Kkangchi

Tae-joon (Lee Sang-hoon) and Seo-yeon (Park Min-kyeong) wrap up their city life and start over in a quiet countryside. Tae-joon is still learning how to farm and he hasn't had a decent harvest of fruits for several years. He gets stressed and blames the soil. Seo-hyeon suggests they start a 'sharing house' to relieve his pressure. They invite a new family into their house to 'share' and that it Hwai (Lee Ja-eun). She is a novelist who writes about her experience with another man. She had an affair with Tae-joon in the past. She resented him but still loved him and couldn't get over him which is why she went all the way down there. She takes over the house which once used to be Tae-joon and Seo-hyeon's space. Hwai puts pressure on Tae-joon and provokes him by seducing Seo-hyeon's carpentry teacher Jae-rim (Kim Seon-hyeok). Hwai shakes up Seo-hyeon and tries to make Tae-joon hers while Seo-hyeon struggles to protect her family home.

With more than 50 million Latinos now living in the United States, Latinos are taking their seat at the table as the new American power brokers in the world of entertainment, business, politics and the arts. As Latinos’ influence in American society has soared, they have entered mainstream American culture, and the proof is in the music. Executive produced by legendary music mogul Tommy Mottola, THE LATIN EXPLOSION: A NEW AMERICA features a dazzling array of artists at the center of Latino cultural power and influence, including Marc Anthony, Emilio Estefan Jr., Gloria Estefan, José Feliciano, Eva Longoria, George Lopez, Jennifer Lopez, Los Lobos, Cheech Marin, Ricky Martin, Rita Moreno, Pitbull, Romeo Santos, Shakira, Thalía and Sofía Vergara. Narrated by John Leguizamo.

An archival investigation into the imperial image-making of the RAF ‘Z Unit’, which determined the destruction of human, animal and cultural life across Somaliland, as well as Africa and Asia.

The execution was scheduled and the last meal consumed. The coolness of the poisons entering the blood system slowed the heart rate and sent him on the way to Judgement. He had paid for his crime with years on Death Row waiting for this moment and now he would pay for them again as the judgment continued..

Disguised as an Italian medic, Dolas finds himself on a ship evacuating wounded Axis soldiers to Italy. He leaves the ship disguised as a Nazi soldier, but is found out, declared a deserter and sent to the Eastern Front. However, on the flight to Russia, he is able to escape with a parachute, and finds himself back in Poland, now occupied by Nazis.

A bunch of fools wander around the countryside and every once in awhile one of the girls either touches herself, has sex with someone, or is raped. Period costumes and beautiful scenery provide an incongruous backdrop for the action.

The air in London was damp and cold, a stark contrast to the vibrant warmth of Kathmandu that Anmol often dreamed of. It had been five years since he left Nepal for the United Kingdom, chasing the dreams his mother, Susmita, had envisioned for him. She had sacrificed everything-her small savings, her comfort, and her daily joy of having her son by her side-so Anmol could study and build a better life abroad. Anmol was a hard worker, juggling university classes and long hours at Amrish's restaurant. The boss, a shrewd businessman, valued profits over people. Anmol, like the rest of the staff, was little more than a cog in the relentless machinery of the restaurant's success. One evening, after another grueling 12-hour shift, Anmol sat on his small bed in his shared apartment. His phone buzzed. It was his mother. "Anmol, Dashain and Tihar are coming. I've cleaned the house and even set aside some money to buy your favorite sweets.

Bootlegger/cafe owner, Johnny Franks recruits crude working man Scorpio to join his gang, masterminded by crooked criminal defense lawyer Newton. Scorpio eventually takes over Frank's operation, beats a rival gang, becomes wealthy, and dominates the city for several years until a secret group of six masked businessmen have him prosecuted and sent to the electric chair.

820 years ago, Mujaka, the lord of werewolves finally visits Raizel after a long journey. But the werewolf Maduk interferes in a war of human plotting some scheme. Raizel and Mujaka fall into a hand of tragic destiny, fighting with each other desperately leaving their friendship behind.

The last film in Vidokle's trilogy on Cosmism is a meditation on the museum as the site of resurrection-a central idea for many Cosmist thinkers, scientists and avant-garde artists. Filmed at the State Tretyakov Gallery, the Moscow Zoological Museum, The Lenin Library, and the Museum of Revolution, the film looks at museological and archival techniques of collection, restoration and conservation as a means of the material restoration of life, following an essay penned by Nikolai Federov on this subject in the 1880s. The film follows a cast comprised of present-day followers of Federov, several actors, artists and a Pharaoh Hound that playfully enact a resurrection of a mummy, a close examination of Malevich's Black Square, Rodchenko's spatial constructions, taxidermied animals, artifacts of the Russian Revolution, skeletons, and mannequins in tableau vivant-like scenes, in order to create a contemporary visualization of the poetry implicit in Federov's writings.

Vivo en Red House is the name of the first DVD and fourth live album of the Argentine blues and rock group Manal. The audiovisual material records the meeting of the group after thirty years with its three original members. The meeting took place on the stage of the rock and blues club Red House in Buenos Aires, on October 1, 2014.

A man wakes up from a strange dream with a horse tail attached to his body and begins a mind-bending journey to disentangle the real from the imagined.

"Jangan Pandang Belakang Congkak" tells the story of three youths who each received a letter from the late Pak Sudir inviting them to his house. Upon arrival, they met up with Pak Sudir's helper Mustika and discovered that he was their grandfather and the three of them have the potential to inherit all of his belongings, but under strict circumstances. They would have to stay at his house for three days straight without touching anything, especially an old congkak. On the first night itself, strange things begin to happen.

Soviet wartime cameramen accompanied the fighting troops of the Red Army on foot, aboard their tanks, and in their aircraft to film this epochal documentary of the Battle of Moscow that halted the vaunted and---until then, unstoppable---German war machine cold in its tracks.

The Ohaion family is mourning the death of one of their relatives. In keeping with tradition, they gather together in the home of the deceased and stay there for seven days. Forced to put up with one another day and night, the brothers and sisters soon let their bitterness and arguments override the sense of communal reverence. The atmosphere becomes unbearable and long-buried truths finally surface.

After the death of their abusive father, two estranged twin brothers must reunite and sell off his property.