El último round

The Russian version of the movie "Fight Club" is not just a Russian version of a well-known cult film, it is the result and of the hard work of two young men and their love for cinema, Alexander Kukhar (GOLOBON-TV) and Dmitry Ivanov (GRIZLIK FILM) , who are responsible for this project, from the development of its idea and the selection of the cast, to the organization of filming and financial support. Filming lasted a whole year. Everyday work, constant trips, searching for suitable film sets and an exhausting schedule - all this was not in vain and resulted in an unusually amazing and original project - the film "Fight Club", created in the very heart of southern Russia, in the city of Krasnodar, by two young people

A psychological story of a loner in lockdown who has been spending all his time in binge watching TV Shows, finds out he has been laid off and he has no source of income left for him.

In a post-apocalyptic future where humanity has fallen apart, a group of scientists and an animated sign complete the construction of a new human race and meet a groundhog climatologist who prepares them for their mission to restore balance to the decimated Earth.

In the summer of 1969, Bernard, a Gaspesian fisherman's son, arrive in Perce to fin work. He meets Paul, Jacques and Francis, Quebec Independence activists who have come to open the 'Fisherman's House'. They aim to organize public conferences and offer lodgings to young travelers. A motley crowd of Quebecers from all over the province soon flocks to Perce: artists, hippies, rockers, hitchhikers and the like shake local authorities. Bernard is won over by the trio's ideas and gets increasingly involved in their project. The following year, the will join the Front de liberation du Quebec (FLQ) and play a pivotal role in the Summer Crisis 1969.

Groot investigates a spooky noise that’s been haunting the Quadrant, which leads to an intense dance off.

A young mom questions her choices and identity while raising her daughter on a farm.

This film explores various aspects of litterateur and painter Ram Kumar's personality by structuring the film around his stories and paintings, traveling between fragments of his past, present, fiction and imagery. It strives of etch out the synthesis of word and image in Ram Kumar's creations, presenting it as a portrait of the artist himself. The text used in the film is from various short stories by Ram Kumar.

Unable to move on from a breakup, Gabi, a queer Latina freelance editor, impulsively drops into an old job at an underground lap dance party, where she unexpectedly runs into a friend from her past.

In her forties, Juana is tired of working as a hairdresser. By chance, she discovers the crime of some clients and decides to blackmail them. But they have other plans, which include a wedding to cover up the crime and blame the groom.

A family of aerialists decides to go after the $250,000 prize being offered to any group that can execute a complicated trapeze maneuver. However, personal dramas and financial difficulties soon threaten to overtake the flyers' pursuit of the elusive quadruple somersault. The film received a Robert Award as the best Danish film of 1985.

An assistant professor at a medical college balances her roles as a professional, a mother and a teacher. Her life changes once she witnesses an unexpected incident involving a female student.

Carl Fredricksen reluctantly agrees to go on a date with a lady friend—but admittedly has no idea how dating works these days. Ever the helpful friend, Dug steps in to calm Carl's pre-date jitters and offer some tried-and-true tips for making friends—if you're a dog.

A painter's life is changed forever when a mythical and deadly spirit from Celtic lore becomes his muse and lover.

Stranded deep in the woods, a young married couple is taken in by an isolationist family, one that lives off the blood and plunder from lost hikers, and they want the couple to stay for the rest of their lives.

Gordon discovers that his girlfriend's dog isn't quite what she says it is.

San Francisco filmmaker Konrad Steiner took 12 years to complete a montage cycle set to the late Leslie Scalapino’s most celebrated poem, way—a sprawling book-length odyssey of shardlike urban impressions, fraught with obliquely felt social and sexual tensions. Six stylistically distinctive films for each section of way, using sources ranging from Kodachrome footage of sun-kissed S.F. street scenes to internet clips of the Iraq war to a fragmented Fred Astaire dance number.

A girl is haunted by an evil spirit in her family home. Several bad things begin to happen around her house and to her family members. An old character rises back and tries to save the family from their doomed fate.