Three Little Pigs

The Tortoise and the Hare is an animated short film released on January 5, 1935 by United Artists, produced by Walt Disney and directed by Wilfred Jackson. Based on an Aesop's fable of the same name, The Tortoise and the Hare won the 1934 Academy Award for Best Short Subject: Cartoons. This cartoon is also believed to be one of the influences for Bugs Bunny.

The Big Bad Wolf torments Little Red Riding Hood and the Three Little Pigs.

King Midas is visited by an elf; the elf turns his cat to gold, then claps his hands and it changes back. Midas begs for the golden touch, but the elf warns him it would be a curse to him. Midas insists. He dances about joyfully at first, but discovers the drawbacks when he sits down to dinner. Fearing death by starvation, he summons the elf and agrees to surrender everything he owns to have the curse lifted.

Join Donald Duck in his debut in the classic animated short The Wise Little Hen. The Little Hen is planting corn and would like to have help from Peter Pig and Donald Duck, but they refuse stating they each have a "tummy ache." When it comes time to harvest the corn, Peter Pig and Donald still refuse to help the Hen, so she and her chicks do the harvest by themselves. Finally, the hen cooks the corn and offers some to Donald and Peter Pig, but when they look more carefully they discover a surprise.

The people of Hamelin, overrun with rats, offer a bag of gold to anyone who can get rid of the rats. A piper offers to do the job, and successfully lures the rats into a mirage of cheese, which disappears. The citizens, disappointed that all he did was play a tune, offer only pocket change. The piper, angered, plays a new tune that has all the children of the city follow him, even the new twins the stork is preparing to deliver.

Two little pigs cry wolf on their brother and then an actual wolf comes.

Three orphan kittens are entering a society house in winter and ruin the furniture. But when they're caught by the maid, the young daughter of the house "rescues" them from the cold outside.

Little Elmer Elephant has a crush on Tillie Tiger and his affection is reciprocated. Trouble is, the pint-sized pachyderm is beset by bullies who ridicule his trunk and make his life miserable. Then a conflagration breaks out at Tillie's tree house.

Mickey, Donald and Goofy are a fire department. As you might expect, their attempts at fighting a boardinghouse fire are not particularly effective. They hear Clarabelle singing in the bathtub and rescue her, tub and all, against her will (she won't believe there's a fire).

A scientist uses an earthquake machine to threaten the city, and only Superman can stop his extortion plan!

On a winter's day, a woman stretches near a window then sits in a bathtub of water. She's happy. Her lover is nearby; there are close ups of her face, her pregnant belly, and his hands caressing her. She gives birth: we see the crowning of the baby's head, then the birth itself; we watch a pair of hands tie off and cut the umbilical cord. With the help of the attending hands, the mother expels the placenta. The infant, a baby girl, nurses. We return from time to time to the bath scene. By the end, dad's excited; mother and daughter rest. Preserved by the Academy Film Archive in 2013.

The wolf escapes from Alka-Fizz prison, but persistent Sergeant McPoodle (Droopy) of the Canadian Mounties follows his trail wherever he goes.

A mother goat rescues her kids from the belly of a wolf, but where is her eldest son Toruku?

Donald and his nephews are the staff of a fire station. Huey, Dewey, and Louie, annoyed by Donald's snoring, ring the fire alarm. Soon, his bumbling sets the fire station itself on fire. They race off at the alarm, not realizing they are already at the destination, and the firefighting efforts go downhill from there.

The heroes of the film: ordinary matches. A quarrel that breaks out over nothing turns into a real battle in which both warring sides are burned.

After a failed wedding shoot, Bae-hwan meets Ryu—a callboy tangled in a murder case—and offers him a way out.

Bugs Bunny vs. a famous opera singer at the Hollywood Bowl.

When a giant threatens the land, the cityfolk mistake Mickey's boast of killing seven flies with one blow to be giants. He is then forced to fight the giant for real.

Artie is pure bred trailer trash. He has zero ambition, is everyone's favorite punching back at school and bears the burden of his virginity in silence. And then April moves out of the state. She's his best friend and support since kindergarten and the love of his life. Three years later Artie finally has the courage to take to the road and go see April to tell her how he feels about her. One car-crash later Artie wakes up in the middle of the zombie apocalypse. But this time he's not going to hide. Artie's love for April doesn't give him wings, but does give him the courage to hack, slash, punch and kick himself a part towards the girl he loves. Time is of the essence, because that bite on his hand will make the difference between a French kiss and a bite out of April's brains.

As in the classic fable, the grasshopper plays his fiddle and lives for the moment, while the industrious ants squirrel away massive amounts of food for the winter. With his song, he's able to convince at least one small ant until the queen arrives and scares him back to work. The queen warns the grasshopper of the trouble he'll be in, come winter. Winter comes, and the grasshopper, near starvation, stumbles across the ants, who are having a full-on feast in their snug little tree. They take him in and warm him up. The queen tells him only those who work can eat so he must play for them. Written by Jon Reeves