Bikini Planet

Take a thrilling ride right into the heart of the planet's most amazing forces - revealing the speed of a twister, the power of a hurricane, the lethal force of a lightning bolt, the instant devastation of a flood, or the explosive punch of a volcano. Feel what it's like to be inside a house when a storm rips the roof off, when a cloud of volcanic ash overtakes you, or what a street sign picked up by a tornado would do to your car window. This is Nature at it s wildest and most furious.

A regiment of soldiers demonstrate their skills.

A whale is hunted in the southern hemisphere by the crew of a sailing ship: it is harpooned twice, using a cannon, and taken back to the shore. In the second part, the whale is butchered at a whaling station. A lady with a parasol looks on, while in the background are the sailing ships used to hunt whales. These are excerpts from a 1909 film called "La Pêche à Baleine dans les mers du Sud" made by Jean Nédelec and cut down in the 1920's for the Pathé Baby home movie projector.

After a big night, a girl wakes to find her self in bed with a regretful one night stand. She does what ever she can to escape without waking him up.

Griesenow, 2013: The hairdresser Marianne Voss is found dead in the forest by her daughter Heike. Shortly afterwards, her husband Karsten comes under suspicion of murder. But he protests his innocence.

A young man's confusion in present times. The protagonist is looking for answers to questions that are relevant to many of his peers, coming of age in between a nostalgic socialist childhood and ideas pushed by a young democracy, relentlessly rushing forward.

Explores Man's tendency to reduce the world into discrete intervals so that it might be more readily analyzed, even if not wholly understood.

Jason and the crew go on a leisure trip to a carnival, but are confronted by carnival barker Uncle Blobb and his diabolical interplanetary real estate scheme as he attempts to turn them into "Seeds of Discontent."

The Future Doesn't Need Us… Or So We've Been Told. With the rise of technology and the real-time pressures of an online, global economy, humans will have to be very clever – and very careful – not to be left behind by the future. From the perspective of those in charge, human labor is losing its value, and people are becoming a liability. This documentary reveals the real motivation behind the secretive effort to reduce the population and bring resource use into strict, centralized control. Could it be that the biggest threat we face isn't just automation and robots destroying jobs, but the larger sense that humans could become obsolete altogether?

The White Box is coming, the government is on lock-down and their diplomat has vanished. On the ground a single agent races against the clock to find out if they are facing Scenario A or Scenario B - either means the end of the world as we know it but only one is a positive answer for mankind.

The body of a missing teenager is “found”. Completed in under 24hrs and winner of, "Best Use Of Prop" at the Okotoks Horror Film Festival 2022.

A businessman who wants to be rich loses out on family and social life. He marries a girl who loves him only because she would prove profitable to his business. He realizes what he lost after the death of his mother.

"Tales from The Grudge" is a series of three short segments that were released for "The Grudge 2" promotion, with an introduction from one of the producers of "The Grudge," Sam Raimi. The three segments expand the curse of the Saeki house as it finds other ways to spread itself, affecting other victims.

Chronicle of the daily activity of a newspaper called La Jornada. Through the events covered by the gossip columnist that occupy precisely the seventh page, a portrait emerges of different classes of Spain in the 50's and a vision of reality where facts are mixed comedy, police, emotional, dramatic and even tragic.

Noriyasu seems like an average third-grader, but his life goes haywire after he catches his mother reading his private daily journal. In an effort to astonish her, he begins writing outlandish lies about a giant snake in the bathroom, cooking pencils for dinner, and a rain of pigs, but Noriyasu is the one who's shocked when his writings play out in reality and everyone else treats the events as normal. Things become even more chaotic when he takes several stabs at being a newspaperman, producing “fake news” that become the talk of the town and one resulting in an apocalyptic porcine holiday.

Valerie is a self-confident and modern woman - she commutes between L.A., where she works, and Berlin, where she lives with her partner above the rooftops of the city. When he falls ill and falls into a coma, she wakes up at his bedside. Valerie decides to return to L.A. one last time, burn all her bridges there and move to Berlin for good. She decides to record a video diary for her absence and begins to narrate for her loved one the day before her departure. Intended as simple messages of love, Valerie's memories are suddenly unleashed in the midst of the recordings. Playfully, she loses her shyness in front of the camera, her emotions burst forth and allow her to relive the story of her great love. What began as a game becomes a reckoning with life and love.