Monsters of Cock 55

An unlucky Birthday boy must fight for his life against a masked psychopath.

Buried in his denial and running from authorities, Bobby Angel produces online videos proclaiming his innocence. The audience is exposed to his perspective as he battles himself, the demon of his nightmares, finds refuge in his delusion and ultimately is lost within it. What he sees and the world he creates reveals to us the complex and very terrifying reality he experiences.

Marty's act is filled with actual events from his life. Everything he says is a true story based on something that either happened to him, his kids, or that he made up entirely. (Do we need to point out that this is sarcasm? Wow, even the parentheticals have sarcasm.)

The Black Knight overwhelms his competitors in a jousting tournament until an operetta-singing Mighty Mouse comes to save the day.

A little papoose, bent on hunting bear, is stopped by his father, the chief, and told to forget the idea. The papoose responds by shooting a rubber-tipped arrow onto the father's nose, and the chief decides to teach his progeny a good lesson.

When Marty's car is stolen, he sets out on a mission to find it; however, he soon realizes that the person who stole it is much more dangerous than he thinks.

Ram and Sita had always shared a deep bond over their love for music and devotion. One day, their close friend Shiva invited them for a casual gathering. Over cups of tea and lively conversations, Shiva suggested, "Why don't we create a music video dedicated to the hymn Om Jai Jagdish Hare? It could be a beautiful tribute to Lord Ganesh and other Hindu gods." Inspired by the idea, Ram and Sita immediately agreed. They reached out to their other friends-Laxmi, Vishnu, and Ganesh-for help. Together, they worked tirelessly, blending their talents in music, direction, and production. They chose serene temple locations and vibrant cultural elements to bring the video to life, ensuring it conveyed the essence of devotion and harmony. When the video was finally completed, it was a masterpiece of devotion and creativity. As they watched the final cut together, Ram smiled and said, "This video isn't just about the gods; it's about faith, friendship, and trusting in goodness.

The story based on the mysterious portrait of the town of Nabua in northeastern Thailand. Soon after nightfall when the crepuscular violets concede to blackness, the wind's rustling intensifies and the boys come out to play.

A young man comes to work to kolkhoz where no one knows that he has no experience whatsoever.

After being estranged from his Druze village and family for 17 years, Yoseph returns with his two Israeli, teenage children. His marriage to a Jewish Israeli woman has just ended and he plans to settle down there. His arrival causes friction inside the closed, conservative Druze community and also with his mother Afifa, who accepts him and his children as part of her family again.

Beirut, Lebanon. On the waterfront’s construction site, security agent Raed must prevent passing-by walkers from accessing the seaside. Yet as the horizon becomes each day more stifled by the construction, Raed makes peculiar encounters—mere dreams, or symbols of his desires?

Emin's video CV is an accompaniment to her work on paper, Tracey Emin CV 1995 (Tate T07632), which is a potted history of the artist's professional and emotional life from conception until 1995. This CV, read aloud by Emin, constitutes the sound-track to the video and provides contrasting background to the visual information on display. As Emin narrates her story of trauma and abuse, mixed with pleasure and success, the video takes the viewer on a journey through the artist's home. The artist is not visibly present in person until the last frames when she appears curled up naked on the floor of her sitting-room at the feet of her mother (who wears black sunglasses and looks away from both her daughter and the camera). Like Emin's handwritten CV, the video constitutes her self-portrait, in this instance adding the component of a journey around the space of her apartment to her narrating voice. -Tate

The young architect Severin Sereda receives a telegram with a message about his father’s serious illness. But he does not intend to go. Zhenya, his beloved girl, is outraged by such callousness, however, Severin explains that he gave the word to his deceased mother to never see his father who left her. Nevertheless, Zhenya manages to persuade Severin. He goes, but he doesn’t catch his father alive ...

A Japanese tokusatsu kaiju proof-of-concept short film directed by Takeshi Yagi and written by Yagi, Todd Silverstein, and Jordan A. Y. Smith. It is the end result of a tokusatsu film production course taught by Yagi for the online subscription service Narō. Though only about 6 minutes of footage was cut together and shown at Tokyo Comic Con on November 24, 2022, Yagi and his crew intend to put proceeds from course subscriptions toward getting AKARI made as a feature film or television series. It stars the titular Akari, a woman turned giant with alien technology, fighting off a berserk cybernetic monster.

The stories of "Goldilocks" and "Little Red Riding Hood" collide with the world of jazz, resulting in three jiving bears and a jitterbugging Big Bad Wolf. One of the “Censored 11” banned from TV syndication by United Artists in 1968 for racist stereotyping.