Osaka Tough Guys

Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.

A physician who helps his clients bring new life into the world is accused of an ethical breach that's also criminal in this independent drama. Dr. Freeman (Colm Feore) is a doctor who runs an upscale fertility clinic in Las Vegas, Nevada. Freeman specializes in helping women who have had trouble getting pregnant conceive, usually through artificial insemination techniques or transplanting donated eggs into his patients. Over the course of several weeks, Freeman inseminates nine women from different walks of life, eight become pregnant and give birth to healthy children, but when the new mothers compare notes, they discover their children bear a striking resemblance to one another...

Two brothers channel grief in different ways at their mother's funeral.

Tension mounts between a quadraplegic man and his wife as she prepares a bath for him.

When a top-secret laboratory is unexpectedly breached, thousands of rampaging raptors are unleashed on Los Angeles! A black-ops unit is mobilized to contain the creatures before they cause city-wide chaos. Simultaneously, a truckload of raptors is rerouted to a nearby prison. Upon their escape, these ferocious flesh-eaters are beyond containment. This is Jurassic judgment night for smoking hot sorority girls, sinister scientists, muscle-bound military and doomed death-row inmates! It's about to get bloody in Jurassic City!

Roscoe's wife, tired of his endless drunkenness, reads of an operation that cures alcoholism and has him admitted to No Hope Sanitarium to get the surgery. Roscoe, wanting out, eventually disguises himself as a nurse to effect his escape.

This musical version of the tale of the boy who wouldn't grow up aired live on television on March 7, 1955. It was so popular that it was restaged the following year, and again four years later.

After suffering a crushing defeat against the new CBA-R35, Koji takes his GT-R32 and trains hard in hopes of taking back his racing crown.

The Yellow Eagle family are Native American and live on the Prairie Wolf Indian Reservation. News reaches them that Floyd, the youngest son of the family, has died during military service in Afghanistan. The waiting begins to get his body back to the Reservation to be buried.

Since 2013, Nixon Newell has travelled the world as a professional wrestler. This is the story of her goodbye to independent wrestling.

A group of mismatched friends spend a weekend together in Maine.

This is the story of Isa, who grows up in a Hamburg suburb. It might be one of the world's richest cities but every beast has its belly and here, in the very underbelly, Chiko lives in a world where violence, staking and keeping a claim, and drug taking are the norm. Where down is not an option, Chiko is determined to rise to the top, whatever and whomever it costs.

Feature film.

Set during WWII, a young boy wants to join his brother in the "war at Pearl Harbour".

A little girl stumbles into a sacred grove near her village in south India. She disturbs the spirit of the forest, who takes her on an adventure to illuminate the origins of this ancient swampland.

Thirty years after A Hard Day's Night, its producer, director, writer and others describe its making. United Artists Records came to Walter Shenson, asking him to produce a movie so UA could issue a soundtrack album. Shenson signed Lester to direct, and they got the Beatles to agree to star. Shenson sent Owen to Dublin to spend time with the Fab Four; from this came a script built around their being prisoners of their own success. Phil Collins, himself an extra on A Hard Day's Night, hosts this examination of a seminal film: what was ad-libbed, why was it a hit, what was its influence on other movies, and how did it define the way the public viewed each Beatle for years to come?