotic purse designer, is willing to overlook his evil nature.

THE MINDS OF 99 – THREE DAYS IN THE PARK is a concert documentary film that follows the band and the individual members in the period leading up to, during, and after the magical weekend in the Park. Through a compilation of more than 300 hours of material, the audience is taken behind the scenes and gets up close to the band and the pressures and dilemmas, thoughts and emotions they encounter on the journey to the three critically acclaimed stadium concerts.

In his essayistic documentary Sigmund Steiner investigates the work, lives and generational relations of three Austrian farmers. Even though none of them are his father, each one of the film's protagonists reflects on one aspect of Steiner's complicated father-son relationship.

David McDoll is a selfish and wealthy man living an enviable lifestyle in his large villa and collecting fancy cars. However, his life is about to be changed forever when he inherits his six grandchildren. His glamorous lifestyle quickly becomes complete chaos. But he will learn a valuable lesson that teaches him about placing family first and discovering a newfound appreciation for life.

Anger discusses his Aleister Crowley-inspired theories of art: How he views his camera like a wand and how he casts his films, preferring to consider his actors, not human beings but as elemental spirits. In fact, he reveals that he goes so far as to use astrology when making these choices. This is as direct an explanation of Anger’s cinemagical modus operandi as I have ever heard him articulate anywhere. It’s a must see for anyone interested in his work and showcases the Magus of cinema at the very height of his artistic powers. Fascinating. (Dangerous Minds)

In the dressing room of the French cinema, minutes before attending a lecture, François Truffaut recalls his trajectory

The best women's wrestling competition of all time...and if you think it's fake you're in for a big surprise See LEGENDARY Mixed Martial Arts fighters coach their teams to victory in the cage! aka Chuck Lidell's Girl's Fight Club