Pirates: A Gay XXX Parody

Documentary about Ajax Amsterdam in 1968.

Chunauti is an action-packed romantic comedy that tells a story of love, struggle, and justice. Ajaya and his wife Prabha move to Kathmandu, where Ajaya starts working as a teacher. Later, his sister Gita joins them and enrolls in the same college. There, she meets a kind and charming student, but trouble arises when Madhav, a troublesome student, also starts liking her. One day, a fight breaks out in the college, and when Gita tries to stop it, an inspector arrives and brings the situation under control. Angered by this, Madhav and his group cause harm to Prabha and Gita. They also try to escape punishment through legal means. With no strong evidence, Ajaya takes a stand and challenges the court. In the end, he decides to take justice into his own hands, leading to a tragic ending where the inspector, fulfilling his duty, stops Ajaya. Chunauti is a story of love, courage, and sacrifice in the face of injustice.

Four men decided to enter in the oldest Fight Club of the History, The Florentine Football tournament. A father and son, a black guy, an old champion and outsider clerk will enter in an arena of the time to win their fears, to go over their limits, to be heroes for a day.

A businessman who wants to be rich loses out on family and social life. He marries a girl who loves him only because she would prove profitable to his business. He realizes what he lost after the death of his mother.

In the dressing room of the French cinema, minutes before attending a lecture, François Truffaut recalls his trajectory

Mostly shot in San Francisco and Northern California, material filmed (using the camera almost as a p[r/a]inter, a means of shaping the visual world as film, but without reflection) in response to what that world was opening in me. "Material!" - analogies between weaving and spinning thread and images already a pattern within film history (e.g., in Deren) is here carried into further ramifications of unraveling and patterning in fabric- and cinema-making, as well as in personal and mythic dimensions. The open unfolding structure, which pulls away from the balanced design of much of my work, gives equal weight to the sound composition. Involves "opening" with its perils and ambiguities.

A couple's weekend getaway turns into a nightmare after they are stranded in the woods and discover what they assume to be a dead body. The assumption is wrong and John and his girlfriend Jennifer are infected with a deadly disease that will soon ravage their bodies. With no place to go, and no one to turn to, they are forced to find shelter in a deserted cabin. This is where they'll find safety, but this is also where they'll experience a slow and torturous death. They must come to terms with their inevitable deaths, the temptation to kill others to sustain their own lives, and the consequences of murder. They will cling to one another's love and support, but in the end.... all great love stories end tragically.

Kiba is back again, but this time he has fallen from grace and sent to prison for all the violent acts he has committed. Once he's out, he begins working as a bodyguard in a club that is crawling with gangsters.

Valerie is a self-confident and modern woman - she commutes between L.A., where she works, and Berlin, where she lives with her partner above the rooftops of the city. When he falls ill and falls into a coma, she wakes up at his bedside. Valerie decides to return to L.A. one last time, burn all her bridges there and move to Berlin for good. She decides to record a video diary for her absence and begins to narrate for her loved one the day before her departure. Intended as simple messages of love, Valerie's memories are suddenly unleashed in the midst of the recordings. Playfully, she loses her shyness in front of the camera, her emotions burst forth and allow her to relive the story of her great love. What began as a game becomes a reckoning with life and love.

In 1975, the British Government quietly closed down a secret evolutionary project codenamed BEAGLE, ordering the destruction of all research materials. Today, the horrific discovery of several oddly mutated bodies alerts Liz Shaw and P.R.O.B.E. to the fact that something is stalking the original site of project BEAGLE – something which may challenge the very nature of humanity itself! With a crack security team at her disposal, Liz desperately attempts to track down the perverted results of the project. But who or what is hunting whom?

Tai Chi guru Zhang Sanfeng deciphered the eighth-level mystery box, broke the border-less mind and magic skills and wiped out the stories of martial arts scum.

Jason and the crew go on a leisure trip to a carnival, but are confronted by carnival barker Uncle Blobb and his diabolical interplanetary real estate scheme as he attempts to turn them into "Seeds of Discontent."

Set 1: Bertha(Grateful Dead cover) (>) Good Lovin'(The Rascals cover) It Must Have Been the Roses(Robert Hunter cover) (Tour Debut) Big River(Johnny Cash cover) (>) Dark Star(Grateful Dead cover) (verse 2) Next Time You See Me(Junior Parker cover) (>) Mississippi Half-Step Uptown Toodeloo(Grateful Dead cover) (>) Bird Song(Jerry Garcia cover) (>) Don't Ease Me In(Henry Thomas cover) Set 2: Iko Iko(Sugar Boy and His Cane Cutters cover) Sugaree(Jerry Garcia cover) China Cat Sunflower(Grateful Dead cover) (>) I Know You Rider([traditional] cover) (>) Uncle John's Band(Grateful Dead cover) (>) Drums(Grateful Dead cover) (>) Space(Grateful Dead cover) (>) Hell in a Bucket(Grateful Dead cover) (>) Wharf Rat(Grateful Dead cover) (>) Turn On Your Love Light(Bobby “Blue” Bland cover) Touch of Grey(Grateful Dead cover)

A mysterious creature works hard to make new friends and get a decent forest selfie.

A story about the inhabitants of Warsaw's Praga from the late 1970s. There are representatives of the social margin among them, but there are also a collector of works of art, an ex-peasant who keeps raising peacocks, an old woman collecting dolls. This extremely colorful company lives in old, demolished tenement houses.

Stole Popov's Oscar-nominated Dae depicts a group of Roma celebrating St. George's Day. The documentary doesn't contain dialogue, just footage of the festivity.

A regiment of soldiers demonstrate their skills.

Anger discusses his Aleister Crowley-inspired theories of art: How he views his camera like a wand and how he casts his films, preferring to consider his actors, not human beings but as elemental spirits. In fact, he reveals that he goes so far as to use astrology when making these choices. This is as direct an explanation of Anger’s cinemagical modus operandi as I have ever heard him articulate anywhere. It’s a must see for anyone interested in his work and showcases the Magus of cinema at the very height of his artistic powers. Fascinating. (Dangerous Minds)