Ralé: The Lower Depths

The vertigos in the urban landscape take the Bird-Man back to his origins, in a metaphor about life cycles. "Bird-Man" is a film from the poetic nature of Brazilian singer, Ney Matogrosso. During the 1970s dictatorship, he broke sexual taboos with a "strange" behavior on stage and became one of the most famous brazilian singers. Inspired in Cassiano Ricardo's concrete poems and the experimental music of Ney's repertoire, "Bird-Man" explores a sound and visual lyrical aesthetic of high contrasts that approximates man to nature's feelings.

The quasi-fictional story of transgender sex workers living in Rio de Janeiro's swampy red light district, who are joined by a group of hippies and a runaway stockbroker, "Mangue-Bangue" is the paradigmatic expression of the post-1968 spirit of desbunde, the Brazilian slang catchword for "sex, drugs, and rock 'n' roll".

"a colorful poem of the first copy-motion film... the system registers images directly from a color (xerox) duplicator model 6500... an original, versatil, unique system developed by Darino" –Back Stage

An extraordinary group of artists and musicians, in the wake of the 1992 Los Angeles riots, creates an underground arts movement and transform a community.

Six vignettes pit an assortment of characters against each other in everyday situations.

Shadrvan deals with the troubles of a family after their father's sudden death. Their family, who live on the outskirts of the city, has no income other than selling vegetables, and now, with the death of their father, new adventures are coming to them.

"The Wild Soccer Bunch" celebrate their last victory against the "Silver Lights" - and set one record in volley-pass game after another in the forest. But they are not alone: Vampires target the team. To lure them into their bunker, they kidnap Leon. Will Vanessa ever see him again?

Two lovers, who are oceans apart, discover that distance can either make the heart grow fonder or render it numb with grief.

On 18 September 1929, José Régio sent a letter to Alberto Serpa expressing his desire to create a production company and start making films. For almost 90 years, nothing more was known: no reply was ever found and Régio never mentioned the subject again. The discovery of some old reels in a collector’s hoard seems to provide the ending to the story.

This third and final film of the Falls trilogy revisits former Mormon missionaries Chris and RJ, six years after they first fell in love and were disciplined for it, as they formulate a plan to be together at long last.

If a girl crosses the border between her internal and external reality and no one is around to see it, does this animated short really exist?

For fixed-gear cyclists, Los Angeles is a city that has it all. From the neon glow of Hollywood to the sun-drenched boardwalk of Venice Beach, fixed-gear has evolved into a vibrant street culture that is uniquely L.A. From director David Rowe (Fast Friday) comes a new documentary feature that explores a side of L.A. few outsiders have seen. From races through rush-hour traffic to midnight loft parties, To Live & Ride in L.A. is a fast paced-trip through the busy streets and back-alleys of one of the world's largest cities. To Live & Ride in L.A. features talented local riders tearing up the streets with first-time visitor Keo Curry (Fast Friday, Macaframa) - one of the living legends of the sport. Bike to hidden spots off the map, race a midnight alley-cat, keep pace with the riders from Wolfpack, and hang with the local crews, graffiti artists and other L.A. personalities burning up the fixed-gear scene.

Peter loves nature, especially during summer. Known for his sense of humor, he enjoys the warmth and long days of the season. One day, his friend Lisa suggested a trip to the mustard fields in Alton, Hampshire. The two decided to go, and when they arrived, they were greeted by the stunning sight of blooming yellow mustard flowers. The fields were bright and beautiful, a perfect summer scene. This is the story of Peter and Lisa's visit to the mustard fields.

Kathleen Madigan drops in on Detroit to deliver material derived from time spent with her Irish Catholic Midwest family, eating random pills out of her mother's purse, touring Afghanistan, and her love of John Denver and the Lunesta butterfly.

An outlaw and a scorned husband both team up to track down and kill the man that wronged them. Along the way, the two men meet a hired gun that loves money just as much as he loves the company of women, so the two men decide to hire him in order to help them on their mission. However, things become complicated when the man they all seek to kill has risen to become a wealthy sheriff with a small army of gunmen at his disposal.

For us, a thought always presupposes a society, a culture and above all the consciousness of time. We are haunted by immortality, human notion par excellence. As if the world was here to fascinate us. And to disappoint us. The film travels around the bulb like the Earth around the Sun. Light makes the film visible. A fragile film, like our existence. In the orbit of the film tragedy and our reality, the image resists the cruelty of the experiment.

Justin, a lyricist by trade, and his friend Pierre, a composer, lead a bohemian life in Paris. Justin thinks his mother Josefa is richer than she appears, and decides to swindle her out of three million centimes by using Pierre as an intermediary in a case involving an insolvent check. Josefa uncovers the ruse and refuses to help her son. However, Pierre has discovered the identity of his friend's father, who had been unknown to him for twenty years. With the help of Justin's mother, the two friends do everything they can to extort the son's missing three million centimes from his ashamed and repentant father.