The Right Number, But the Wrong House

Early morning silence is broken by screeching tires as a helicopter bears down on a speeding vehicle. Taking a quick corner, the team tumbles out into the woods as their car pulls away. Now they must make their way through the thick of nature and thick gunfire to accomplish their mission. Not a single word of dialogue is spoken throughout the entire film. Instead, the music, sounds, images and deeply truthful acting turn a simple plot into an intense experience. Passion and intrigue keep building to the very end.

When a book containing Hong Gil-dong's magic was stolen from the museum, a boy and his friend will see Hong Gil-dong and Terminator of the past.

1989: 64th and last year of the Showa era. A girl is kidnapped and killed. The unsolved case is called Case 64 ('rokuyon'). 2002: Yoshinobu Mikami, who was the detective in charge of the Case 64, moves as a Public Relations Officer in the Police Affairs Department. His relation with the reporters is conflicted and his own daughter is missing. The statute of limitations for the Case 64 will expire in one year. Then a kidnapping case, similar to the Case 64, takes place. The rift between the criminal investigation department and police administration department deepens. Mikami challenges the case as a public relations secretary.

A mysterious extraterrestrial being resembling Godzilla rapidly approaches Earth. The monster, dubbed SpaceGodzilla, lands to challenge the King of the Monsters.

A burning Godzilla, on the verge of meltdown, emerges to lay siege to Hong Kong. At the same time horrifying new organisms are discovered in Japan. These crustacean-like beings are seemingly born of the Oxygen Destroyer, the weapon that killed the original Godzilla.

The Futurians, time-travelers from the 23rd century, arrive in Japan to warn them of the nation's destruction under Godzilla. They offer to help erase Godzilla from history by preventing his creation. With Godzilla seemingly gone, a new monster emerges as the Futurians' true intentions are revealed.

In the middle of Sherman's March, in eastern Georgia, Confederate infantry, cavalry, and artillery make a bold stand against the overwhelming numbers of the Union army as it tears across Georgia.

Luke Skywalker and Han Solo battle evil Imperial forces to help Chewbacca reach his imperiled family on the Wookiee planet - in time for Life Day, their most important day of the year!

One minute he's Peter Parker the college student, and the next he's Spiderman!

A live broadcast of the Broadway hit "A Christmas Story: The Musical" in which Ralphie wishes for nothing more than a Red Rider BB Gun for Christmas.

Kathleen Madigan drops in on Detroit to deliver material derived from time spent with her Irish Catholic Midwest family, eating random pills out of her mother's purse, touring Afghanistan, and her love of John Denver and the Lunesta butterfly.

Short film built from photographs, sped up like a traditional stop motion and is meant to be an evocation of the English Eerie and Folk Horror.

Doraemon and his friends travel to ancient Japan where they meet Kukuru. When Kukuru tells them that his tribe has been enslaved by Gigazombie, Doraemon decides to help him.

Godzilla has become a distant memory for Japan when the destruction of a US submarine raises alarms for Admiral Tachibana. His estranged daughter Yuri investigates the legend of the guardian monsters, who must rise to protect Japan against the vengeful spirits within Godzilla that seek to destroy both the nation and its people for the suffering they inflicted in the Pacific conflict.

Decades after his play first put gay life center stage, Mart Crowley joins the cast and crew of the 2020 film to reflect on the story's enduring legacy.

Video installation, 2005, at LOKAAL_01 Breda 2007, Burning Marl, curator Frederik Vergaert in Seppenshuis Zoersel, 2005. A woman walking through 3 video images. Three screens display how the day’s light passes by: from the early morning light until late at night. Along with the woman the artist walks through the forest, in the same rhythm, the same pace. Off-screen she looks through the camera, fragmenting time. The age-old androgynous trees are a vertical constant along which the woman moves, as if in an interval between visibility and invisibility, between sound and silence, while the light keeps on evolving metabletically.

Single-channel video installation commissioned by Public Art Development Trust, London.

A bereaved mother seeks revenge on the person responsible for her daughter death.

An accident in the butchers shop leads Norman Pitkin and Mr Grimsdale to the hospital where, after causing the normal ammount of chaos, Pitkin finds Lindy, a little girl who hasn't spoken or smiled since her parents were killed in an aeroplane accident. Pitkin decides to help.