The Death of Auguste

The film takes place in a Parisian suburb and brings us into the closest possible contact with the people who live here and takes us into the privacy of their lives. A series of personal accounts and shots of the decorated interiors of apartments and houses with no hint as to where we are, no names. No stigma attached, no label given. For these are not the subject of the film, which seeks instead to give a face and a voice – a sort of private landscape – to a space that has come to represent all that is standardized and anonymous.

After eight years of close collaboration with her supervisor, Mathilde suddenly finds herself inexplicably victim of moral harassment by him. In parallel, Thibault has just split up with his girlfriend after a frustrating two-year relationship where they exchanged very little. Mathilde and Thibault have never met, they are just two figures among millions of others. Two people who may bump into each other or who may merely pass each other by. But one day in September, their paths meet.

When twin girls are found dead in their family’s barn, reality star turned TV-reporter Meredith Phillips and her de-facto camera crew are dispatched to rural Wisconsin to investigate the gruesome deaths. In their relentless drive to break the story, the reporters become entangled in a deadly mystery and uncover the small town’s shocking secret. Edited together from the crew’s multiple cameras, the film documents their struggle to survive the most terrifying night of their lives and becomes the only evidence of a crime too horrific to imagine.

The ostensibly calm and courteous Gerald Ballantyne lives in and embodies modern suburbia. But he is haunted by the memory of a recent car crash and hounded by his estranged wife and her demands for divorce. Slowly, a festering insanity takes over and unwilling to face the outside world he embarks on a lunatic experiment. Confining himself to his middle-class home, he eschews contact with others and survives entirely off 'food' which he can find in his house. Based on JG Ballard's The Enormous Space.

This is a story about a guy who is willing to sell the soul, just to dial million views for your videos on YouTube. On the way to his goal, he turns into a fast train "Moscow - Vladivostok», where faced with an American actress, suffering aerophobia. On the way strangers expect such adventures that they lag behind the train that trying to catch up, moving our unpredictable and fabulous Mother Russia - After each of them need to be in Vladivostok exactly 7 days - for reasons which they carefully conceal from each other.

The air in London was damp and cold, a stark contrast to the vibrant warmth of Kathmandu that Anmol often dreamed of. It had been five years since he left Nepal for the United Kingdom, chasing the dreams his mother, Susmita, had envisioned for him. She had sacrificed everything-her small savings, her comfort, and her daily joy of having her son by her side-so Anmol could study and build a better life abroad. Anmol was a hard worker, juggling university classes and long hours at Amrish's restaurant. The boss, a shrewd businessman, valued profits over people. Anmol, like the rest of the staff, was little more than a cog in the relentless machinery of the restaurant's success. One evening, after another grueling 12-hour shift, Anmol sat on his small bed in his shared apartment. His phone buzzed. It was his mother. "Anmol, Dashain and Tihar are coming. I've cleaned the house and even set aside some money to buy your favorite sweets.

For 50 minutes or so Pictures presents a series of static, or gently swaying images which are sometimes bucolic landscapes but more often industrial ones (sludgy harbours, power lines, abandoned railway stations or deserted factories). The interplay between the two sets of imagery is not simple. Wyborny photographs his modern ruins at their most ravishing – at dawn or sunset, partially reflected in the water or glimpsed through the trees. Shots recur throughout, optically printed into brilliant colours or else, given the washed out quality of fifth generation Xeroxes. As there are few people shown, one’s impression is of a planet that is populated mainly by cows, barges and hydraulic drills.

Yumeka (Kanon Nawata) whiles away her time making art in a studio left to her by her grandmother, though it appears she’s not attached to the art and may not find real value in it. She sleeps with men easily but seems empty of emotion in general. Even more in a shell is her university friend Tomoko (En Nakagami), a clean freak who cannot get involved with men. Yumeka suggests Tomoko have a tryst with their friend Takaya, but Tomoko is naturally less than interested. She does, however, take up Yumeka’s suggestion to take a job at a softcore porn movie theater and this sets of a chain of events the film follows. There she meets Kyoichi (Ryusuke Fujiwara), a young man who prostitutes himself. The thoroughly opposite Tomoko is intrigued.

A crafty child who wants to see his mother again after her death, finds a way to do it.

A magician suspected of having killed a colleague is arrested by the police, but his assistant helps him escape.

In 18th century London, a vivacious young woman becomes a chambermaid for a brothel madam.

A Japanese tokusatsu kaiju proof-of-concept short film directed by Takeshi Yagi and written by Yagi, Todd Silverstein, and Jordan A. Y. Smith. It is the end result of a tokusatsu film production course taught by Yagi for the online subscription service Narō. Though only about 6 minutes of footage was cut together and shown at Tokyo Comic Con on November 24, 2022, Yagi and his crew intend to put proceeds from course subscriptions toward getting AKARI made as a feature film or television series. It stars the titular Akari, a woman turned giant with alien technology, fighting off a berserk cybernetic monster.

A film about the eternal human desire for beauty, to the point of complete rejection of terrestrial existence.

Grisha, an official from the committee for the protection of cultural heritage sites, has an ideal plan — to carefully kidnap the boss on New Year's Eve in order to make a deal with another shopping center in the city center himself. Grisha has provided for everything, and it's hard to imagine what could go wrong.

Climbing safely is within everyone's reach. Introduction, progression, training, rope maneuvers, sequence of movements, equipment, and high-level practice—everything you want to know about climbing. Accessing the vertical world means learning to read the rock, combining positioning, balance, and self-control, and having fun. Demonstrations by Jean-Christophe Lafaille (high mountain guide) take place in the dizzying scenery of the Vercors cliffs (Presles and Corrençon-en-Vercors) and the Dentelles de Montmirail. Jean-Pierre Bouvier, known as "Mouche," takes you to the magical boulders of Fontainebleau, while François Legrand (world champion on climbing walls) gives you his advice on how to progress.