Deep Purple: Bombay Calling

A veritable feast awaits fans of Ian Anderson's Jethro Tull on this elaborate DVD package, which boasts extensive concert footage and a load of extras. The focal point is nearly two hours of performances, filmed in late 2001 (primarily in London, with additional material from several other locations) and featuring material from the band's entire lengthy career, including such staples as "Aqualung" and "Bouree." The current Tull incarnation (featuring, as always, Anderson on vocals, flute, and sundry other instruments) takes center stage; there are also a couple of numbers with a string quartet, and even a small-club reunion of the lineup that made the group's very first album back in 1968. Interviews with band members, testimonials from rabid fans, photos, and even an option for viewing a Tull performance from three different audience points of view are among the generous helping of extra features.

Story about a farmer.

A young recruit to the Italian army discovers and rejects the seedy world of soldiers who prostitute themselves to supplement their income. But before leaving this world he is raped by a highly-respected senior officer and must decide whether to risk bringing proceedings against him.

Betty Boop is a poor-but-honest-actress in the Gay 90s who, hungry and cold, gets a job as a singer in a dance-hall saloon.

A desperate Madhu switches her photograph with that of a reporter who has to be killed, hoping that her family will get the insurance money. And, now, the assassin hired to murder the reporter is after her and will not rest until she is dead.

A sex doll called Lucy wakes up in the bedroom of a doll brothel. She lives with Mina, another doll. Together they watch TV: their window to the real world. They imagine themselves living far away. After a while, Lucy wants to escape. But Mina doesn’t want to leave. Lucy has to choose between freedom and the doll she is in love with.

A man falls for an older woman, but their affair seems doomed.

Set in the nuclear war-torn world of 2040, a congested city is shrouded in a deadly smog, where breathable air is obtainable only through labyrinth shafts that transport the precious gas from high in the atmosphere. These passages are kept functioning by an elite 'Air Force'. The team risk annihilation to expose a deadly blackmail scheme.

A local council worker inspects three homes.

Janma Janma is a Nepali film that delves into love, dreams, and the cycle of life. The story follows Amar and Praya, a couple deeply in love. Praya is haunted by recurring dreams of someone trying to kill her, which leave her anxious and fearful. Amar, along with her parents, reassures her that the dreams aren’t real and encourages her to move forward. Praya eventually finds a new beginning, embracing a fresh life. However, she discovers that her old friends didn’t get the same chance at renewal. She shares this realization with Amar, urging him to cherish love and life. The story concludes with Amar reflecting on her words, highlighting the fleeting yet profound beauty of existence. Janma Janma is directed by Sital Nepal and written by Yubraj Lama. It weaves an emotional narrative of second chances, dreams, and the power of love to overcome life’s uncertainties.

A young boy discovers the existence of a group called the Mooncussers - a gang of pirates that work at night and sends out false homing signals to ships at sea. The ships then crash on the shore, where they are looted by the gang.

Rhea is a 24-year-old woman who has just moved into a new house with her husband. Over the course of 10 years she will have three different partners with whom she will experience three moves in different parts of the world. In the intimacy of a universal living room, the viewer will experience the passage of time and how the protagonist is getting rid of many material belongings. Her relationships seem very volatile and light. However, a novel written by her first love will endure in time amidst so much personal and material rupture.

Sole is the first film by the great Alessandro Blasetti and bears a complex relationship to the reclamation of the Pontine Marshes, a seminal event in Fascist political history.

It's evening, and she is standing happily at a work table in her kitchen, perhaps making a cake, while the radio finishes a song for young lovers. Then, the 7 o'clock news begins with a report on an arrest in Israel. As she proceeds through a couple of kitchen accidents - dropping a bowl, pulling a smoking pan from the oven, and waving the smoke out the window of her fourth-floor flat - she realizes that the newscaster is informing listeners of her cooking disasters.

After the plague, the famines have come, and a man expelled from the last habitable zone wanders the desert wondering if he'll ever see his son again.

The bigger the audiences for Dutch comedian Micha Wertheim’s shows became, the less he had to do to make them laugh. In one early show, he suggested that the audience would be better off without him. So in 2016, he acted upon this suggestion with an experiment that made theater history: he wasn't physically present onstage but somewhere else. The audience wasn't aware of this in advance, though they did get a hint in the form of a pre-recorded "live" radio interview from a remote studio. "I see my audience as my children," Wertheim says in this interview. "You have to educate them, and that’s what I’ve been doing for the past 15 years. At first you have to constantly be there watching them, but there comes a time when you have to trust them to get on with it without you." With some help from a robot, a printer, a stereo and a set of headphones, the members of his audience were able to make their own performance.

Ragat (Blood) is a powerful Nepali film that highlights caste discrimination and social injustice. The story follows Krishna, a young man from a lower-caste family, who bravely fights against the oppression of the rich and upper-caste elites. Hemant Kaji, a wealthy and influential man, strongly believes in caste superiority and looks down on the poor. Amidst this division, Laxmi, a girl from a rich family, falls in love with Gopal, a lower-caste boy. Defying societal norms and family pressure, they marry against their parents' wishes, challenging the rigid caste system. Their love becomes a symbol of change, but their struggle is met with resistance. In the end, Radha, Laxmi's caring aunt, tragically loses her life, leaving behind a message that all human blood is the same-hot and red. Directed with a strong social message, Ragat questions why caste discrimination still exists in Nepali culture and calls for equality and justice.