The Taste

This is a fable about a woman’s right to choose her husband: it tells the story of a princess, who has several suitors. She puts them to the test, and finally chooses the one who has demonstrated the finest moral qualities.

Mostly shot in San Francisco and Northern California, material filmed (using the camera almost as a p[r/a]inter, a means of shaping the visual world as film, but without reflection) in response to what that world was opening in me. "Material!" - analogies between weaving and spinning thread and images already a pattern within film history (e.g., in Deren) is here carried into further ramifications of unraveling and patterning in fabric- and cinema-making, as well as in personal and mythic dimensions. The open unfolding structure, which pulls away from the balanced design of much of my work, gives equal weight to the sound composition. Involves "opening" with its perils and ambiguities.

THE MINDS OF 99 – THREE DAYS IN THE PARK is a concert documentary film that follows the band and the individual members in the period leading up to, during, and after the magical weekend in the Park. Through a compilation of more than 300 hours of material, the audience is taken behind the scenes and gets up close to the band and the pressures and dilemmas, thoughts and emotions they encounter on the journey to the three critically acclaimed stadium concerts.

Money talks. Teens in Los Angeles discuss money: getting it, spending it, and learning to live without it.

The film begins with shots of the castles of Bezděz, Točník and Karlštejn. In a restaurant at Karlštejn the guests remind Hašler that he is performing at the Varieté club. Hašler misses the train so he starts walking along the main road in the hope of getting a lift. In despair he forces a car to stop and makes the chauffeur to drive backwards to Prague. They stop at the wharf but, because he misses the steamboat , he uses a motorboat. The rest of the journey is spent on a tram. Hašler then quickly changes his clothes in his flat he reaches the Varieté club across the rooftops.

After being fired, Marcella, a gentle hearted mother going through separation, buys a tow truck; she gets trapped deeper and deeper in a cynical and aggressive world until a terrible opportunity shines in front of her.

Stand up comedy by Martin Lawrence, filmed in the Majestic Theater in New York City. Martin Lawrence talks about everything from racism, to relationships, to his childhood.

Hotel guests become trapped by a raging fire.

In his essayistic documentary Sigmund Steiner investigates the work, lives and generational relations of three Austrian farmers. Even though none of them are his father, each one of the film's protagonists reflects on one aspect of Steiner's complicated father-son relationship.

Gerda Taro, Robert Capa and Taino are three charismatic characters full of passion. Their lives and emotions will cross for an instant during the Spanish Civil War, but this short encounter will become one of the most iconic moments of History

A 30-something failed businessman moves into his grandpa's house, the defunct WW2 veteran. His quest to live up to his legacy, will redefine both the family hero and himself.

The strict quarantine in the spring of 2020 reduced the living space of hundreds of millions of people down to just a few square meters. The horizon was limited to the view from the window, boredom permeated the days, and an endless stream of catastrophic rumors emanated from the radio and television. Against the backdrop of his own mental and physical discomfort, the director begins to shoot a video diary. The similarly non-existent static camera records existential monologues as well as activities serving basic bodily needs. This philosophical essay is woven from reflections on the coming transformation of the world and the images that try to capture it.

The film revolves around a traditional Brahmin family and the fight between their beliefs and atheism.