Bare Boy Kink

The story based on the mysterious portrait of the town of Nabua in northeastern Thailand. Soon after nightfall when the crepuscular violets concede to blackness, the wind's rustling intensifies and the boys come out to play.

Although it was actually an impersonal commissioned film, the director's style is clearly recognizable. Once again he manages to make something that is normal very strange: the dancing people in costumes are filmed in such a way that they look bizarre and absurd. Jan de Bont's camerawork shows a series of color images of dancing people, edited to the rhythm of the music. Halfway through the film, a lonely clown can be seen among the dancing crowd, accompanied by sad music. This clown is played by Ditvoorst himself.

A lesbian private detective dives head first into murder, manipulation and the consuming power of sex.

Mary is a young girl, daughter of shepherds, promised in marriage to Joseph, a widower with two children, living in the nearby village of Nazareth, in the Galilee of two thousand years ago. Grown up in love and respect for the little ones, Mary, after leaving her home, soon sees the distortions of the patriarchal world surrounding her, starting with her husband's family. Here he reads the oldest brother of Joseph, Mordecai. The sunny and determined attitude of the girl, protective of children, arouses the indignation of the head of the family and those who are convinced of the need to give them punishment, discipline and submission.

Stuart Goldsmith delivers open-hearted stand-up about the realization that if everything goes according to plan, he dies first...halfway through his life (estimated figure), he reflects on mortality, ambition and the future, in a landscape of lurid toys, vanishing friendships and explosive tantrums.

The Friday Night Death Slot lampoons late night television in both horrific and comedic ways. Johnny Ghoulash is the host of the The Friday Night Death Slot, and is ever ready to serve up shorts, trailers, commercials and loads of fun.

A short film by Takuya Matsumoto.

“A montage of still and moving images, mixing and alternating black people and white people, fantasy and reality, a presidential suite and a mother’s kitchen: a sensitive, poetic evocation in the manner of the film-maker’s Remembrance. Brilliantly colored and nostalgic, it comprises a magical transformation of painterly collage and still photographic sensibility into filmic time and space.” - Charles Boultenhouse

An immigrant fishing family is forced to decide whether to stay or leave Alaska behind after the snow crabs disappear.

Bound in ancient celestial ballet, nine dead Kings arise to claim a fallen Emperor.

A little papoose, bent on hunting bear, is stopped by his father, the chief, and told to forget the idea. The papoose responds by shooting a rubber-tipped arrow onto the father's nose, and the chief decides to teach his progeny a good lesson.

A satirical allegory of contemporary South Korean politics, the film follows the exploits of two convicts who accidentally escape while being transferred to another prison. Before they can turn themselves back into custody, they meet a female outlaw. She persuades the pair of prisoners to rob a bank in Seoul. When their robbery turns into an embarrassing fiasco, the two decide to flee to the North Korean border.

A passenger picks up a woman at dawn who is to be a guest until midnight. Their journey begins...

SONGS 24 & 25: A naked boy and flute song; a being about nature (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).

In this documentary we meet five children in Sweden and see what happened in their lives. Robin was nine years old, but he already knew what a prison looked like and the bad a punishment can do. Frida was not yet born when we filmed her mother Angela in 1983. Her sister Malin lived for several years in a foster family. Bosse was 14 years old and in 9th grade when we met him in 1978. He was the only guy in the class who had glasses. Marie received many postcards and letters from her father, but very rarely met him while she was growing up.