Dead Sunrise

The execution was scheduled and the last meal consumed. The coolness of the poisons entering the blood system slowed the heart rate and sent him on the way to Judgement. He had paid for his crime with years on Death Row waiting for this moment and now he would pay for them again as the judgment continued..

Do, Re and Mi in this sequeal tells the tale of a group of gangsters who are planning to rob a bank. So they use this oppurtunity to con them out of it and capture them at the same time. Many comedic memorable moments are carried out through the movie.

A doomsday pepper is surprised to find a mysterious box appear in his living room with no trace as to how it could've gotten there.

A sixteen year old vampire reconsiders her past relationships.

A young actress arrives late to a casting, making up a great excuse without knowing a small detail.

Vicente and Elena spend Sunday at their country house on the outside of Alicante. Vicente has bought a new canary because a cat that roams the area ate one of his canaries. Elena does not like birds in cages, but they are Vicente’s favorite pastime and they keep him company. Now they have to teach the new canary to sing.

The reserved Julia has traveled to Vienna, especially to surprise her sister Johanna at her art performance. Johanna has rented a room for her feminist performance, hired two musicians and invited everyone she knows. However, the vernissage apparently turns into a miserably unsuccessful evening, which might bring the two siblings closer together again.

A police officer is tasked with capturing a gang of bank robbers led by a former elite force member.

STOP + Cop = "Stop" or "Slow down" ? Make the right choice. An interactice movie by Ken Arsyn.

An MA in philosophy, Raja arrives in Delhi to look for employment and comes across Kusum, a struggling stage actress. They both face hardships in order to make a living.

The Sultan is not a very happy man. He charges his royal jester to make him laugh before sunrise or die.

With Tom Dumoulin and Primož Roglič, Team Jumbo-Visma has one big goal in the summer of 2020: to win the Tour de France. For three weeks, the "yellow and black train" can be seen in front of the peloton. Everything seems to be under control. In the last week, Roglič has the leader's jersey firmly around his shoulders and apparently nothing can stand in the way of a victory march on the Champs-Élysées.

The original film Europa was made by Stefan and Franciska Themerson in Poland 1931 and was a visual interpretation of Anatol Stern’s 1929 poem Europa. The film was lost during the second world war and has never been recovered. This tape-slide reconstruction of Europa was made in 1983-84 by the Distribution Staff of the London Film Maker’s Co-Operative with Stefan and Franciszka Themerson using surviving stills from the film and a voice-over by John Claus.

An unfortunate mix-up leaves an unsuspecting victim in a situation of life or death.

Writer/Director Christopher R. Mihm pays tribute to the works of William Castle, the master of classic horror. Rich socialites have a tradition of throwing exclusive dinner parties. This time, they've booked a spiritual medium who promises to open a portal to the great beyond. Can the group survive the night or will ignoring the medium's warning be the last thing they ever do?

Franco is abandoned by his wife and daughter who wrongly accuse him of being a wimp. Besides he's bossed around and sexually harassed at work. He decides to take justice into his own hands and get rough with the world. He soon gets his family's respect back.

An unexpected delay at the railway station sparks an unlikely relationship between two people.

In 2010 with the full-length film X+, Marylène Negro takes up a new dimension of human experience : the collectivity. "A Picture of Us". What are the aggregating forces that bring forth this drive - brusque or slow, woven from facts, simplifications and resonances that we can call, always approximately, collective history ? The cinema relentlessly records silhouettes, groups, crowds, masses - fleeting passers-by of a period they are going through, tiny extras of a zeitgeist that carries them along. X+ explores the visual and sound forms of presence thanks to which persist or dissolve the argentic traces of these innumerable figures whose existence forms the tissue of humanity and whose mingled gestures - noticed or unnoticed, make up the supposed "collective" substratum of collective history. X+ attains the very principle of figurativity. (Nicole Brenez)