This Is It

Lucía remembers the summer when she fell in love with Luis and her fear of the dark.

Street vendors in Korea are almost like a national institution, they are so widespread and relied upon. In Little Pond in Main Street a group of vendors band together to create a community radio station but come into conflict with other groups, as well as the government trying to shut them down.

Known for his unmistakable cascading strings and recordings such as Charmaine, Mantovani enthralled the world with his sublime arrangements. This is the story of the man and his music.

An elder brother who lived a life of crime but left to show his younger brother the lifestyle is not fit for anything. Years later his younger brother takes his footsteps in the life of drugs/crime, to a deal gone wrong his younger brother is murdered, his elder brother steps back into his crime ways and to find and avenge his younger brother's death.

A young girl suffers a terrifying nightmare of a vampire with blazing golden eyes. Eighteen years later, it is revealed to be a hellish prophecy when a strange package containing an empty coffin mysteriously turns up at a nearby lake.

Founded in 1966 in California by a former organist and lion tamer named Anton Szandor LaVey, the Church of Satan has often been surrounded by mysteries, scandals and moral panics. An immersive journey into one the most fascinating phenomena of American religious pluralism.

A terrorist group has developed a mutant bat with lethal characteristics. Lieutenant Kris and his 2 sexy partners must put an end of this menace.

This film is a mix of landscape images seen from train windows and the patterned shapes and shifting tones of moving-visual-thought thus prompted; it was inspired by Robert Breer's FUJI.

Harmonies de Paris, restored by the Cinémathèque Française in the 1990s, was shot entirely on panchromatic film and was meant to be a documentary tour of Paris in thirteen thematic chapters. The subject is a tourist group arriving in the French capital by airplane, which explains the many shots of monuments and other canonical places.

Warsaw Central Station, 1958. A place of greetings and farewells, an intersection of people from different parts of Poland and Europe. A girl waits in vain, she goes away. Soon the station would belong to the past too.

Everyday Sara crosses paths with Tobias on her way to the museum where she works. One morning she accepts his invitation for coffee. It will be the first of several encounters that will affect how she relates to others.

Dug up after twenty five years, 8 millimeter movies give rise to a meditation on the fate of a family and a generation. The Mediterranean Sea is a faction, the story of a couple, a family, which becomes confused with the story of Algeria and France in the 1960s. The glance of Olivier Py is at the same time lucid and nostalgic.

The world's water supply has dried up due to some sort of apocalypse. A beautiful woman holds the secret to where one of the last springs being guarded by a group of Amazons. A "Road Warrior" like crew captures her and tries to make her talk through brutal torture. The hero (Stryker) unites with some of the remaining "good guys" and the Amazons and frees the woman. They go on to a "Road Warrior" type of concluding battle with the bad guys.

A new piazza proposed for Leicester market is met by public opposition. This is a city described by one local historian as unromantic, so what do the developers expect?

Mexican feature film

Arcelia is a single mother. She's feed up of being alone and feels a deep need to be loved. Starts relationships, explores knowing people online, and looks for partners of the past. Nothing works. Relationships are ephemereal, men leave. A question arises inside Arcelia: Is her little son the main obstacle to her happiness?

"With characteristic wit and rigor, experimental filmmaker Larry Gottheim here applies his impressionistic editing style to footage collected during his travels in the Dominican Republic. Gottheim’s formal emphasis on repetition and fissures between sound and image resonates here as a mode of sociological reflection (with the fragmentary montage mirroring elements of ritual while also destabilizing the ethnographic gaze). A largely overlooked antecedent to the contemporary blending of avant-garde and ethnographic filmmaking, MACHETTE GILLETTE… MAMA still poses a potent challenge to documentary convention." - Max Goldberg