The Ladykiller

An almost irresistible attraction between the rich daughter of a factory owner and a successful popular singer will lead to marriage against her father's will. Is he the good and honest man everybody says? Will money corrupt him, too?

In an English village, a reporter and a mechanic listen to a ratcatcher explain his clever plan to outwit his prey.

In 1945, at the end of World War II, Neus Català returns to France, where she recalls her life under the Nazi yoke.

New summer adventure of the Crocodiles, who set up their detective skills to find out who is behind the accidents of the factory where Ollie and Mary's parents work , which could mean the closure of the plant, the move of the family and the dissolution of the gang.

In the third and final episode of the trilogy, Fantômas imposes a head tax on the rich, threatening to kill those who do not comply.

In the middle of October 1998, Tomoe Enjou is attacked by bullies from his old school and saved by Shiki Ryougi. He asks her to hide him at her place and admits that he killed someone. Several days after the incident there are still no broadcasts about the murder as if it didn't happen.

Three generations of the same family deal with the consequences of unleashing the forces of hell.

Since some bird chicks hatched in the neighborhood, the bat hasn't got any sleep.

Two large, ignorant bullies ruthlessly pursue a small, brilliant boy in this young adult Roald Dahl short story.

At an elite boarding school for girls, six friends jokingly engage in a late night ritual, calling forth the spirit of a dead former student who reportedly haunts their halls. Before morning, one of the girls is dead, leaving the others wondering what they may have awakened.

A recap of Kimetsu no Yaiba episodes 6–10, with new footage and special end credits. Tanjiro ventures to Asakusa, Tokyo for his second mission with the Demon Slayer Corps.

A man will become a criminal to save his family.

While working underground to fix a water main, Brooklyn plumbers—and brothers—Mario and Luigi are transported down a mysterious pipe and wander into a magical new world. But when the brothers are separated, Mario embarks on an epic quest to find Luigi.

During their vacation in the French countryside, a wealthy German family becomes entangled with a young hotel worker harboring sinister intentions.

Sutekh, the dark pharaoh from another dimension, sends his own puppet, Totem, to continue his quest to kill Rick and steal the magic which animates the puppets.

A grieving young inventor finds solace in repairing an antique typewriter.

When photographers Erin and Patrick are brought aboard the ship with their young son Lukas, they unleash a series of events that entwines their family with the ship’s dark past. As the terror unfolds around them they begin to realise there is more to this sumptuous ocean liner than meets the eye: its remarkable legacy masking violent secrets.

A widowed new dad copes with doubts, fears, heartache and dirty diapers as he sets out to raise his daughter on his own. Inspired by a true story.

Groot discovers a miniature civilization that believes the seemingly enormous tree toddler is the hero they’ve been waiting for.

Looping, chugging and barreling by, the trains in Benning's latest monumental film map a stunning topography and a history of American development. RR comes three decades after Benning and Bette Gordon made The United States of America (1975), a cinematic journey along the country’s interstates that is keenly aware “of superhighways and railroad tracks as American public symbols.” A political essay responding to the economic histories of trains as instruments in a culture of hyper-consumption, RR articulates its concern most explicitly when Eisenhower's military-industrial complex speech is heard as a mile long coal train passes through eastern Wyoming. Benning spent two and a half years collecting two hundred and sixteen shots of trains, forty-three of which appear in RR. The locomotives' varying colors, speeds, vectors, and reverberations are charged with visual thrills, romance and a nostalgia heightened by Benning's declaration that this will be his last work in 16mm film.