Exorcism of the Dead

Poltergeist Encounters is a found-footage horror film, set in an empty suburban home, filled with dark secrets.

In Berlin, Lieutenant Yartsev's infantry and Tzvetaev's battery fight their way in the U-Bahn. Captain Neustroev's company is selected to hoist the Victory Banner atop the Reichstag.

Journalist Jørgen Lorentzen was in Turkey when the coup attempt happened in 2016 and followed the event the whole evening. In the middle of the night one neighbour said: “This is not a real coup, I have experienced many coups and know what a coup is”. From that moment Lorentzen started the investigation of the event and its aftermath. This documentary is a critical analysis of the coup attempt in Turkey throughout the night between the 15th and 16th of July 2016.

Two people are waiting together for each other. Their flat waits with them and for them. Together they are living side by side. Someone is coming, someone is leaving, the flat stays where it is.

The story of an abused young man who decides to take matters into his own hands, but...

Story about a farmer.

Sundar, a waiter, is in love with Radha but does not have the courage to tell her. When he becomes a successful comedian, he confesses his feelings to her, only to find that she loves someone else.

Paul is a serially unemployed father of three who works one day a week in a run-down mattress showroom. To stimulate sales, proactive Paul invents the goofy persona of Mattress Mick for his employer, Michael, to play, and creates ridiculous videos involving rap songs and monkey puppets. When the oddball clips go viral, Paul sees his chance to monetize the concept and reinvent himself as a social media guru. Can a guy who's been made redundant twice in the past few years use his marketing savvy and entrepreneurial skills to transform his boss into an Internet star? Will Paul gain recognition for his bold ideas or will Michael take all the credit? Set against the backdrop of Ireland's crippling economic austerity and reflecting current workplace conditions, Mattress Men tells the compelling story of a man looking for job security so he can get off social assistance and provide for his family.

Iskyss is a strong and poetic love story based on Gunvor Galtung Haavik’s double life through 30 years. During the Cold War, she was employed by the Norwegian Ministry of Foreign Affairs, and assigned to the Norwegian Embassy in Moscow. With the information she had access to in the capacity of her position as interpreter and secretary, she frequently fed the KGB secret information.

An expat on the run in Romania works as a bouncer at an upscale nightclub frequented by a notorious mob boss and his girlfriend. When he saves the woman from being abused, the two go on the run as the vengeful boss and his army of henchmen relentlessly pursue them. With nobody to trust and killers closing in, they’ll have to use their wits, guns, and fists if they want to survive.

A place-specific film-excavation of Bixiga neiborhood – São Paulo. Choreography of forces that cross present time. Filmancy, clairvoyance is the vision of what is taking shape.

18 directors, 18 novels, 18 short stories about Moscow...

A brief glimpse of the cycles of Coyolxauhqui, the moon goddess. Her cycles used to be a dance.

Three dancers do a Russian folkloric step dance, facing the camera, in traditional clothes, fur hats and leather boots.

In the work of Jack Garfein - Holocaust survivor, theater and film director, key figure in the formation of the Actors Studio - past and and present freely intermingled to contribute to memorable stage productions and in two films, many which were ahead of their time in tackling such issues as homosexuality, race and violence. Powered by his vivid recollections and augmented with readings by Willem Dafoe, The Wild One traces Garfein’s life: his Czechoslovakian youth, his family’s fleeing the Nazis, surviving in Auschwitz and other camps, his 1946 arrival at 16 in New York and coming under the wing of Lee Strasberg, Hollywood, his marriage to actress Carroll Baker.